Tag Archives: loneliness

The Dog I Want

            My ideal next dog would be a Maltipoo (Maltese/Poodle mix), ten pounds or less (small enough for Mom to be able to pick him or her up), non-shedding and hypoallergenic (as much as possible), and healthy enough so that I would have him or her for a long time (because having less than five years each with Butterfly and Ellie was heartbreaking). Ideally the next dog would also be a rescue, but I may have to accept that the ideal dog for me will have to come from a home breeder again, like Cricket did, rather than a rescue organization.

            My biggest anxiety, dog-wise, is the cost; because I’m not sure I can really afford a dog long term, and all of the vet care and grooming costs involved, on top of the adoption/rescue fees. I still have a lot of medical debt to pay off, and I’m afraid it’s selfish to risk getting another dog without knowing for sure where the money to take care of them is going to come from. And yet, I really need a dog, or two, to make life worth living.

            Back when we got Cricket, sixteen and a half years ago, we were still recovering from the death of our Lab/mix, Dina, who had died half a year earlier, at sixteen years and two months old, after a long but difficult life. She’d had false pregnancies for years, and for the first eight years, while we still lived in my father’s house, he refused to let us get her spayed to relieve her suffering. Either as a result of that, or just along with that, Dina had a lot of fears: separation anxiety that made it very hard for me to leave her home alone; fear of children and other moving objects; and fear of bridges and water and all kinds of sounds and smells. I learned an enormous amount from Dina about how to care for my own limitations with more creativity and compassion, because she couldn’t just “get over it” the way people always insisted I should be able to do, but by the end I was exhausted, and I just wanted an easy dog, a small dog, a happy and healthy dog.

My Dina

            I researched breeds and temperaments and sizes and on and on and decided on a Cockapoo, and we found a home breeder in New Jersey that we liked and went to see the puppies in person, and Cricket chose us. She turned out to be cheaper than we’d expected because she had an underbite, which, the breeder told us, meant that Cricket couldn’t be a show dog. Fine with me.

            Except, I discovered quickly that I am a terrible groomer. I spent two years trying to teach myself how to manage her and her hair, but in the meantime, and then forever after, she needed regular professional grooming, an expense I’d never thought of before. And when Cricket was a year old she started to limp, and we discovered that she needed knee surgery, first on one knee and a year later on the other one.

            But most importantly, Cricket, who was supposed to be our easy dog, ended up having all kinds of behavioral problems, most likely as a result of neurological problems caused by being the runt of her litter. She spent sixteen years teaching me how to love someone who is difficult, someone who is capable of biting the ones she loves over and over again, and someone who needs to be protected from her own impulses most of the time. She taught me that not all of the people who need your help will inspire your sympathy, or even be grateful for your help. And she reminded me that being smart (and Cricket was very very smart) does not protect you from struggling with even the smallest challenges in life. She also taught me that it is possible to be so cute that even the people who know you best will keep forgetting what a jerk you are.

I was adorable. It’s true.

            Maybe the most important lesson I’ve learned from all of the dogs I’ve had is that no matter what you think you are getting when you adopt a dog, each dog who comes into your life will teach you something you didn’t expect. You will be challenged and you will grow, whether you like it or not.

            Butterfly, an eight-year-old breeding momma rescued from a puppy mill, taught me a kind of love I didn’t know I could feel. Even from the first time I saw her, dirty from the newspapers lining her cage in the shelter, and missing teeth, I refused to let her go, even though we’d gone to the shelter that day on a whim, with no intention of bringing a dog home right away. I learned from Butterfly that I can take care of someone else, very well, and with an enormous amount of patience, when necessary. And I credit Cricket, who was six years old by the time we adopted Butterfly, with making it possible for me to believe that I might be able to manage the challenges Butterfly presented, healthwise.

“I knew you were the one, Mommy.”

            Then, Ellie came to us by luck, when Cricket’s groomer called us to say that she’d rescued a dog she couldn’t keep, because her previous rescue and the new one were not getting along. Ellie was four or five years old and had just been spayed, after spending years as a breeding momma at a home-ish breeder. I didn’t have the immediate “love at first sight” reaction to Ellie that I’d had with the other dogs, maybe because I didn’t choose her myself, but Ellie taught me that love can grow and become just as deep and strong, even without that coup de foudre at the beginning. I’m still too close to the loss of Ellie to take a full accounting of all of the things she taught me, but the realization that my heart can stretch and stretch, to sizes I could never have imagined ahead of time, is one of her gifts to me. And I also learned, in losing her, that a stretched out heart needs a lot of time to heal.

“Don’t worry, Mommy. Cricket’s keeping an eye on me.”

            I have no idea what I will learn from my next dog, or how he or she will challenge me. I guess, first, I will need to learn how to feel like I deserve the next dog at all, and to believe that I will be able to live up to the challenges that come along with all of the love and joy and comfort. I hope that this part of the work doesn’t take too long, because life is pretty lonely without a dog.

“There’s always room for another dog.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

I Am Not Alone





 
               In my adventures through Israeli music I’ve found one song title coming up over and over again: Lo Levad, or, Not alone.
               At first, I thought they must all be covers of the same song, because Israeli music is filled with covers and mash ups and duets, in a way that makes it feel like the whole country is one big Glee club. But when I listened to each recording, I realized that, no, they were all different songs, with different lyrics and musical styles and intentions. 
               Since loneliness is a feeling I’m very familiar with, I wanted to understand why Israel in particular would have so many songs on this topic, not just referenced in the lyrics but in the titles themselves. So, I chose three songs that I found particularly powerful, maybe only because they are “my” kind of music, to examine further.
Lo Levad – Jane Bordeaux https://youtu.be/H_gMtQ7BTo4?si=Obq-yjaSAL1Ry2yb
 
               Jane Bordeaux’s Lo Levad (written by Doron Talmon) was posted on YouTube soon after October 7th and is set at a kibbutz overrun by Hamas. A lone, burned tree is the first and enduring image of the song, but the roots of the tree are still strong, because of the people who are coming together to remember those they lost, and to rebuild. The melody is sad, but the message of community coming together is hopeful, and that melancholy contrast lingers long after the song is over. It’s not a big, banging rock song, or a cry for help; maybe it’s more like a folk song, the kind of thing you’d sing at a campfire, after a long day of cleaning up or picking clementines, to remind yourself that the effort is worth it. The basic message of Jane Bordeaux’s Lo Levad: some limbs of the tree may have been burned, but the roots are strong and with help the tree will heal and grow again.
 
Lo Levad – Aviv Alush and Omer Adam with Veteyn Chelkaynu https://youtu.be/EiYoDi7IwFQ?si=vX4tXZO1_EZxLzT-
               The second Lo Levad I chose was posted just before October 7th this year, and is performed by Aviv Alush and Omer Adam, and written by a collective of artists called Veteyn Chelkaynu, as part of a yearly project leading up to the Jewish high holidays, to inspire secular Israelis to return to religious study in some small way. The message of this Lo Levad is that you can always go home again, by which they mean return to God and to Torah (the Hebrew bible), which is very much in sync with the message of Rosh Hashanah, and the month of Elul that leads up to it. This is my favorite of all of the Lo Levad songs I’ve heard, and did the most to genuinely make me feel less alone each time I heard it, maybe because the idea of prayer and study, as part of a community, actually does resonate for me, a lot; though I wouldn’t limit it to religious study, because in my experience almost any group studying together, or singing together, and willing to acknowledge weakness and the need for comfort, creates this same powerful energy. I also like the contrast of the two voices, one gruff (Aviv Alush, a popular Israeli actor) and one sweet (Omer Adam, maybe the most famous and certainly the most prolific of Israel’s singers), and I like that in both the lyrics and the music, this song champions both crying out for help and reaching out to help someone else; there’s no sense that one role has more value or respect than the other. The basic message of Aviv Alush and Omer Adam’s Lo Levad: life is a difficult journey for everyone, with lots of choices along the way, but you don’t have to go on this journey alone, and you can find your way home, with help.
Lo Levad – Hanan Ben Ari https://youtu.be/6G_1fUcExJY?si=AB3rwHmRzwZDhqB3
               The third Lo Levad I chose is from Hanan Ben Ari (co-written by Roi Chasan), a popular Israeli singer/songwriter who sings a kind of pop/religious hybrid that really seems to crossover well. His Lo Levad, which is actually from seven years ago, is anthemic, built like an uphill climb, both in the music and in the lyrics (or what I understand of them, because the Hebrew here was hard for me in certain places). It’s written in third person, so it has that distance of speaking about someone else’s pain (even though it could be about him, who knows), and there’s a choir that jumps in when the song builds. The basic message of Hanan Ben Ari’s Lo Levad: even if you fall into the dark cavernous pit of loneliness, you can find the light and even the wings to fly.
               Together, all of these songs feel like puzzle pieces in the larger picture of how loneliness feels and how we try to combat it. Loneliness is certainly not unique to Israelis, but maybe their willingness to acknowledge it, and their focus on combatting it in community fits the Israeli ethos in particular. In the United States, where our most insistent value is independence, we have mixed feelings about acknowledging loneliness as a problem. We, maybe, see loneliness as a necessary price for the kind of rugged individualism we are supposed to strive for. But in Israel, where collectivist kibbutzim played such a big role in its beginnings, and mandatory army service brings people together from all walks of life, community is the key to survival.
               The loneliness theme also resonates in the physical isolation that is inherent in where Israel is located in the world, surrounded by Muslim majority countries that have, historically, seen Israel as a cancer that needs to be excised; and it responates with the long history of Jewish wandering that has led to being seen as the other by the majority populations of pretty much every place in the world.
               Wherever the loneliness comes from, though, it’s a relief to have it expressed, in music and in words, in so many ways; just the chance to hear about someone else’s struggle, and their attempts to find comfort, helps me fight off at least the bitterest edges of the loneliness.
               I didn’t include translations for these songs, because I wasn’t happy with my inability to really capture the magic of the words, and because I think it’s the music that is most powerful in these songs. There are, of course, other songs that have helped push away the loneliness, even when loneliness wasn’t even mentioned in the titles:
               Shleimim/Complete is performed by Idan Rafael Haviv (written by Avi Ohayon, Akiva Turgeman, and Matan Dror) and is a gentle love song about the kind of love that grows with every year together. https://youtu.be/kRy0xSsly_o?si=DKlSPPCyykkSRcdU
               Am Echad/One nation is written by Eli Keshet, Ben Tzur, and Omri Sasson and performed by a bunch of different Israeli musicians, and it’s a call for national unity in response to the current war, but also manages to capture the sweetness of coming together, even in hard times. https://youtu.be/u7CeOuIrxBM?si=8dtFFim9SZTnF9Bk
               Im Hayah Lanu Zman/If we had time, performed by Elai Botner and Noam Kleinstein and written by Elai Botner and Oren Jacoby is a re-recording of a song from a movie I never saw, about a different war, but Noam Kleinstein’s voice, even if I never understood the words, cracks me open every time I hear this song. https://youtu.be/mwPAlYxqLqE?si=uXKDfSQDW7xHKIXD
               As usual, I’ve been reading and listening to lots of voices about the war, and I found two people who were especially helpful in explaining the difference between the media coverage of the war in Israel and internationally: 

Einat Wilf with Eylon Levy – https://youtu.be/mHZyuposz3I?si=1rR7z-agkbHMt09o

Matti Friedman with Dan Senor – https://youtu.be/hZ3JGq5dxEE?si=I46SXBRex5B1ThRF

 
               It still feels pretty lonely to be Jewish right now, but all of these resources have helped in different ways, and writing the blog and hearing from my readers and fellow bloggers, helps immensely. I don’t need everyone to see things the same way I do, but I do need to feel like I’m part of the picture, part of the community of voices that are hearing and being heard.
               Thank you for helping me feel less alone.
 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 
               

On Loneliness

            Loneliness is a lifelong state of being for me. I was a lonely child, because I couldn’t share my world with anyone. I loved my big brother, but there were so many things he refused to hear, refused to say, refused to see. I loved my best friend, but she didn’t love me back. She tolerated me, she accepted my presence, but she didn’t understand me and didn’t want to. I thought that was my fault, by the way, because I wasn’t rich enough or pretty enough or clever enough, but, and this is something I’ve only recently figured out, it wasn’t about me; which doesn’t solve anything, or heal anything, for either of us, but it’s true.

            I loved my parents, but my mom was deep underwater, in an abusive marriage. And my father. Well. His idea of love was loyalty and control in only one direction. He was a bruised and broken child himself, who never healed, or ever tried to.

            I lived in this kaleidoscope of broken people, always moving around each other, never fitting together into a whole. And at school, even though the other kids didn’t know any of this, they knew. They knew that I bothered them, upset them, and scared them, just for being me: for being nice to people who hurt me; for helping people who looked down on me; for showing everything on my face that they were able to hide and thought should be hidden.

            I learned, over time, how to act like I was normal, or something like it. But there was still something too honest about me, and it hurt people to look at me, and so they hurt me, as if I’d done it on purpose; as if my sadness was an attack on their otherwise peaceful lives.

            I’ve worked hard to make connections with people, and to chisel away at the loneliness, but it is still there, and still informs everything I do. It makes me more desperate to have my say and to be heard; and it makes me more sensitive to the pain of others; and it makes me more frightened, of everyone, because I know how badly they can hurt me.

“I would never hurt you, Mommy.”

            In a way, isolation has been my way to protect myself from having to feel too much of the loneliness at once, because the feeling is most profound when I am closest to other people.

            I don’t know if any of this is true for other people, or for what percentage of other people. I know that some people use their loneliness to excuse acts of emotional and physical violence against others. I know that some people use loneliness to spur active and crowded lives. But most people don’t talk about their loneliness in public. Most people act as if they are fine; and even if I can imagine that there’s something behind the mask, I can’t presume to know what that is, and so my loneliness persists.

“I never hide my feelings behind a mask.”

            Loneliness is probably the echo underneath everything I write and everything I do – and it hurts, a lot. It doesn’t resolve. It doesn’t dissolve. It doesn’t disappear. There are other feelings that persist from my childhood, like shame and fear and guilt and physical pain, but loneliness is the most pervasive; it’s the one that follows me everywhere I go, even when I am otherwise happy and well.

            I don’t know why I wanted to write about this. Maybe because I’m starting to wonder if the loneliness will ever recede; and to wonder if I’m perpetuating the loneliness, even causing it, without any idea of how to stop.

            We have these ideas about healing – that it can be fast, and complete, and willed into fruition – but none of that tracks with my experience. Some wounds don’t heal, or fade, and sometimes we have to accept that our lives will always hold the shape of that pain.

I haven’t reached that level of acceptance, though. I still want the fairytale, with the happily ever after ending. I want, most of all, to be whole.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?