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The Movie I Walked Out On

 

For the past few years, the Israel Engagement committee at my synagogue has been showing Israeli films a few times a year, as a way to explore the modern state of Israel from the point of view of its own citizens. This year the theme is movies made by Palestinian Israelis, and told from a Palestinian perspective. You might think this would be a weak draw at a synagogue on Long Island, but more people came to the first movie of the year than come to most Friday night services.

This was my first time going. When the series first started I was busy with graduate school and too exhausted to go back to synagogue for an extra night, to sit in uncomfortable chairs and watch movies I could easily watch online. I finally went this year for a practical reason: I’m on another committee that’s planning to show a movie in a few months, and I wanted to see how the Israel Engagement committee managed the scheduling, snacks and seating, and the actual showing of the movie (and no one else on the committee volunteered to go).

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“We’ll just wait here for you, Mommy.”

Mom came with me for moral support, and we both decided to skip the schmoozing period before the movie. It turned out that even though the movie was listed as starting at seven, it actually didn’t start until after eight o’clock, so many people were still arriving long after Mom and I found seats in the back of the sanctuary (the film was being shown on one of the new screens in the remodeled sanctuary, to justify the expense of building screens into the design). This was my first lesson from the movie – don’t plan for seven and show the movie at eight, no matter how many people talk about “Jewish Time”. Fifteen minutes for schmoozing and late arrivals, and then start the movie, because I don’t want to be there forever.

The head of the Israel Engagement committee gave a brief introduction to the theme for the year, and a warning to the one sixteen year old in the audience that he had just made the age cut off, because there was some drugs and other adult themes in the movie.

I was a little apprehensive, partly because I’m always tense before seeing movies in movie theatres, worried that I’ll be trapped for an hour and a half watching a movie I don’t like, but also partly because the movie was billed as coming from a Palestinian perspective, and I had no idea what that would mean. The description of the movie had said that it was a story about three Palestinian women living together in an apartment in Tel Aviv, and it sounded like a sort of comedy/relationship movie, but there could still be anti-Jewish or anti-Israeli stuff going on, and while I’ve worked hard to challenge myself with different perspectives on Israel I tend to do it at home, where I can stop the movie or close the book and take a few deep breaths and pet a dog before continuing.

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Two dogs available for petting.

Once the lights went out I took a deep breath and told myself to accept the challenge of watching the movie, because, really, it wouldn’t kill me. I might get bored, or annoyed, but how bad could it be, especially with so many other members of my congregation filling the room. I rolled my eyes at all of the marijuana, and the smarmy men hitting on the gorgeous women at the beginning of the movie. I couldn’t really tell when the dialogue switched from Arabic to Hebrew, because they all spoke so quickly and fluently in both languages. The whole thing hurt my ego, because after so much effort to work on my Hebrew I was still stuck reading the subtitles like everyone else.

I noticed that even though some of the men in the movie were creepy, either overly smarmy or overly controlling, there were a lot of other characters worth watching, straight and gay, religious and secular, successful and not so successful. And the actresses in the main roles were very good, luminous really, and funny and smart and interesting. The friendships developing among the women, once the early partying and drug scenes were out of the way, were surprisingly gentle and sweet, and I started to really care about what happened to them, especially to the religious girl who seemed very familiar to me, despite being a religious Muslim rather than a religious Jew. I was almost patting myself on the back for my open-mindedness by then, for being able to look past the drugs and the sex and the politics and just enjoy the people.

And then the rape happened. I saw it coming when the controlling fiancé touched his girlfriend’s hair-covering and started to tug on it. No, I saw it coming before then, in the way he tried to control where she lived and what she planned to do for work once they were married. The conflict was all telegraphed from the beginning, but it was played light and sort of funny, and I figured that over the course of the film the religious girl would come to realize that some kind of independence would be great and maybe she didn’t have to do every single thing her fiancé or male relatives told her to do. I assumed that the movie would continue in the same light-hearted style, with the sex happening behind closed doors, and all of the challenging topics addressed with humor and ellipses.

And then the fiancé touched the religious girl’s hair covering (they didn’t call it a hijab in the movie, so I’m not calling it a hijab, even though that’s the only word I know for a Muslim woman’s hair covering). My whole body tensed, because I know what it means for a religious man to break what other people might see as a minor boundary. I don’t care if you are Muslim or Jewish or Christian, if you follow modesty laws and you suddenly break them, watch out.

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“I’m watching them. All of them.”

The rape started so quickly, and I was so busy telling the girl (silently) to get the hell out of there, that it took me a second to really freak out. I wanted to drag that man off of her, just reach up into the screen and toss him to the floor, and I couldn’t. The only thing I could do was run, or walk, out of there. If she couldn’t run, I would have to run for her.

I stood up awkwardly, because there wasn’t a lot of room between the rows of chairs, and quietly told my mother that I had to leave. I was willing to sit alone in the hall by myself for the next hour or two, if necessary, but I wasn’t going to stay in that room and watch a woman being raped. I felt like, by sitting there, I was allowing it to happen, even making it happen.

Mom followed me out immediately, and listened to me ranting all the way home, and even sat with me, and the dogs, while we watched a Hallmark Christmas movie to recover.

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It’s important to say that, even if they had warned me that there would be a rape in the movie, I’m not sure I would have known how it was going to affect me. Though, just the word rape would have been a trigger. No one used it. Watching people have sex on screen is embarrassing, and would have felt really weird in a room filled with fellow congregants, but not scary. Rape is scary.

 

As far as I know, no one else left. But I didn’t speak to anyone about it afterwards, so I don’t really know. I have no idea if they discussed the rape scene during the discussion after the movie, or if it had been eclipsed by other plot points by then. I don’t even know if anyone, other than the female rabbi who was sitting in front of me, even noticed that I left, or why. She emailed me after the movie, to make sure I was okay, and I sobbed with relief, because I was afraid that no one had even noticed that I’d left. Or why.

The thing is, a bunch of the people in that room have read my novel, or know about it, and know that I am an incest survivor. They do not talk to me about it, or ask me about it, though. And when I’ve offered to discuss it with the congregation, in person, in a letter, any which way, no one has taken me up on it. The fact that they can sit through a rape scene in order to show their support for Palestinian women and Palestinian filmmakers, but they don’t want to hear from me, hurts.

The rape scene, as much of it as I saw, still flashes through my mind over and over again. And I resent it. I have enough awful memories of my own. I don’t need more.

I felt selfish for walking out of the movie. I beat myself up about it for hours. I felt immature, and melodramatic, and I could hear my father’s voice in my head calling me Sarah Bernhardt and telling me that I was overreacting, again, just like I always used to do as a child when I got all riled up about my father’s behavior and the crazy conspiracy theories he liked to spin about why he kept being accused of sexual misconduct at work, with children.

But most of all I felt invisible and insignificant. I felt like, in the face of intersectionality and world issues, and the increasingly strong need for people not to think about certain things, I do not matter at all. That’s the scariest thing, to feel like I don’t matter to the people who matter to me. And I can’t shake that feeling any more than I can shake the etch-a-sketch of my mind and make the rape images go away.

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

I hate games, so of course my students love them!

 

Even back in kindergarten, I hated playing Duck Duck Goose and Musical Chairs and Mother May I, and Red Light Green Light. I hated the competition, and I hated the humiliation when I couldn’t remember the rules, and the hierarchies that decided who would be a winner and who would, forever, be a loser.

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“I’m not a loser like you, Mommy. I’m a winner.”

A million years later, though, it turns out that games are a favorite at synagogue school, and the kids beg to play them over and over, spewing long lists of rules that I’ll have to learn in order to do it just right. They walk into the classroom, ignoring the worksheets and pencils on their desks (I love worksheets!) and they beg to play Jewish Jeopardy or Bingo or Tic Tac Toe before class even starts. They loved the day when we had an active shooter drill, because it meant competing with each other for who could hide best, and for who could make another kid laugh before laughing themselves.

When school first started in September, my idea of a perfect class session was: a handout to start things off; some practice with Hebrew letters; a sing along to learn one of the Hebrew prayers; and then a discussion about what the prayer meant to them; and then maybe a vocabulary list. I wrote one lesson plan after another along those lines, even after I discovered how hard it was to get the kids to sit in their seats for even two minutes at a time.

I figured I’d just need to come up with better ideas for how to reward them for cooperating. One of my first ideas was to give them a dance break, so they could work off their extra energy. I even bought a little speaker to attach to my iPhone, so they could hear the music over their own (very loud) voices. But they weren’t excited by the Nefesh Mountain songs I chose for them (Jewgrass music!!!), and then the new little speaker stopped working halfway through the song, and meanwhile the boys had decided to create a maze on the floor and crawl through the desks until the desks started to fall like dominoes.

Then I brought in sugar free candies and whole wheat pretzels for rewards, which seemed to get their attention, but it also distracted them and led to attempts to steal the snacks from the top of the cabinet (they are much taller than they look, somehow). And then I ran out of candy too soon (who knew sugar free peppermints were so popular?), and they started to complain about who got more pretzels than who, and how unfair the world is, and, by the way, teachers are always nicer to the girls! I’m still working with the snacks, because they are a good motivator, but I’m trying to be more consistent in who gets them and when.

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“I like treats too, Mommy!”

I’ve had a lot of other ideas along the way for how to encourage the kids to finish at least a little bit of my lesson plan before half the class makes airplanes out of the worksheets (hint: half the class are boys). I thought of bringing in stress balls early on, when I noticed that a few pencils had been shattered, and the others were scattered across the floor, but I realized quickly that with the amount of energy and aggression in the room the stress balls would literally be bouncing off the walls, and the children’s heads.

I even thought about bringing Cricket in once, to keep some discipline, but her barking would have prevented even the small amount of work I was getting done. And I knew I couldn’t bring Ellie, because she would have peed on the floor, or cowered under my desk, with so many noisy little people around her.

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“I could play with the children, Mommy. I just need to bring my friends.”

Some of my ideas actually worked out, though, like having the kids do Head, Shoulders, Knees, and Toes, in Hebrew, and making the shapes of the Hebrew letters with their bodies. But they get bored very easily, especially when they suddenly realize they’ve been tricked into learning something.

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“You can’t trick me.”

I finally gave in to the pressure to play a game with the kids a few weeks ago, and they gave me a big list of rules I can’t remember, except that there were two teams, and when one team missed an answer the other team got the “rebound”. I used the game as a way to get through a word list I’d brought in for them, and for the first time they were actually able to get through a whole list, in both classes. To me, it felt tedious and mean and competitive, but to them it was awesome!

I don’t understand the draw, nor am I especially skilled at running games, and I have no creative ideas of my own for new games to play. So the following week I had the kids do student teaching (so they could teach me), and of course, after teaching alien languages and candy eating tricks, they focused on running games. There were clapping games and hiding games and games where we had to sit on the floor and games where we all had to leave the classroom. There were no games, unfortunately, that incorporated learning Hebrew. I’m sure you’re surprised.

But somewhere along the way I realized that if I give a little, they give a little back. I even had one kid ask for a harder worksheet. He decided that if he was going to have to get work done anyway, in order to earn the game he wanted to play, the worksheet should at least be challenging. So, they are teaching me, and they are very generous with their lessons, and eager to tell me when I get things wrong, which seems to happen often.

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“I’ve got a long list. Start typing.”

I’m still going to try out all of my own ideas on them, trying to make the learning itself more fun, and productive, at the same time. And you never know, maybe some time during the year they will become less concerned about who’s winning and who’s losing, but I’m not holding my breath. They’d win that competition easily.

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“Mmmffmmhhm.”

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

Orthodoxapalooza

 

A few weeks ago, when my best friend from high school was visiting from Israel, we met up on Central Avenue in Cedarhurst. If you are not an aficionado of the habits of Orthodox Jews on Long Island you may not recognize the name of the place, but Central Avenue is a haven for Orthodox Jews looking for kosher food, Judaica products, modest clothes and wigs, and the general companionship of similarly dressed people.  I was one of three women wearing pants, along the whole street, and even the little girls wore skirts over their leggings (and this was not a cold day).

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“That seems like an awful lot of clothes, Mommy.”

I had to do a practice drive ahead of time, even though I’ve lived on Long Island my whole life, because I’d never driven to Central Avenue before. Even though I stayed in the car for that first trip, it felt a little bit like time travel, being surrounded by the sort of people I remembered from my adolescence. Even my brother’s Modern Orthodox neighborhood doesn’t quite jangle the same bells, if only because the skirts the women wear are shorter, and the men don’t let their payes (side-curls) grow long enough to dangle.

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“Do I have those payless things?”

We met there because my friend had fond memories of Central Avenue from an adolescence filled with longing to go there, both to window shop and to mingle. She doesn’t have the same anxieties about not looking religious enough that I do, but she told me that people dress completely differently in her neighborhood in Israel, even though they’re just as religious as in Cedarhurst. I assumed she meant that they wear different kinds of clothes there because it’s so much hotter, but she said that even though you don’t need to dress a certain way in Israel in order to look sufficiently Jewish, there are still different styles of dressing for almost every religious neighborhood, so they can make it clear that they are each, even if only slightly, different kinds of Jews.

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“We can’t BOTH be dogs. That’s just silly.”

Back in Cedarhurst, I noticed that the Jewish-friendly stores on Central Avenue are mostly high end, and I was afraid to go into one of the cafes, not because I question their level of kashrut (I don’t keep kosher), but because the prices were way over my head. The wigs in the wig shop weren’t cheap synthetics, but natural fibers and beautifully cut and colored, and the clothes were very well made, if mind-bogglingly similar. And almost every car was an SUV, even for the young marrieds with only one or two kids (so far). It used to be that very religious Jewish communities were sort of down at heel, because raising eight kids on a social worker’s or teacher’s salary, while the husband studies all day, doesn’t lend itself to wealth. But Modern Orthodoxy (which encourages Orthodox Jews to embrace living in the larger society instead of choosing isolation), has changed the lifestyles of many religious Jews, encouraging young men (and women!) to go into business or become doctors and lawyers, instead of studying all day.

But there are still a million rules to remember when you walk back into the Orthodox world, around clothes and food and haircuts and handwashing and on and on. It goes beyond the 613 Mitzvot the rabbis deduced from the Torah, because at some point orthodox rabbis decided that local customs should gain the power of Jewish law, which means that if the community you come from has the custom of waiting six hours to eat milk again after a meat meal, then that’s what you have to do, even though the length of time is not specified anywhere in the bible. And in my brother’s neighborhood if you only have one dishwasher, instead of one for milk dishes and one for meat dishes, then you are never having guests for dinner. There are strictures upon strictures, drawing lines between every two Jews, so that you are inevitably more religious than one neighbor and less religious than another and you are going to hear about it.

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“I’m sorry, Mommy, but you’re just not religious enough for me.”

My friend, orthodox as she is, isn’t as kosher as the rest of her family, and doesn’t have quite enough children to compete with her younger siblings, but she has adapted to it. She respects their choices and makes sure not to serve them a chicken certified kosher by the slightly less strict rabbi in her neighborhood, but instead by the slightly stricter rabbi in their neighborhood, when they come over for dinner. She has always been tolerant of their differences, but able to hold on to her own views at the same time, which has a lot to do with why we were friends in high school, when I was nowhere near as religious as my classmates and, no one would eat at my house (only one dishwasher).

Like my friend, I work hard to be accepting of how other people live their lives, and I try to look for reasons to be tolerant and understanding, but religious orthodoxy pushes my buttons. It reminds me of feeling like an outsider as a kid, and feeling like I was an essentially bad person for the food I ate and the clothes I wore. I think I jump to conclusions much faster about a woman wearing a wig, or a man with a black hat or payes, than I do with people who are different from me in other ways. I feel automatically more self-conscious and less acceptable when I walk into a religious Jewish neighborhood, wearing my usual jeans and a sweater, whereas most other places I tend to feel invisible, in a good way.

I’ve found that this is a trigger for a lot of liberal or progressive or secular Jews, because it taps into a feeling that we are not good enough, not Jewish enough. And the fact is, being Jewish is an essential part of our identities, just in a different way than for the Orthodox. When one of my nephews, years ago, looked me up and down (in my jeans and short sleeves and sneakers) and asked me if I was Jewish, I had to take a deep breath not to hiss and curse at him. He didn’t mean anything by it (he was and is a very sweet boy), he was just raised in a world where Jews look a certain way, and act a certain way, and he didn’t know what to make of me. But even knowing that it was an innocent comment, I still felt the hurt, just as I do when I hear about the Orthodox rabbinate in Israel deciding that liberal Jews aren’t really Jews and their weddings and conversions are not kosher.

There are a lot of things about Orthodox Judaism that I love, though, most especially the way they preserve tradition and create worlds that are infused with Jewishness, so that you don’t have to work very hard to feel Jewish and to feel proud of being Jewish. Their children are educated in the history and traditions of the Jewish people, and feel connected to their community and heritage. But in the process, they also condemn a lot of other Jews to being outsiders, and to being treated as less than and in need of improvement. The endless rifts between progressive and Orthodox Jews, in Israel and in the United States, are painful and intransigent. We, as human beings, tend to be much better at identifying our differences than our similarities.

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“It’s true. Human’s are terrible.”

But I went to Central Avenue in Cedarhurst anyway, and I chose to walk down the street, as I am, and no one gave me the evil eye, or pulled me aside to proselytize me into orthodoxy, the way I was afraid they might. Everyone went on with their lives, and, at the very least, kept their hurtful opinions to themselves. And I got to see my good friend for a few hours, with only the effort of a drive across the Island instead of a long plane ride across the world.

That’s a pretty good place to start.

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

 

Ellie’s Progress

Ellie’s Progress

 

Ellie will be six years old this month and she is basically unrecognizable from when she first arrived as a shy, quiet, skinny little girl a year and a half ago. First of all, she loves to eat. She would eat second breakfast (aka Cricket’s breakfast) every morning if we didn’t keep a close eye on her. Cricket is often blasé about breakfast, but Miss Ellie is teetering on the edge of a weight problem, so we have to be careful. Second, she makes eye contact all the time and has learned to make puppy dog eyes at me to ask for more treats and scratchies whenever she wants them. She barks to go outside, and races across the hall to bark at her friend Oliver on her way out the door. And then she zooms! She does figure eights and spirals and circles out on the lawn out of sheer joy!

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“That’s me!”

She even lets me wash her butt in the sink, even though it scares her, so she doesn’t have to walk around with poop on her butt, the way Cricket chooses to do. And Ellie loves her people. At her most recent grooming appointment the groomer said, a little resentfully, that Ellie has really attached to me now (she was rescued by the groomer in the first place and then came to us).

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“Who are you strange people?”

Ellie still pees too much indoors, though, and despite two wee wee pads (next to the front door and in my room), she still ends up peeing in the “wrong” places too often. But she seems to pee a lot more often than Cricket does, so I choose to blame her particular anatomy for this problem instead of blaming her.

Ellie is all love and enthusiasm, even when she’s sleeping, and she’s not self-conscious about her poochy belly (there used to be puppies in there, so she has an excuse!).

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I finally started to work on training with Ellie a few weeks ago, because she’s been getting extra barky lately and I wondered if teaching her some basic commands might help her as much as it would help me. Up until now I was reluctant to bother her with obedience lessons, because I was thinking of her as another Butterfly (a puppy mill mama rescued at eight years old), someone in need of freedom more than anything else. But Ellie isn’t Butterfly. She’s younger and healthier and less traumatized by her still-difficult early life as a breeding dog with a local breeder.

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“Ellie isn’t me. She’s her own special person.”

And it turns out that Cricket loves to act as role model for our training sessions, gleefully taking treats for every good “sit” and “stay” and “twirl” and “down.” Except that we had to go through an enormous amount of treats just to get a handful of good sits out of Ellie. And the process was exhausting. Ellie seemed to learn “sit,” and then unlearn it, ten times over. Cricket was a very quick learner, way back when (not that it’s done us much good), but while Miss Ellie really tries, training doesn’t seem to be her strength. She actually had solid name recall when we first brought her home (which Cricket has never managed), but that seems to have been the extent of her previous training. I have to use very small treats to train her, because she needs so many repetitions, and I ran out of the special tiny treats very quickly. I’ve been slow to re-order them, because those training sessions exhausted me so much more than they exhausted the dogs.

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“Cricket would have liked a few more treats.”

But even without formal training, Ellie has made tons of progress. When she first came home she was kind of stiff and inflexible, and I assumed it was just her body type. Cricket can curl up in a tiny ball and almost disappear, and I assumed that was just not possible for Ellie. But over time Ellie’s back has become looser, and longer, and she can curl up nose to toes just like Cricket, when she wants to, or stretch out across the couch to connect her people. Her back is like an accordion, contracting and stretching with each breath. She’s also stronger, and faster, than before, and she runs and jumps and begs for kisses while standing straight up on her hind legs.

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“Hi Mommy!”

I can’t train the sisterly relationship, though, so that’s still up to the girls. Ellie will lean on Cricket, and Cricket will lean on Ellie, but only if Cricket can pretend it’s not happening. They sniff each other for information whenever they’ve been apart for a few minutes, and they work together to demand outings, and to warn of incipient attacks by the mailman, but seconds later Cricket will act as if Ellie is a complete stranger who has wandered into our home by accident. Cricket gets especially riled up when she thinks her food and scratchies are being stolen by the interloper. And she can be quite a bully, intimidating Ellie away from the snacks.

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“I don’t know what you’re talking about.”

When I try to intervene, Ellie lowers her eyes, as if to say, No, Mommy, Cricket knows best. I’ve tried to explain to Ellie that, clearly, Cricket does not know best, but Ellie doesn’t believe me and I haven’t figured out a way to train her out of her subservience, or to train Cricket into learning how to share. My hope is that, over time, Cricket will learn to find Ellie’s devotion endearing, and start to bend a little bit in return. There will be plenty of treats in it for her when that happens, and she knows it, but sometimes even treats aren’t enough motivation.

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“Wait, when are treats not enough? Cricket, is this one of those unanswerable koans?”

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“Do you see what you’ve done?”

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

The Struggle to Breathe

 

I’ve started to practice breathing again. It seems like something I should be expert in, after so many decades of doing it every day, but I’m still a beginner. I was inspired to look for breathing exercises because of the opera singer who stood behind me in the synagogue choir for the high holidays. His Baritone was so secure and well-supported that even the sound of his voice made me feel like I had more air in my lungs. But I’ve also been feeling breathless more often lately, and that worried me. I was diagnosed with some kind of minor respiratory issue a few years ago, but the inhaler only made me cough more, so I decided to ignore the problem for the most part.

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“My breathing is fine, damn it!”

Years ago, when I had more energy, and less pain, I used to do Yoga and Pilates regularly, and breathing exercises were a regular part of the process, without much extra effort from me. And recently I realized that, even though I can’t do yoga anymore, maybe I should still be able to breathe.

I went online and chose three exercises from a long list of options: one breathing through the nose, one breathing through the mouth (like sipping from a straw), and one breathing in until my lungs were as full as possible. That last exercises felt impossible and I gave up on it pretty quickly, but I got used to doing the other two, ten repetitions each, every day.

It was really hard, though. I felt like I was drowning when I had to hold my breath. Even when I gradually built up to longer times, inhaling more slowly, exhaling more slowly, and holding my breath without collapsing, I still felt uncomfortable. And then one day it got really hard again. I could barely breathe in, or hold my breath for two seconds, let alone five, or six, or seven. And I got scared and started to picture a future of carrying around an oxygen tank everywhere I go and gasping for breath between each word. But I persisted with the breathing exercises, and after a few days it got easier again. Not easy, but back to five or six or seven seconds of holding my breath without feeling like I was going to die at any moment. And that’s when I realized that my new exercise routine could not only help me build my lung capacity (and my patience, and my voice), but it could also help me recognize the days when trying harder wouldn’t help. That’s a hard one for me. I tend to forget that weakness is real. I tend to believe that if I fail at something it’s because I’m not trying hard enough. But I knew that wasn’t the case here. I knew that I was trying just as hard to do the exercises, or even harder, but my body just couldn’t do it. And when that happens, rest is the right choice. It’s not laziness, or giving up, it’s about listening to my body.

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“I always listen to my body, Mommy. That’s why I can’t hear you.”

I still can’t manage a breathing practice that leads to long meditation sessions, and I’m not singing arias at the Met, but I’m more aware of my breathing now, and the ways my body reacts when I have more and less breath available. And maybe I can tolerate one more second of that drowning feeling than I could before, because I trust myself not to let it go on too long. I’m learning, slowly, what’s real and what’s possible, instead of what I think should be true.

Now, if only I could remember the lesson from one day to the next and not have to relearn it every single day.

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“You probably have dementia, Mommy. And by the way, you forgot to give me my treats.”

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

My Turtle Shell

 

It’s so hard to stay focused on my own journey, and recognize my own accomplishments, when I’m too aware of how other people are racing ahead of me. I want to congratulate myself for taking the synagogue school teaching job, and for performing with the choir, and for self-publishing my novel, and graduating with a Master’s degree in Social Work and earning my social work license. But instead I’m berating myself for all of the things I can’t do.

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“Want some help with that?”

I am getting by, and functioning to the limits of my current capacity. I know that. I’m not setting the world on fire (as I’d hoped), but I am sending out resumes for social work jobs, and submitting essays to literary magazines. I am writing (though never as much as I think I should), and I am prepping for synagogue school classes as if I were teaching full-time instead of two hours a week. I am studying my languages, and practicing ukulele, and doing my breathing exercises, and trying to exercise my body when I can. But I feel like a failure on a constant basis. I am always trying, and, it seems, never succeeding.

 

People still look at me funny when I say I’m only looking for part-time work, because I seem fine, to them. I feel guilty for “imagining” that I am still struggling in any way, as if I’m choosing to suffer longer than is reasonable, and I should choose not to suffer anymore. I don’t know how to do that, but people keep saying it’s a choice and that I’m making the wrong one.

And yet, I saw a picture on Facebook a few weeks ago, of a turtle who had been in an accident and lost most of his shell, and he resonated for me. The headline of the story was that someone had built the turtle a new shell, with a 3D printer, and painted it in beautiful designs and colors; and with his new shell, the turtle was able to go back to living his very slow, very long life, with his safety and dignity intact. And I realized that I am just like that turtle. I’ve been rebuilding my shell for the past twenty-five years. I don’t know if it never really grew in the first place, or if the one I had was so battered and bruised that it barely lasted into my teen years. And my shell still isn’t whole, and it’s definitely not painted and decorated to my liking, but after twenty-five years, instead of walking around naked and unprotected from predators, I have most of a shell to cover me.

turtle with 3d shell

The 3D shell

I still feel the rain too quickly, and I still take in too much of what other people say to me; I still bruise too easily, and recover too slowly, but I take more risks now. I can even go outside on a rainy day and do a slow little dance between the rain drops.

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“Dancing!”

I’d like to think that, even at my slow pace, I am living my life with dignity, and feeling safe enough to do things in my own unique way. And maybe, someday, I’ll finish growing my shell and even decorate it in a way that celebrates my long, slow, full life.

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“Slow is good.”

 

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

The Harmony

 

When I was eight years old or so, I started going to Saturday morning services in the big sanctuary at my Conservative synagogue. Most of the children in our synagogue went to junior congregation on Saturday mornings, for an hour of prayers and trivia games, meant to fit in between morning cartoons and afternoon gymnastics or computer classes. My brother and I went from the short children’s services in the tiny blue sanctuary, to the long adult services in the cavernous, stained-glass spectacle of the big sanctuary. And we loved it, or at least I loved it. The prayers were more complex, the congregants were happier to be there; but, for me, most of all, there were the harmonies.

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Harmony, like this.

We had a female Torah reader, along with our male cantor, who sat with us in the congregation, except for when she had to go up to chant the Torah. When I was older, she taught me how to chant from the Torah for my Bat Mitzvah, and taught me the different chant for the Haftorah, and for the reading of the Megillah on Purim, but every week, during Saturday morning services in the big sanctuary, she taught me that there was such a thing as harmony. I learned by singing along with her, and somehow it made the songs sound deeper, and truer, and more complete. More than thirty years later I still sing her harmonies without a second thought.

This year, I finally sang with the choir at my synagogue, as an alto, during the High Holidays. The fasting and prayer and atonement, and the endless standing, of the long day of Yom Kippur is meant to be the final lap of the marathon; the gasping, I-don’t-know-if-I’ll-survive, final effort to change course before the rest of the year begins. But it’s not the repentance, or the fasting, or the standing that makes Yom Kippur powerful for me. In fact, if it were only that I would feel dimmed and darkened by the holiday. No, it’s the communal effort of it all, and the way we create energy and joy together, all of us participating – singing, reading, opening the ark, dressing the Torah, carrying it; for some, just the act of coming into the sanctuary to be with the community for hours at a time.

We read poetry and prose during the services at my synagogue, to dig into the crevices and corners of the prayers that we might otherwise ignore as we push our way through the service. This year we read part of an essay by a Reconstructionist Rabbi named Sandy Eisenberg Sasso, called Soul-AR Eclipse, about how we absorb so much of our loved ones that when they die they don’t totally leave us. I believe this. I’ve taken in so much from the people around me, some good for me, some not so good, but they’ve become so much a part of me that even when they are far away, they seem close by.

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Butterfly

dina smiles

Dina

And I think that’s what happened this year as I was singing with the choir. This woman who hasn’t been in my life for many years, was standing right next to me, even singing through me. I felt like an eight-year-old again, singing harmonies, and filled with awe for the music, and the all-of-us. So many years ago she taught me that music can connect us, and help us to express the all-of-it, not just the happiness or the devotion, but everything we feel and can’t find any other way to say. I couldn’t name the feeling at the time, but I felt such relief singing those harmonies, knowing that music could be a conversation, even within myself.

Towards the end of Yom Kippur I went up onto the bima to read a poem by Linda Pastan. I didn’t know why I’d chosen that poem, except that it was one of the shorter readings available, until I read the last lines to the congregation and finally heard the words fully:

“When my griefs sing to me

From the bright throats of thrushes

I sing back.”

 

And I realized, yes, that’s what I do. I sing back. I sing in conversation with grief. I sing in response to grief. No matter what, I sing. And I’ve been doing it for a very long time.

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Cricket sings too!

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?