Tag Archives: music

The Humming

            After six months of semi-regular vocal practices, using one app or another, following one voice teacher or another, using the singing straw or doing lip trills, and singing along to every possible song on my YouTube list, I noticed that I had started to hum at random times during the day. I’ve been singing along to my Spotify list in the car and waking up with random songs playing in my head forever, but it’s been a very long time since I found myself randomly humming. Even after I realized I was doing it, I didn’t realize Mom could hear me. I thought I was just listening to my own soundtrack as I went about reading emails and typing essay drafts and playing silly games on my phone. When she mentioned that, by the way, she could hear me, I got self-conscious and stopped humming for a few minutes, but that didn’t last long. There was a song playing over and over in my head and it needed to escape somehow.

            I’m sure I must have hummed at other times over the years without noticing it, but the last sustained period in my life when I remember humming to myself on a daily basis was when I was in elementary school. I spent a lot of time by myself in between classes, skipping down the hall singing along to whatever tune was playing in my head (and I still had no idea why the other girls didn’t want to be friends with me. Go figure).

“Hmm.”

            I think I stopped humming out loud when I started seventh grade at a new school, because I suddenly had the opportunity to make new friends after being on the no-go list at my old school pretty much since kindergarten. I still sang all the time (or so it says in my eighth-grade yearbook), but only on purpose. By then, I guess, I had become too self-conscious to do anything un-self-consciously. It took a few more years before I stopped singing altogether, for a thousand little reasons that added up to me believing that singing was for other, more talented, more confident, more beautiful people. I even took voice lessons for a few years, but I didn’t have the nerve to sing in public or pursue music in any serious way, and eventually I stopped writing songs, and then I stopped writing poems, and music just sort of disappeared from my life. I’ve tried to bring it back a few times over the years, by joining the choir and practicing piano and learning guitar and then ukelele, but I still felt really self-conscious and like I didn’t have the right to sing on my own. I was fine practicing my choir songs at home, just to get the notes right, but I would keep my voice low and wear headphones so I couldn’t even hear myself.

Over the past few years, though, as I’ve been listening to the professional opera singer who stands behind me in choir rehearsals, something has started to shift. There’s something magical that happens when he sings; the notes fill the room and at the same time it feels like he’s giving the rest of us the oxygen we need to breath. I’ve never had the nerve to ask him for voice lessons, but listening to him sing inspired me to look for breathing exercises last year, and then this year, it finally pushed me to look for vocal exercises to try at home. It was a big deal to give myself permission to “waste” time on singing every day, but I was finally able to start about six months ago and develop a relatively consistent practice.

            And then, last week, the humming started. I don’t want to jinx it, or scare it off, but it feels like the humming represents some bedraggled, neglected part of my soul starting to come back online. It’s still tentative and I don’t know where it will lead (I’m hoping I’m not on a direct track to singing randomly in the aisles at the supermarket), but there’s something comforting about the humming. I used to sing myself to sleep when I was a kid, singing stories until every detail of my life seemed to fit into a gradually evolving melody with real shape and structure. I would love to find life becoming a song again, but I don’t want to jinx it, so I’m just going to note down what’s happening and see what comes next.

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Directioners

            I wrote about the beginning of my deep dive into the history of the boy band One Direction a few weeks ago, as part of my post on the Michael Jackson movie, but of course, when I dip a toe into the YouTube waters I quickly get swallowed up and lose all sense of time and place, and that happened to me again. There’s something about the way the app vacuums up every shred of available material, without discriminating between the official and the random, that fascinates me. I remember back when I was trying to learn how to do library research in college and there was a whole science to choosing your search terms in order to access even a sliver of the material you were looking for. But now, with YouTube and Google AI, you could type nonsense words into the search bar and the algorithm would still vomit out more than you could possibly absorb in a lifetime.

            Despite knowing how addictive it is, and despite knowing that the quality of the information is wildly variable, I was still easily seduced into the black hole, in large part because it’s so exciting to find all of this music (for free!) that used to be impossible to find. When I was a kid, I had to buy records or tapes in order to listen to the music I liked, or sit by the radio and wait for the D.J. to play my song, and now I can sit at Youtube’s feet and not only find all of the music I could ever want but find it curated into convenient lists of the best rock, pop, classical, or hip hop written a on random day in July.

            I can’t remember where my One Direction journey started exactly, or if there was even a single starting point that led to the Harry Styles mania that now fills my recommended videos list. Maybe it started when I was looking for vocal exercises and found a voice teacher who did reactions to music videos, or maybe it started when I was watching all of the collected Glee videos online, skipping the plots and just mainlining the music, or maybe it started in the primordial ooze and I will never be able to find the beginning of that string. Suffice it to say, I have now watched too many videos about Harry Styles and his One Direction bandmates, including his latest music video, Dance no more, and I have some thoughts.

“Uh oh. Mommy has thoughts.”

            The Directioners (what the One Direction fans called themselves) made the band. They saw these five adorable teenage boys on X Factor in Britain, in 2010 or so, and they fell in love. Looking at the old videos now, I can see that there’s something incredibly endearing about a group of teenage boys climbing all over each other and making silly jokes and pouring water over each other’s heads. It reminds me a lot of the boys in my classroom. Girls might hug each other or sit on each other’s laps or whisper secrets, but boys wrestle and grab and seem like they are magnetically drawn together. And in a world where we are all so used to living in our own silos there’s a vicarious high in watching these boys come together and form a single entity. They didn’t actually know each other before they were put together by the judges on the show, but then they spent 5 years together (4 for Zayn, who left the band early), constantly touring and traveling and writing and promoting their music, and their lives, on social media.

One Direction

This all happened at a transitional moment in social media’s development, when it changed from a convenient way to keep track of old friends or argue about computer operating systems into a universe of its own, with its own rules and fads and terminology. I don’t know if Harry Styles, at 32, counts as a Millennial or Gen Z, but his fans have a very Gen Z vibe about them – social media literate, sophisticated psychological terminology used to describe even the most mundane daily experiences, wildly curious and exquisitely jaded at the same time, and, most importantly, uncertain if life or thought can be said to exist if it has not been shared to social media.

            As a, maybe inevitable, result of the constant coverage of their lives, fans started to imagine love affairs between the boys, interpreting every gesture to fit their generation’s gender fluid, sex-saturated view of the world. There are videos of some incredibly sweet interactions between these young men, so I can understand why fans wanted to believe there was something more going on, especially between Harry Styles and Louis Tomlinson, who fans re-named Larry Stylinson, believing they were a secret couple kept apart by the evil record execs. Except, the boys’ love lives outside of the band were well-documented. Harry was famously attached to Taylor Swift for a minute and then to Kendell Jenner, and Louis often talked about his hometown girlfriend in interviews. It took me too long to realize that the fans had created this fantasy out of whole cloth, and by then I was shipping Larry Stylinson too, and the grief I felt at realizing that they weren’t really in love was palpable. It’s hard to know how much of an active role the boys played in creating these storylines for their fans, or if it came from the record company, or just from fan obsessions, but when Harry started to dress more flamboyantly many people took it as more evidence that he was secretly gay, despite the fact that being a gay pop star in the 2010’s was no longer the kind of secret someone would need to hide.

Harry Styles

            Interestingly, Harry Styles, of all the One Direction boys, seems to have made the most use of these internecine fan theories and obsessions to build his brand. He often seems to be winking at the fans, in his videos, in his interviews, and especially at his tour performances, which end up looking and feeling like a huge party with thousands of old friends coming together to share their own private jokes. I don’t know if Harry Styles feels like he has some control over the fan fiction, or if he just has an internal deflection shield that allows him to take in the love and ignore the dark underbelly of it, but he seems to be okay. Whereas Liam Payne, the fifth band member, who started out on X Factor as a painfully earnest fourteen year old, two years earlier than the other boys, and returned at sixteen  just in time to be swept up in the One Direction phenomenon, seemed to have no deflection shield at all. He took in all of the good and all of the bad until he couldn’t tell the difference and couldn’t survive it.

            As far as I can tell., the other three living members of the band also have huge and devoted fan bases, but nothing like the sexually-charged, obsessively analyzing love that follows Harry Styles. Part of it is probably because Harry had a reputation as a flirt from the beginning, which may have been earned or may have been manufactured, or both, and part of it is that he has just been making really good music as a solo artist and always seems to be working to become a better musician/dancer/actor/performer, evolving through his own different eras much like his erstwhile ex Taylor Swift.

            I missed most of the One Direction/Taylor Swift/Justin Bieber-mania when it was actually happening, partly because I put off getting a smart phone much longer than other people, sticking to my flip phone for dear life until it was impossible to survive without a direct internet connection in your pocket. But I seem to be making up for lost time now, and there’s something compelling about how thoroughly YouTube’s endless supply of videos seems more real to me than anything happening in my daily life. Both the process of being swallowed up by social media, and the attempt to figure out what the hell just happened to me, seems like an important phenomenon to try and understand, since it’s going to be one of the dominant mental health problems for the next generation. Instead of reading articles or books on different subjects, most of the information we now consume comes through social media, where it is wrapped up in how we feel about the influencers who are giving us the stories, and those social media figures can seem to be closer to us than our closest friends, so we end up seeing everything through those relationship-lenses instead of from a comfortable distance. I can see how all of this stuff discombobulates me, so I can’t imagine how Gen Z and Gen Alpha feel about it, never having lived outside of social media’s grasp. I’m scared for them, but I’m also really impressed by their creativity and technological sophistication and confidence.

            Which takes me back to the latest Harry Styles video. Back when they were in One Direction, the boys specifically avoided the dance routines that were ubiquitous in boy bands, in large part because they were not good dancers, but over time Harry has embraced more and more dance in his shows, and now in his music videos, which I love. Except, in Dance No More there’s an edge I can’t quite place, beyond his performance of gay-coded moves (despite the constant thrum of gossip about Harry’s engagement to Zoe Kravitz), where it feels like he’s saying both I love you and I hate you to his fans at the same time. And even though I’m not the target audience, I still feel the pinch. I’ve noticed that Harry has a tendency to play with opposites a lot – I hate you/I love you, I’m gay/I’m straight, I’ll tell you everything/It’s none of your business – and then he refuses to clarify any of the resulting confusion, saying, basically, it’s all open to interpretation, which may seem generous at first but ends up feeling manipulative. For example, When Harry hosted Saturday Night Live he addressed accusations of queerbaiting by kissing one of the male cast members, and then turning to the camera to say, now that’s queerbaiting.

I feel much calmer when I’m watching interviews of Louis Tomlinson or Niall Horan, because they are both very straight forward and seem to have less porous boundaries between their public and private lives than Harry, though they are clearly just as addicted to the kind of validation and connection and, really, love, that they receive from their fans. But the bottom line is the music, and the music is really good, from all of them. My favorite from Harry Styles is a song that seems to be about his older sister, called “Sweet Creature,” and my favorite from One Direction is probably “The Story of My Life,” but there are so many songs worth listening to.

“Are there no dog bands at all?!”

Some music to try:

Harry Styles – Dance No More – https://youtu.be/-rkjE0xc730?si=wYwFtdfP0z_m85iD

One Direction – What Makes you Beautiful – https://youtu.be/QJO3ROT-A4E?si=QGIADIzb55BUfMRp

One Direction – The Story of my Life – https://youtu.be/W-TE_Ys4iwM?si=FOlXz4mNaOb_6Au4

Louis Tomlinson – Imposter – https://youtu.be/rzuD5szQhso?si=rVpYERbEZecErzYL

Niall Horan – This Town – https://youtu.be/ic1l36GrNOU?si=9k3Ep0-Nh45cORGW

Harry Styles – Adore You – https://youtu.be/VF-r5TtlT9w?si=TCmZU1PHGYF4Ddb4

Harry Styles – Falling – https://youtu.be/olGSAVOkkTI?si=FPgsUfM4wvBCvAMX

Harry Styles – Sweet Creature – https://youtu.be/8uD6s-X3590?si=bnJgBKn0B2RAUzwc

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Appapalooza

            I had to give up my subscription to the Simply Sing app because my phone overheated each time I used the app, and by the end I couldn’t even get through a whole song without the app shutting itself down. Some days, when it didn’t heat up as quickly, I was able to get 10 or 15 minutes of practice done and discover new songs and feel like my friends were singing with me, but that was rare. Most of the time I would use the app for a few minutes and have to take a break for fifteen minutes while the phone cooled down and then I’d get another two or three minutes of practice before having to let it rest again. I ended up spending most of my practice time doing vocal exercises on YouTube, so the fifteen dollars a month I was spending on the app seemed like a waste. But the app was the thing that made sure I practiced every day, or at least felt guilty on the days when I didn’t practice, and I was afraid that without it all of my slow but steady progress would come to a halt.

“You could have spent that money on chicken treats. Harrumph.”

So, I went looking for another app. I tried a lot of them: apps that focused on ear training (being able to hear and name a note), apps that emphasized karaoke (with most of the songs hidden behind a paywall), and apps that focused on vocal exercises or music theory or breathing. I ended up deciding to splurge ($4) on a month’s subscription to the KHansenMusic vocal exercises app, even though most of her fabulous exercises are available on YouTube, because it felt like a way to pay her back for watching so many of her videos for free, and because the app organizes lessons based on specific goals, like vocal recovery, smoothing out the break between chest and head voice, extending your range, or building resonance.             Then I went back to YouTube and created yet another playlist full of the songs I’d been practicing on the Simply Sing app, plus a hundred more, with the lyrics onscreen to help me along. YouTube doesn’t check my pitch accuracy the way the Simply Sing app did, but it’s free and has thousands of songs to choose from, so it’s good enough for now.

            The biggest lesson I’ve learned from all of this is, though, is that apps are a really good way to learn basic material and build new habits. Ideally, I’d have an app for each of my life goals and be able to check in on my progress in each one for a few minutes each day. There could be an app to coach me through each writing project, and an app for sending my work out to agents and editors, and an app to help me organize all of my doctors’ appointments and maybe an app to keep an eye on Tzipporah’s chicken treat intake. There’s something really encouraging about the (false) sense that someone is keeping track of my progress and cares where I’m struggling in my learning process. Recently, I saw a video on Facebook where these two guys said they realized they were addicted to their phones, so they created an app to help them reduce their screentime. I couldn’t tell if they were trying for irony or just lucking into it, but the message resonated anyway: sometimes you have to create an addiction to overcome an addiction. The most successful apps help people achieve something they really care about by leveraging their need for social approval and quick rewards to create long term habits.

            I haven’t found all of the apps I need in order to create the perfect life for myself, yet, but I could never have imagined things like Duolingo or YouTube when I was a kid saving up my allowance to pay for one Olivia Newton John album, so you never know. My hope is that educators and therapists (and doctors and whoever else) will figure out how to create and use these apps to help people learn the basic and boring things they don’t want to have to repeat a hundred times a day, and then they’ll be able to spend their valuable time focusing on the hard work that requires human interaction. That’s what should happen, but I’m afraid people will just use AI indiscriminately, for everything, and, of course, robots will take over the world and then humans will eventually get fed up and rebel and have to destroy everything and start over from scratch. Which is just a ridiculous waste of time and energy that could be better spent learning more languages on Duolingo. Just saying.

“If you find an app that makes humans make sense, send it my way.”

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Singing Through the Winter

            After almost two months of singing practice with the Simply Sing app, I’m not sure if I’m getting any better at it, but I’m still enjoying the process. I like learning new songs; branching out from Brandi Carlile’s famous “The Story,” to some of her less well-known songs (that are just as hard to sing), and singing along with Nat King Cole and Selena Gomez and Vince Gill, as if we’re all just hanging out and hiding from the snow together. I’m finding that I know a lot more songs than I realized, so that even when I choose a song whose title and singer seem unfamiliar to me, half the time I’ve actually heard the song before and just didn’t know what it was called. It’s also been interesting to see which kinds of songs are easier to sing, and which ones are more challenging for me. I knew I would struggle with songs that go from very low to very high, or songs with notes that are held forever, but I didn’t realize just how hard it would be to sing a Taylor Swift song, most of which are so crowded with lyrics that there’s barely room left to breathe.

“I like to sing, too. When I’m not freezing.”

It became clear early on that the two minute warm up on the Simply Sing app wasn’t enough, so I usually go to YouTube for vocal exercises first. Sometimes I’ll mix and match a few short videos from the Dots Singing collection: one breathing exercise, and maybe one just humming, and then one for chest voice and one for head voice. And sometimes I’ll do a full warm up video with one of the voice teachers (Kathleen Hansen is fantastic!). My favorite exercise so far is “straw phonation,” because it’s all about blowing bubbles through a straw. You fill a glass of water a third of the way up, and then you put in your bendy straw and blow bubbles and sing through the straw. Straw phonation is part of the SOVT (semi-occluded vocal tract) family of exercises that have become very popular, where the goal is to keep your mouth partially closed while singing to “create back pressure on the vocal folds,” though I don’t know what that actually means. They say it helps make singing less taxing on your voice and makes the tone clearer, but it’s also just fun. The other SOVT exercises include lip trills (blowing air thought partially closed lips to create vibrations); humming; and singing on Z, V, or NG sounds. And for me, the most difficult one is the lip trills. Some people do them like blowing raspberries, with your tongue between your lips, but ideally the tongue stays in, and every time I tried to do the lip trills at the beginning all I got was air, no vibrations. Finally, I went looking for some how-to videos and found a method that worked for me: holding up the muscles on either side of my mouth as I try to do the trills. I don’t know why it works, but it does. I’m not sure if all of this is helping me breathe more efficiently, or sing more clearly, but it’s certainly entertaining.

Lip trills: https://youtu.be/mWw3cjRLrrY?si=M1tRdCoxrvx5SOmp

Humming exercises: https://youtu.be/ElDCTulc96w?si=PJLP1TW_BzO8tm57

Vocal warm up: https://youtu.be/uGnhla2dowg?si=xwNaKETmGKLkH6SQ

            While I was back on YouTube looking for vocal exercises, and still watching Glee videos, I came across a voice teacher who has reaction videos to Glee, and to many other singers as well, where she explains how the singers create the sounds they make: like the “vocal fry” that Brittany Spears made popular, or the breathy quality so popular right now, or the rounded tones of musical theatre. She gets into a lot more detail than I’d ever heard before and it’s also just fun to hang out with her and listen to music together. She’s introduced me to singers I’ve never heard of before, like Dimash, who has a seven-octave range, including notes you can’t find on a piano. I can’t actually mimic the skills she’s describing in her videos, but it’s nice to have these usually invisible things explained in clear language.

The Singing Scientist watches Dimash: https://youtu.be/02gvDy61GhQ?si=jn7hjMZctK_KxG-T

The Singing Scientist watches Glee: https://youtu.be/Z9xz6sy2TPg?si=5Rc5AjBrybJ7vqtn

            I’m still using cheap plastic straws for the straw phonation exercises, instead of a set of the fancy metal straws I keep seeing in Facebook ads, and I haven’t splurged on a voice mister, or a head set that makes it easier for you to hear when you’re singing off key, yet. And I’m still not up to interacting with a live human teacher, and having my voice judged and critiqued, because I’m pretty sure I would shut down in response. But I’ve noticed that my inner critic is finally getting some perspective, because as I watch the American Idol auditions, I’m not comparing my voice to theirs or wishing I could do what they do; I’m just enjoying the music and looking for songs I’d like to sing. And I don’t feel like a failure, anymore, for not wanting to sing on a big stage or be a professional performer, because I know that wouldn’t make me happy. I would love to get to the point where it’s not so hard to manage the transition from chest voice to head voice, though, and I’d love to become more comfortable with sight singing, so I could learn songs more easily. But most of all, I want to chip away at the tension that closes around my throat and keeps me from singing the music I really want to sing.

            Pretty soon, I’ll be back in choir rehearsals, to prepare for the Women’s Seder at my synagogue, and I’ll see if the usual notes are easier to hit, or if I’m still running out of air too fast, and if I feel less self-conscious when I sing in public.

In the meantime, it’s still freezing cold outside, and I leave the house only reluctantly and with a bad attitude. But I do enjoy singing along to my Spotify list of Israeli music in the car and taking short breaks to complain about my fellow drivers, or the ridiculous snow formations on the side of the road. It’s the little things that bring me joy.

“Greenies bring me joy!”

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Simply Sing

            On the final night of Chanukah, during the communal candle lighting ceremony on Zoom, my rabbi asked us to think about what light we might want to bring into the New Year, and I already had an answer: I want to sing more. I tend to sing alone in my car at this point, but he didn’t specify that the light had to be for other people.

“Mommy! We are not outdoor people!”

I’ve been thinking about singing more since choir practices over the summer, when I noticed that I was struggling to make it through each session, always running out of air too soon. But I couldn’t figure out how to make myself sing more, when there were so many reasons why I didn’t feel comfortable doing it. And then I started bingeing Glee videos on YouTube, which led the algorithm to send me all kinds of videos about singing, and somewhere along the way I saw an ad for an app called Simply Sing, offering me a one-week free trial, and I decided to try it. To be honest, I expected it to be a dud, but I hoped that it would at least encourage me to sing a little bit each day and start to build a habit.

This is what the icon looks like on my home page

I hid in my bedroom and took the fan out of my window for my first practice, just in case someone could hear me. The first thing the app wanted me to do was to find my vocal range. They told me to hum my lowest note, and read something in my regular speaking voice, and shout to get someone’s attention, and once the math was done the app had decided that I was, of course, an alto, which felt judgy. Back when I took voice lessons in college, my teacher told me that I’m a mezzo soprano, with an extension, but that was after a lot of practice, and this was after a couple of shouts and buzzes, so I tried not to feel like I’d fallen too far behind.

            The next task was to try a warm up: two minutes of singing the same short phrase over and over, gradually going a step higher each time. It was actually fun, and the female voice telling me what to do was encouraging, so I kept going. She told me to choose a song to learn, and sent me to a list of recommended songs. There were locks next to all of the songs that were above the Basic or Easy levels, but there were still plenty to choose from. I think I started with Every Breath You Take (the Police), or Give Me One Reason (Tracy Chapman), songs that were already familiar. The next thing the app told me to do was to sing the lowest and highest parts of the song, to see if they fit comfortably in my range or needed to be adjusted up or down. I earned points for finding the right key for each song, and then I earned points for reading the lyrics out loud, which was much more embarrassing than I expected it would be; maybe because lyrics rely heavily on their music to make them make sense.

Then it was time to learn the whole song, except, they didn’t show me the music, or break the song into manageable pieces, or coach me through it, they just had a vocal track playing, and the lyrics placed higher and lower on the screen to show their relative pitch. I could go over each song a hundred times if I wanted to, and change the key each time, but I could only earn points for one run-through, and one attempt at singing the song on my own with the vocal track muted. It felt kind of like doing Karaoke, and it bothered me that I didn’t earn more points for practicing more, and it bothered me that I couldn’t see the actual notes (so I could go and play them on a keyboard, at my own pace). The app did grade me on how closely I matched the notes and the rhythm of the song, though, which was something. And the collection of songs was good enough, especially as I earned more points and opened the locks next to more and more of the songs.

screenshot from the app
screenshot from the app

            I wasn’t learning everything I wanted to learn, but I was practicing at least thirty minutes a day, much more than I would have done on my own, so I decided to sign up for a one-month subscription after the free trial ended. The gamification of the app meant that as I earned more points, I could access new lessons: singing in chest voice, and singing in head voice, correct breathing technique, and pacing, etc. Too quickly, though, I ran out of new lessons to earn with my points, and I finished opening all of the locked songs, and the app stopped counting my points altogether, meaning that the gamification part of the experience was mostly over.

But I still had a new warm up each day, and plenty of songs left to learn, and each day that I was able to get a practice done felt like an accomplishment. I kept putting more and more songs on my wishlist for the future: More Than a Feeling (Boston), The Story (Brandi Carlile), Defying Gravity (from Wicked). I was still closing my bedroom door, and taking my fan out of the window for every session, and I was noticing all kinds of problems with my voice that I couldn’t name, or ignore, but I tried to remind myself that the goal wasn’t to become a professional singer, just to enjoy singing again.

I would really enjoy having more chicken treats.”

            In the meantime, I was still bingeing Glee videos on YouTube, hoping to be inspired by the fun they seemed to be having as they sang together, and trying not to compare myself to them, if at all possible. And then my Glee binge extended to watching Lea Michele and Jonathan Groff in Spring Awakening, and then Jonathan Groff and Daniel Radcliffe and Lindsey Mendez in Merrily We Roll Along, and then all of the Glee kids who’d ended up on Broadway (like Darren Criss and Alex Newell and Kevin McHale), not to mention the Broadway stars who had guest starred on Glee (like Idina Menzel and Kristen Chenoweth) and then just Broadway stars in general, like Aaron Tveit and  Gavin Creel and Bernadette Peters and Christian Borle and Audra McDonald and on and on and on.

I worried that obsessively listening to amazing singers was going to discourage me too much, but I was still practicing every day, and each day when I opened the app, it made sure to tell me more of the benefits of singing: it raises your endorphins! It improves respiration and circulation! It encourages you to express yourself! It encourages you to sing with other people (fat chance)!

Of course, my old issues kept bubbling up: the competition theme (you need to be the best singer in the world in order to have the right to sing at all); the expert theme (you need to master sight reading and dynamics and vocal placement in order to even begin to practice effectively); the alienation theme (if you don’t fit in with other singers – and I was watching a lot of interviews of performers that made it clear I would not have been their cup of tea – then you have no right to sing); and, the waste of time theme (spending time on this, or anything else, with no hope of earning a living from it, is selfish and stupid).

My brain was swirling with noise, and I couldn’t figure out how to drown it out, but at the same time I was noticing that singing certain songs felt cathartic, even therapeutic, either because the words of the song expressed something I needed to say, or needed to hear, or because the music tapped into places in my voice that I couldn’t find on my own. Singing Sittin’ on the Dock of the Bay with Otis Redding, felt like singing with a friend who really knew me. And I thought about an interview I’d seen with Jonathan Groff, where he said that a lot of the roles he’s played have been like therapy for him, helping him work through something that he wasn’t able to work out on his own.

But I was getting more and more frustrated by the limitations of the app, wishing there were more steps in the learning process for each song, and then more steps to help me figure out how to deal with all of the noise in my head. And I knew that I wasn’t ready to seek out live human beings for help, so I went to the app store to see if there might be other singing apps that could offer more support. So far, none of the ones I’ve found has been as good for me as Simply Sing, but I’ll keep looking. And there are always YouTube videos to teach me more breathing exercises and vocal warm ups and vocal techniques. And now I’m seeing ads from all kinds of voice teachers who specialize in posture or mixing chest voice with head voice, or building breath capacity; all things I want to work on, eventually.

These are all tentative steps, but I’m reminding myself that that’s how I started with Hebrew too, and with teaching and writing and therapy. All of the best things, for me, seem to be made of a long series of small, tentative steps, usually without having any idea where those steps will lead. So, I’m doing my best to take it one practice at a time, and I’m looking forward to finding out where these small steps might lead me.

“I’m not taking one more step, just so you know.”

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

My Israel Trip: Shabbat in Israel

            Friday morning, day four of my trip to Israel, I woke up to my friend’s son practicing guitar and singing This Land Was Made for You and Me, because he’s been taking guitar lessons from a relative in the States. His other practice song was Skip to my Lou, and I’m pretty sure I have the same guitar book somewhere.

            It was already drizzling, which just reinforced the plan to stay close to home for the day. Our first plan was to go to a local ceremony naming a path in the city after a fallen soldier, but when we got to the school building where the ceremony was taking place, the crowd had already overflowed out of the auditorium, into the lobby and beyond. Reassured that the family would feel the community’s support, we sent our best wishes through neighbors, and walked back to the car, and on the way back across Modiin, my friend showed me the black fabric covering a new street sign that would tell the young man’s story. A large number of the young people in Modiin had served in the army during this war, either as regular army or in reserves, so these ceremonies were, unfortunately, not uncommon.

            One of the first things I’d mentioned to my friend when we started planning this trip, was that I wanted to go to a real Israeli supermarket at some point, so after we dropped her husband back at their apartment, we headed out to the local supermarket. The main shopping for the week had already been done, so we didn’t go to the big supermarket down the road, but this one reminded me of the little supermarket in my own neighborhood on Long Island, which happens to carry a lot of Israeli products. The only big differences were that the majority of brand names were written in Hebrew, even if the typestyle and packaging was the same as in the United States, and, next to the frozen chicken and turkey and ground beef, there was also a quarter of a goat. I don’t usually see goat at my supermarket, but maybe I haven’t been looking carefully enough.

            We made sure to pick up more of the fake Krembos, since they still didn’t have the real Strauss brand in stock, and then we got a few other staples: eggs, seltzer, crackers, etc., nothing too big because this shopping trip was mostly for research purposes.

            I’d either forgotten how outgoing my friend is, or I’d missed a lot, because I was amazed at how many people she seemed to know everywhere we went, and how easily she made conversation with people here and there and everywhere. She kept telling me that her older daughter is the social butterfly of the family, but clearly, she learned it from somewhere.

            After bringing the groceries home, our next event on the schedule was a small outdoor concert, part of a free music festival taking place that weekend in Modiin. The concert was billed as “Kabbalat Shabbat,” which is part of the traditional Friday night services, and it has become popular in Israel to bring religious and secular Jews together early on Friday afternoons, to sing together and welcome in Shabbat, before Shabbat officially begins. Doing it early in the day means that you can play instruments, which aren’t allowed in orthodox synagogues on Shabbat. Because of the rain, the concert was relocated to a school gymnasium, and we found seats near the front just as the show was starting. The small band was made up of four young men: a drummer, a guitarist, one guy on multiple woodwinds, and the bandleader, playing a Persian stringed instrument called a Kenchen that looked like a backwards sauté pan, with strings attached.

(I don’t know these two ladies, but they seemed to be enjoying the music as much as I was)
a closer look at a Kenchen, not my picture

            They played a few traditional Kabbalat Shabbat songs from the Friday night service first, songs that you would hear at almost any synagogue around the world, and then they branched out into Israeli songs with religious themes (songs from Chanan Ben Ari, and Akiva, and Meir Ariel), most of which I knew well and could sing along with. It felt surreal to be sitting in a gym in Israel, singing along with an Israeli crowd, and just like that moment in the Carmel Market when everyone sang and danced together, I felt the magic here too. The fact that the whole concert was in Hebrew, including the patter between the songs, might have been alienating a few years ago, but now, with all of the Hebrew classes and obsessive listening to Israeli music, it barely registered that I was in another country.

At the end of the concert, which came way too fast, my friend jumped up to thank the musicians and see if they knew some of the same people as her older son, a drummer and a sound engineer in training, but I hung back, as usual. I’ve always been in awe of musicians, especially since my attempts to learn piano and guitar (and ukulele and recorder) have not been very successful, so the idea of talking directly to these magical people was more than I could manage. I mean, I could travel across the world, and speak a foreign language, but making actual conversation was just pushing it.

            When we returned to the apartment, the cleaner was already there helping to get the house ready for Shabbat, and chatting to any and everyone in rapid-fire Hebrew, so I escaped to my room to hide, and/or to get myself ready for Shabbat. I tried to remember everything I’d learned from sleepovers way back when about how to manage in an orthodox house on Shabbat, about which lights to leave on (since you aren’t supposed to turn lights on or off during the holiday), and what to wear, and what to say, but I was sure I’d forgotten some of the rules along the way, and I was anxious and self-conscious and, basically, hiding out seemed like a reasonable choice.

            We’d planned to go to Friday night services at the synagogue around the corner, but what with getting the house and ourselves ready, my friend and I missed the Kabbalat Shabbat section of the service, which, given the concert we’d been to that afternoon, worked out just fine.

            It had been a long time since I’d been to a synagogue with a mechitza (a divider between the men’s section and the women’s section), and at their shul there were even separate doors to enter the men’s section and women’s sections, and I’m pretty sure I would have walked in the wrong one if I’d been on my own. A lot of the children in the congregation, boys and girls, were sitting with their fathers in the men’s section, but even so, it was hard to find any free seats in the women’s section. At my synagogue, we struggle to get a good crowd on a Friday night, unless there’s a special event going on, but here, on a regular Friday night, the whole town seemed to have shown up to pray, or at least to see and be seen.

            The rabbi gave a short talk, in Hebrew, and I was able to understand about 80% of what he said. My friend’s synagogue is filled with olim (immigrants) from English speaking countries, but the rabbi is Israeli, so even if most of the chatting among the congregants is in English, they’re all sufficiently fluent in Hebrew to understand and appreciate what the rabbi was saying. I also noticed that whereas at my synagogue everyone follows the cantor carefully, here they had lay people leading services, and since everyone knew the prayers so well they didn’t bother to sing in unison.

            When the service was over, we threaded our way through the sudden crowd, passing a few men with guns on our way out of the synagogue, regular congregants acting as de-facto security guards. It was hard to hear anyone in particular over the hum of neighbors wishing each other a Good Shabbos, but I followed my friend religiously, and was relieved when we found our way out of the crowd for the short walk home in the cool night air.

            We had the Israeli equivalent of a traditional Shabbat dinner, with chicken matzo ball soup and challah and grape juice (like we do in the States) and salatim (salads and spreads), very much not like we do it in the States. My friend’s husband, who made most of the salatim, insisted that I try the olive tapenade (I’m not an olive person), and the herring (bad memories of herring in cream sauce from my childhood), but my favorites were the chummus, and the roasted onion dip, and the eggplant. My Mom is allergic to eggplant, so I was reveling in the chance to try every different version of eggplant as a main part of the meal.

We stayed up late chatting, and watching my friend’s youngest daughter practice for her upcoming dance performance, and then run through every TikTok dance she could remember offhand, before going out to see her friends at the local park. There’s a degree of comfort and safety for kids in Israel that just doesn’t exist in New York. I’m sure things are different in different towns, and maybe Modiin is unique, but the idea that my mom would have been comfortable letting me walk over to the park to meet friends at ten o’clock at night, confident that I would be safe, just didn’t compute.

            I woke up relatively early the next morning, now that my jet lag was wearing off, but I was relieved that my friend and her daughter didn’t want to go to synagogue for morning services. We hung out in the living room, relaxing, until her husband came back from shul to help set the table for the weekly kiddish. They have a group of friends in their neighborhood who make kiddish together every Saturday after services, with snacks and grape juice and wine, and kibbitzing. The men gathered around the table (aka the food) to discuss American politics, even though only half of them are originally from America, and the women gathered on the couches to discuss just about anything but politics, thank you very much. I felt self-conscious in the one skirt I’d brought with me, but it helped that everyone showed up in various states of rain-soaked-ness, since it had started to pour outside. A bunch of the members of the kiddish group were also invited to (or hosting) the lunch we were going to, so the conversation continued through the short walk over to their neighbor’s house, and then at a long table set up down the center of the dining room, kids at one end and adults at the other. The discussion of politics morphed into a review of popular movies and TV and books, all in English, as we ate all of the delicious food spread out across the table (though the kids hogged the pickles, which was not very nice of them. Harrumph).

One of the topics of discussion was the relatively recent phenomenon among young modern orthodox Jews to get piercings and tattoos. We’d actually had discussions at my own synagogue about the old rumor that you couldn’t get buried in a Jewish cemetery if you had a tattoo or piercing, which turned out to be just a rumor, and we’d even read some of the rabbinic responsa (mostly written by modern orthodox rabbis) that said that as long as you’re not tattooing an image of a foreign god on your arm, you’re ok. I found out that, in Israel, often as a post army celebration, groups of soldiers will go out and get matching tattoos, or a helix, a cuff on the upper part of the ear. One of the men at the table said that his two sons, one finishing regular army service and the other finishing reserve duty, coincidentally both went and got a helix, on the same day, without having told each other ahead of time. My idea of what it meant to be orthodox was changing moment by moment, as I met each new person and realized that the existence of a Jewish State really did make room for a wider variety of religious expression.

I hit my socializing limit somewhere along the way, long before everyone else did (they’re better trained for this sort of thing), but everyone was friendly and welcoming and, given that orthodox Jews don’t watch TV or use the computer or phone on Shabbat, spending the time chatting with friends turned out to be a great way to fill the hours. In Israel, it was as if Shabbat was an essential part of their week, rather than an extra obligation, the way it tends to feel among liberal Jews in the U.S. The sense I got in Modiin, but also from things I’ve heard from secular Israelis, is that Shabbat in Israel is a whole vibe. Transportation is limited throughout the country from Friday night to Saturday night (though I think public transportation is still available in Haifa), but it’s more than just not having anywhere else to go: there’s a basic culture of taking the time to spend with friends and family on Shabbat that’s just taken for granted. Kids come home from the army or national service or college, or just from wherever they’re working and living during the week, to spend time with their parents and visit their friends. It’s something they can rely on and look forward to each week, no matter what else is going on in the world.

            Shabbat was over early, given the early sunset this time of year, so we’d made plans to see another friend of ours from high school who lived about thirty minutes away in a more religious area. I was anxious to see her, and self-conscious, worried she’d be annoyed at me for wearing my jeans, or that we’d have nothing in common anymore, but there was no reason for concern, because she was as sweet and bubbly and welcoming as she’d been in high school, and the three of us spent a really nice time going through our old yearbook, reminiscing about all of the people we could remember, and even the ones we couldn’t remember very well at all.

            And then, even though it was past my friend’s regular bed time, she decided that we would go to one more free concert. There was a cover band doing classic Israeli rock songs from the 70s and 80s at a small auditorium, and we found seats right up front by the speakers. Every Israeli member of the audience (aka not me) knew all of the songs by heart, and danced and sang along; and even though I only knew one of the songs (Yoya), the band was so good, and the energy was so infectious, that I found myself singing and dancing with everyone else, from the little children to the great grandparents. The songs seemed to capture a time in all of their lives that was simpler, and more hopeful, and the chance to travel back there with them felt like a gift.

The Band

It was still raining a little bit by the time we left the concert, but we were buzzing with the joy of the whole thing and barely noticed the outside world. My friend often told me over the years that she felt like there was a big gulf between the people who grew up in Israel and those, like her, who had arrived as adults, because of the musical memories she’d missed out on; but this concert, and the whole trip so far, was making me think that a lot of that gap had begun to fill in over time.

I was exhausted from the long day of socializing, and the singing and the dancing, but also excited for the next day and the next adventure, knowing already that whatever it was would be worth the effort.

“Humans are exhausting.

Some music to try:

Yoya – https://youtu.be/B5xUiayK-Pc?si=8povEpYqVldozV2Q

Chanan Ben Ari – https://youtu.be/z27MZP_4P_U?si=4slADx6ZjXeUkRgA

Akiva – https://youtu.be/u3n2SLWQsXk?si=UPKkErUg5v3DwaJs

Meir Ariel – https://youtu.be/jnbJk3D5X5Q?si=HcQHAlEWbuV9slwT

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

God as a Metaphor

            A few years ago, Rabbi Toba Spitzer came out with a book called God is Here: Reimagining the Divine, which delves into the metaphors we use to help us discover God. I haven’t finished reading the book, so don’t tell me how it ends, but what has stood out for me so far is how we rely on metaphor to give us a sense of who, what, and how God might be, just like we use metaphors to help us understand emotions and ideas that we can’t describe in any other way. These metaphors are often treated as literal descriptions by many religious people, as if we are watching a play about the world and God is playing all of the roles. And, to be honest, I don’t believe I can know God with any certainty, or that God is literally an anthropomorphic being. But there are metaphors for God that reach me on a deep level, and that seem to help me tap into the “God energy” within myself and/or in the world around me.

            The Toba Spitzer book has been sitting on my shelf for a while, filled with sticky notes and other place markers, because it is too rich to read all at once, but it came back to mind recently while I was listening to Ishay Ribo, a religious Israeli singer who has become very popular among religious and secular Israelis, and Jews around the world, for singing popular music that is full of metaphors for God, with lyrics that are often pulled directly from traditional Jewish prayers. It is surprising, and also not surprising, that his music has crossed over into the secular world, among people who would say that they are agnostic at best, and would scoff at the idea of an anthropomorphic God who actually intercedes in our lives. And yet, the music has meaning and power for them too. Why?

             I’ve always heard these metaphors for God in Jewish prayer: God as nature – wind, rain, tides, sun, moon, trees. God as warrior. God as provider. God as lover and beloved. God as teacher. God as judge, magistrate, accountant, social worker. God as rock, redeemer, savior. God as breath, spirit, life itself.

            But what I realized as I listened to these metaphors as they are used in Ishay Ribo’s songs, is that the metaphor is really about the nature of our relationship with God, rather than a way of describing God him/her/itself. If God is a Shepherd, then we are the wayward flock. If God is a king, then we are the dependent subjects. If God is a mother, we are her children in need of comfort and nurturance and protection. If God is the teacher, we are the students, looking for knowledge and wisdom. If God is the doctor, we are the patients in need of healing. The metaphor for God that we find most meaningful in any instance will depend on how we see ourselves in that moment, and what we are longing for that we can’t find elsewhere.

            I decided to do a deep dive into some of the songs, or at least use Google Translate to see what I’ve been singing along to all this time, and I found a lot of familiar metaphors for God. In one of Ishay Ribo’s songs, Tocho Retzuf Ahava (He is filled with love), he says of God: “He never turns a blind eye from the sheep of his pasture,” meaning, we are the wayward sheep longing to have someone keep us safe from harm, and especially from our own mistakes, like a shepherd would do with his flock. In another lyric, he sings, “Even when we’re broken vessels, we are still his precious vessels,” which really resonates for me. Whether we are thinking about God or not, the deep need to feel loved and cherished, especially when we feel broken, is something we all share. And then there’s the magic of God, or the alchemy ascribed to God’s power: “In the future [God] will give glory in exchange for ashes, the oil of joy will replace our grief, a shroud of glory will replace a heavy spirit.” Who doesn’t want to believe that God, or fate, or someone, will eventually step in and make things better. You don’t have to believe in God in order to long for that spark of hope when you’re feeling hopeless.

            In his song, LaShuv HaBaita (To Return Home), Ishay Ribo sings: “The time has come to wake up, to leave everything, to overcome, to return home,” and though I know, intellectually, that he is referring to a return to God and Jewish practice, the metaphor of returning home has power for me anyway. And the idea that, “Even if we’ve done something wrong, he forgives and pardons,” feels like a prayer for how the world, or our loved ones, will respond to us. And, “He reaches out a hand to help, and gives, with mercy, the power to correct and fix ourselves and return to him.” I don’t have to believe in an all-powerful God to be comforted by the image of someone who will help me help myself. And I don’t have to see that help as coming from God. I can replace God with friends, teachers, parents, and mentors, in my mind, and be just as comforted.

            I watched an interview with Ishay Ribo on YouTube recently, in Hebrew and without subtitles so I may have misunderstood, but the message I took from it was that he knows his music is reaching more than just believers in God and or orthodox Jews in particular, and that that’s intentional. The words he sings are meaningful to him because he’s using the language that comes most naturally to him, but he is expressing universal experiences of doubt, pain, anger, hope, longing, and joy. And if you want to call all of that God, fine, and if not, that’s fine too. To be fair, Ishay Ribo probably wouldn’t say it that way, exactly, but I think he would agree that it’s the connection between human beings that holds so much power in his songs, and in his singing.

If the energy that connects us is God, or just our own energies radiating outward, what does it matter, as long as we are, eventually, connected? These metaphors have lasted millennia and have held power for the people who have used them, because they help us to describe parts of our internal landscape that are otherwise left in shadow. The metaphors allow us to see and feel and talk about states of longing and pain and hope that otherwise are left unspoken, and that is why they are so healing.

It’s true that, at times, when I sing along to these songs, or take part in Jewish prayer services, I will notice a line about God as father or God as Shepherd and roll my eyes a little bit at the idea that God would literally be any or all of these things. But most of the time, I just close my eyes and feel deeply heard, and comforted, and seen. And I’m not alone.

Ishay Ribo and the Solomon Brothers, LaShuv HaBaita in English and Hebrew: https://youtu.be/WZ6HvzFh7js?si=F6AIRcWu1XOf3smL

Some of Ishay Ribo’s songs in Hebrew:

HaLev Sheli: https://youtu.be/6U_5KhaH6IM?si=Hl_wcxj0TVhKrMCR

LaShuv HaBaita: https://youtu.be/Y30pfWIQfoo?si=Ly0Wz1qWrltC5dzY

Tocho Retzuf Ahava: https://youtu.be/fQRgX3ivUKU?si=YcFnd-2El0GIzqpj

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Choir

In my head there is a large choir

full of cacophony

and also harmony, sometimes.

I have all kinds of voices in my choir,

from too high to too low,

from too loud to too quiet,

from chaotic to orderly,

and everything in between.

I’m still not used to singing with my choir.

I don’t know how to train it

or coordinate it

or control it the way it needs.

There is no one conductor.

There is no one composer.

And there is no silence.

But there are moments

that sound beautiful to me.

And there are notes that I am happy to hear,

even just once in my life.

Maybe one day,

soon or in the future,

my choir will be able to create the beauty

and the complexity

and the hope

that lives in my imagination.

That is my prayer.

המקהלה

בָּרֹאשׁ שֶׁלִי יֵשׁ מַקְהֵלָה

מְלֵאָה בְּקָקוֹפוֹנִיָה

וְגָם הַרמוֹנִיָה, לִפְעָמִים.

יֵשׁ לִי כֹּל מִינֵי קוֹלוֹת בָּמַקְהֵלָה שֶׁלִי,

מְגבוֹהוֹת מִדַי לְנְמוּכוֹת מִדַי,

מְחָזָק מִדַי עַד שָׁקֶט מִדַי,

מְכֵּאוֹטִי לְמְסוּדָר,

וְכֹּל מָה שְׁבֵּינֵיהֶם.

עוֹד לֹא הִתרָגָלתִי לָשִׁיר עִם הָמַקְהֵלָה שֶׁלִי.

אַנִי לֹא יוֹדַעַת אֵיך לְהִתאָמֵן אוֹתָה

אוֹ לְתָאֵם אוֹתָה

אוֹ לִשׁלוֹט בָּה כּמוֹ שְׁצָרִיך.

אֵין מְנָצָחָת אָחַת.

אֵין מָלחִינָה אָחָת.

וְאֵין שֶׁקֶט.

אָבָל יֵשׁ רְגָעִים

שְׁנִשׁמָעִים לִי יָפִים.

וְיֵשׁ צלִילִים שְׁטוֹבִים לִי לִשׁמוֹעַ,

אָפִילוּ רָק פָּעָם בָּחַיִים.

אוּלַי יוֹם אֶחָד,

בְּקָרוֹב אוֹ בָּעָתִיד,

הָמָקהֵלָה שֶׁלִי תוּכָל לִיצוֹר אֶת הָיוֹפִי

וְהָמוּרכַּבוּת

וְהָתִקוָוה

שְׁחַי עָכשַׁיו רָק בָּדִמיוֹן שֶׁלִי.

זוֹ הָתפִילָה שֶׁלִי.

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Dreaded High Holidays

            I hate the high holidays. I hate the focus on repentance, and the large crowds at the synagogue, and all of the standing, and having to dress up, and the depressing Eastern European music, and the endless communal guilt. I would much rather spend the time watching a Father Brown marathon.

            But I pushed myself to join the choir anyway (which, at my synagogue, mostly sings during Rosh Hashanah and Yom Kippur and not much the rest of the year), and each year I push myself to go to as many of the rehearsals as possible, even though I’m tired by 8 pm (which is when choir rehearsals always start). And I push myself to get up early for the morning services on Rosh Hashanah and Yom Kippur, and wear something other than a t-shirt and jeans, and stand and sit and stand for hours. And, I resent it, every year. I especially hate the emphasis on all of the sins we are presumed to have committed over the past year, as if I wasn’t already spending many hours each day combing through my life for my actual sins and trying to correct them.

            So, why do I go? Because it’s an obligation; because of FOMO (fear of missing out); because this is the one time each year when I get to see all of the people who rarely come to Friday night services; because I’d be lonely sitting at home knowing everyone else is there.

            And, because I love to sing. Music is such a mystery to me, because even when it’s imperfect or depressing, it is still, also, transcendent. It connects me with other people; even with people I might otherwise have nothing in common.

            Do I believe, or agree with, every word in every prayer we sing over the high holy days? Not at all. Is it meaningful to me to think of God as a judge or a king, doling out forgiveness for sins I’ve never even committed? Nope. But when those words that mean so very little to me, and even piss me off, are put to music, they are transmogrified into something new and my body becomes one of the instruments producing and receiving and echoing sound. This imperfect body of mine, that feels so much pain and that I feel so self-conscious about, becomes a vessel for transcendent sound for a little while every year, and that only works if my body is in the room with all of the other bodies.

            I wish we could all come together for happier occasions, and sing Israeli pop songs, or  just tell stories and laugh together, but for some reason, when everyone sat down to decide which holidays were going to be the most important ones on the Jewish calendar, they chose Rosh Hashanah and Yom Kippur (at least after the destruction of the second temple in 70 CE, before then the most important holidays were Sukkot, Passover and Shavuot, weeklong festivals to celebrate harvests – more about Sukkot next week). So, why did my ancestors decide that the most important days of the year were the ones where we have to pound our chests and asks for forgiveness and beg God for another chance? I have no idea. But most of the Jews who go to synagogue on Rosh Hashanah and Yom Kippur, and not once the rest of the year, pay expensive yearly dues for the privilege. And they seem to think it’s worth the cost.

            Maybe they’re there for the music too, and how it feels to be in a room full of people singing together, no matter what they happen to be singing. Or maybe they don’t realize that there are (much) happier holidays on the Jewish calendar that they could be celebrating with their congregation. Or maybe my people just really love repentance. It doesn’t matter. The decision has already been made, and I can either be there with them, or stay home alone. So, I go. Every year. And I sing, every year. And I whine and complain and need long naps to recover afterwards every year. And I wouldn’t miss it for the world. 

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

I Wrote a Poem in Hebrew

            It started as a song. I was in my car (on the way to yet another doctor’s appointment) and singing harmony along to some of the Israeli songs on my playlist, and I started to think about how I could write a song specifically for an alto (like me) where the harmony line becomes the melody of the song. But I was too busy driving to record what I was singing, and by the time I got to the doctor’s office and tried to record the tune on my phone, I’d forgotten most of it. But while I was in the waiting room, and then waiting again in the exam room, I wrote down some of the lyrics that had come to mind while I was singing, and the words kept coming, all in Hebrew.

            By the time I got home from the appointment, I had four or five pages of potential lyrics, but no music to sing them to, and no idea how to get the music back. I decided to keep working on the lyrics anyway, shaping them into verses and a chorus and a bridge, in the hope that the melody would come back to me; but I found myself writing a poem instead, without any strict rhymes or rhythms. And after ten or fifteen drafts, and some help from Google Translate, I ended up with a poem I was happy with, about returning to my online Hebrew classes after a year away.

            It took me a while to get up the nerve to send the poem to my current Hebrew teacher and ask for her corrections, though. I felt self-conscious about presuming to write a poem in Hebrew, and embarrassed to share what had turned out to be an ode, and kind of emotional and squishy (AKA not cool).

            My teacher made a few corrections to the Hebrew, but mostly she just showered me with praise. She told me how meaningful it was to her, after teaching through the past year in Israel, to see that her work was paying off and reaching people at such a deep level. She also asked if she could send it to some of her friends, who also teach at the school, and I jumped up and down for a while before I could calmly type back, Sure. It took me a few more days to get up the nerve to ask her if I could send the poem to our WhatsApp group, to share it with my classmates, but when I finally sent it I got some very nice responses, and I felt great for a whole minute, maybe even two!

            Then, of course, the letdown kicked in and I thought, ugh, I’ll have to keep writing poems in Hebrew to keep getting this much attention, and each poem will have to be better than the one before it or else they’d get bored and, really, over it. Or, maybe I could send the poem to new people, so they could be impressed, and then I wouldn’t have to write a whole new thing. And I thought, Aha! The blog! But, most of my readers are not fluent in Hebrew, so I would have to translate it, but I could also include the Hebrew, so they could be impressed in theory, if not in fact.

            And as I started to translate the poem I realized that, except for a few details, this poem could just as easily be about the blogging world, and the kindness and curiosity and love we share here, in this place that doesn’t quite exist in the real world, but is very real, for us.

            So, thank you for being such amazing, passionate, and compassionate people, and I hope you like the poem.

            Hinei! (Here it is!)

An Ode to Citizen Café Tel Aviv

A year ago, I thought I was done with this,

I thought I’d finished learning Hebrew

After two years in the Zoom rooms.

Maybe, I thought, this is my Hebrew

And it can’t improve anymore.

And so, I closed the door on this world.

But,

I still dreamt about the zoom rooms

That existed outside of space, or

I worried,

That didn’t exist in reality at all.

Those zoom rooms were closed to me for almost a year,

And what a year,

In which the world shattered into many little pieces.

I watched the news and said to myself,

Maybe the whole world is different from what I imagined

And there’s nowhere to go for comfort.

Finally I understood

That I missed the zoom rooms

That exists outside of space or that I’d imagined completely,

But,

I’d lost the key

Or I’d lost the path to the rooms

Just when I needed them the most.

I missed all of the weird sentences,

About the beach and the traffic in Tel Aviv,

And about Ross and Rachel from Friends

And about Beyoncé the queen.

I missed all of the speed dating questions that we answered in the rooms,

And I missed this place where love is in the air,

Love of languages, love of food, love of music and laughter,

Love of the land of Israel and the Jewish people.

And so I decided to return

Even if these rooms only exist in my imagination,

Because I remembered that here everyone believes in this world that we create together.

This world isn’t perfect, I know.

Here everyone speaks Hebrew with a different accent,

And they don’t agree on a lot of things.

One man believes in every word of the Torah, and one doesn’t believe in anything.

One woman believes in world peace, and one thinks it’s impossible.

But,

In these rooms, all that matters to us

Is to learn from each other and to support each other

And to create a different world,

A world filled with kindness and curiosity.

That’s why we’re here

From Barcelona, and New York, and Berlin,

And Tel Aviv, and Jerusalem, and London,

And Argentina, and Toronto, and Arizona

To create a beautiful world together,

With all of our words and all of our love.

And because of this, our world, which exists outside of space, is real

For us and for always.

עוד (או אודה ל)סיטיזן קפה תל אביב

לפני שנה, חשבתי שמיציתי את זה,

חשבתי שסיימתי ללמוד עברית,

אחרי שנתיים בחדרי הזום.

אולי, חשבתי, זאת העברית שלי

והיא לא יכולה להשתפר עוד.

ואז, סגרתי את הדלת לעולם הזה.

אבל,

עדיין חלמתי על חדרי הזום

שהיו קיימים מחוץ לחלל, או

דאגתי,

שלא היו קיימים במציאות בכלל.

חדרי הזום האלה היו סגורים לי כמעט שנה,

ואיזו שנה,

שבה העולם התנפץ להרבה חלקים קטנים.

צפיתי בחדשות ואמרתי לעצמי,

אולי כל העולם שונה ממה שדמיינתי

ואין לאן ללכת לנחמה.

סוף סוף הבנתי

שהתגעגעתי לחדרי הזום

שקיימים מחוץ לחלל, או שדמיינתי לגמרי.

אבל,

פספסתי את המפתח

או פספסתי את הדרך לחדרים,

פשוט כשהכי הייתי צריכה אותם.

התגעגעתי לכל המשפטים המוזרים,

על הים והפקקים בתל אביב,

ועל רוס ורייצ׳ל מחברים,

ועל ביונסה המלכה.

התגעגעתי לכל השאלות הספיד דייטינג שעשינו בחדרים,

והתגעגעתי למקום הזה שבו אהבה נמצאת באוויר,

אהבת שפות, אהבת אוכל, אהבת מוזיקה וצחוקים,

אהבת מדינת ישראל והעם היהודי.

ואז החלטתי לחזור,

אפילו אם החדרים האלה רק קיימים בדמיון שלי,

כי זכרתי שפה כולם מאמינים בעולם הזה שאנחנו יוצרים ביחד.

העולם הזה לא מושלם, אני יודעת.

פה כולם מדברים עברית עם מבטא אחר,

ולא מסכימים על הרבה דברים.

איש אחד מאמין בכל מילה בתורה, ואחד לא מאמין בכלום.

אישה אחת מאמינה בשלום עולמי, ואחת חושבת שזה בלתי אפשרי.

אבל,

בחדרים האלה כל מה שחשוב לנו

זה ללמוד אחד מהשני ולתמוך אחד בשני

ולהמציא עולם אחר,

עולם מלא חסד וסקרנות.

בגלל זה אנחנו פה

מברצלונה, וניו יורק, וברלין,

ותל אביב, ויורשלים, ולונדון,

וארגנטינה, וטורונטו, ואריזונה

ליצור עולם יפה ביחד,

עם כל המילים שלנו, וכל האהבה שלנו.

ובגלל זה העולם שלנו, שקיים מחוץ לחלל, הוא אמיתי

לנו ולתמיד.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?