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Reading about Pawpaws

            A few weeks ago I had the opportunity to read one of my essays out loud to a Mutual Support Zoom for my synagogue. We’ve been doing these all year, as a way to keep each other company and to get to know our fellow congregants during Covid. We’re winding up the series now, since most of the regulars have been vaccinated and are returning, slowly, to in-person events, and this was my last chance to take a risk and add my voice to the mix.

“When do I get to talk?”

The theme of this particular Zoom was trees, probably the third or fourth on that theme, because with all of the time we’ve been spending at home for the past year nature has caught everyone’s attention more fully than before. People have been presenting photographs and quilts and poems on trees, and experts have been called in to speak about the science of trees and the care and feeding of trees. When I was asked if I had anything to contribute on the subject, I thought about my pawpaw trees. They have grown with me, and surprised me, and devastated me for a long time now, and I realized that this was something I wanted to share. It didn’t hurt that I had an essay ready to go, freshly rejected from various literary magazines.

“Harrumph.”

            I haven’t done a public reading of my work in a long time, and in the past, I have found them overwhelming. At the graduate reading for my MFA in Fiction I was so anxious that I started crying at the podium, which made it much harder to see the papers in front of me, though I made it through, eventually.

            This reading went a lot better than that one; maybe because it was a small group of familiar faces, or because in the intervening years I’ve had a lot of practice reading other people’s work out loud and teaching in front of a class. I don’t know. It was certainly helpful to have my pawpaw friends there to keep me company, in spirit. Whatever made the difference, this time I actually enjoyed reading my work to an audience. And I think I even did a good job of it (which, given my propensity to self-criticism is saying a lot).

            I don’t know where this leads me, but it felt like a big step forward, because it’s a sign that, maybe, despite all of my fears, I’m getting better at pursuing the things I love. Wouldn’t that be wonderful?

“Yes!”

            So here’s the essay I read to those fifteen kind people. I hope you like it.

A Pawpaw Story

            Almost fourteen years ago now, I ordered a box of Pawpaws at a friend’s suggestion. They arrived in September, each fruit wrapped in newspaper because they are so fragile and easily bruised. Pawpaws are custardy sweet, and the flesh has to be eaten with a spoon, not peeled like an orange, or sliced like an apple, or bitten straight into like a strawberry. They are filled with a row of almond shaped seeds that you have to dig out, or suck on, to get the flesh that clings stubbornly to them. It’s work.  The Pawpaw season is very short and the fruit rots within days, so if you order a box (usually from Ohio) you need to eat them, or freeze them, fast.

             Some say pawpaws are too sweet, or too funny looking, or too smelly, but, I discovered, pawpaws are just right for me.

Pawpaw fruit (not my picture)

            We saved the seeds in the freezer, like the instructions said to do (pawpaw growers are, by their very nature, proselytizers), and at the end of the winter, Mom and I planted the seeds in big ceramic pots in the kitchen, next to the window sill, with the pots wrapped in scarves because there was still a bit of a chill left in the air. And then, like the Talmudic sages said the angels do for every blade of grass, I stood over the pots and whispered, “Grow, Grow.”

            And they did grow. The seedlings were tall, and full of personality, and five or six of them even survived long enough to be planted outdoors once the weather was warm enough. We kept them in their pots at first, though, so that they could come back inside if they needed to.

            Three, maybe four, survived the first year and grew into saplings, gradually growing taller, as their leaves extended out like shiny green fans. For years, their leaves paled to yellow in the fall, disappeared for the winter, and reappeared in the spring.

            We had to dig the three surviving trees up and replant them five years later, when we moved. And one suffered a horrible gardening accident when the maintenance men were working higher up on the retaining wall and tossing small trees downhill. But the other two Pawpaw trees survived, now carefully marked, and settled into their new surroundings. They continued to grow, year after year, getting taller, and healthier, but there was no fruit yet, not even a flower.

            We got impatient and ordered two new baby trees, because a Pawpaw expert told us we needed to have at least two trees in close proximity in order for fertilization to occur, and the two we had were too far apart. But the baby trees were crushed in the shipping process and never really recovered, though we watched over them hopefully for a season.

Finally, after eleven years, my two Pawpaw trees started to flower. The flowers were small, and a deep burgundy brown color, but pretty quickly they dried up and flew away, and the leaves turned yellow again and the trees went to sleep again for another winter.

            The following year, the flowers came back bigger and brighter, and there were more of them, and they were filled with enough powdery, sticky pollen that we were able to transfer it from the flowers of one tree to the flowers of the other, by Q-tip, and hope for fruit. A tiny cluster of baby fruit showed up a while later, and even though it only survived for a week, we were hopeful that maybe in another year, after another season of flowering, the trees would be ready to fruit for real.

A pawpaw flower

            Twelve years may seem too long to wait for a piece of fruit, but to me the wait was sort of the point.

            And then, about a month later, disaster struck, of the human kind. I was napping during the day, as I often do, and Mom was in the living room working on a quilt. Somehow she heard a sound over the thumping of the old sewing machine, maybe the crying out of a dying tree had a particular power. I heard a scream, and a door slam, and then my dogs came to get me, but they couldn’t tell me what was wrong. I waited, worried about that scream and the horror it foretold. I could only imagine the death and destruction, the multiple apocalyptic events held in that scream. When Mom finally returned, ringing the doorbell, because she’d forgotten her key, she told me that the new gardeners had killed one of the pawpaw trees, and she’d reached them just in time to save the second one.

I didn’t understand. The pawpaw trees were over fifteen feet tall by then, and no longer wearing the blue tape they’d worn years earlier to mark them as special, because after seven years on the property they didn’t seem at risk anymore. Mom said she’d had to drag the murdered Pawpaw tree into the woods herself, for burial. But, why? The gardeners told her that they’d had to cut everything back in order to mow the lawn in straight lines. But not a tree, she’d screamed at them, you could have trimmed some of the branches if they were in your way, but who cuts down a tree in order to mow a lawn?

            The violence of it felt real to me, not metaphorical. When I finally went outside, the stump of the dead tree stuck up out of the retaining wall, looking wet, almost bloody. Obscene.

            Within minutes, Mom was googling for advice. She wondered if we could re-plant the amputated branches, or order pollen from another pawpaw tree to be sent to us each year, in order to fertilize our lone tree and maybe, finally, produce fruit.

            But I sat still, undone, convinced that you can’t un-chop a tree.

            Weeks passed. We dressed the lone pawpaw tree in a colorful bowtie, to protect it from future gardeners, and I whispered to it daily, to keep it from dying of loneliness.

            And then Mom called me to look at something in the retaining wall, in the area of the dead tree stump. I thought maybe she would show me more of her re-growth experiments, expecting me to be excited and invested, when all I could feel was the deadness of everything. Instead, she showed me pawpaw leaves, living and breathing on two long stalks, half green and half brown, and wobbly from very recent growth, growing out of the dirt two feet from the dead stump. We had not planted new Pawpaw seeds, or even noticed any random Pawpaw trees planting themselves under the mass of other trees and bushes in the retaining wall, but there they were. It just seemed so unlikely, to me, that Pawpaw trees could have created themselves, without any help, just when we needed them most.

            I picked one of the leaves to bring over to the big Pawpaw tree to compare. But I still felt skeptical, because that’s my automatic response to most things. It can’t be true, especially if I want it to be true. Mom pointed out the unique quilting design on the leaves, unlike any other leaves nearby, and the shine on the baby leaves, which I’d seen many times myself when our Pawpaws came back to life each spring.

            A few days later, Mom went back to the same spot, to make sure the Pawpaw stalks were still there, and not just a mirage made out of grief, and she found another, much smaller, Pawpaw sapling, maybe just a few weeks old. And she kept going back, and searching more carefully, and finding more Pawpaws, sprouting everywhere like a tiny village growing from the roots of the seemingly, but not really, dead tree.

            And I had to accept that my skepticism, my pessimism, was wrong. Sometimes the things we want most really do happen; sometimes trees can re-create themselves. From the beginning, I thought that Mom and I would put in endless years of effort for no real reward, because that’s just the way of things. But there they were, a forest of pawpaws coming to life all around me, trying to tell me that trees are living things, and deep in their roots they are desperate to survive, just like us. And sometimes, despite everything, we grow.

The pawpaw tree in autumn.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Going Back to In-Person Synagogue Services

            I’m on the Ritual Committee at my synagogue and we were tasked with deciding whether or not (but really when) to go back to Friday night services in person. The re-opening committee (a group with health and building expertise, brought together by Covid) gave us the go ahead, saying that we could safely have one hundred people in the sanctuary – as long as they are masked and socially-distanced. Our job was to decide whether to take them up on the offer, and if so, how to manage the transition, especially whether to do a hybrid service or not.

We’ve had in-person Bar and Bat Mitzvah services all along, adapting to changing protocols as necessary, with limited in-person guests and a lot of Zooming and masks and social distancing and temperature taking. They even started to have food trucks outside of the synagogue, to allow for some kind of celebration. But most of our congregational events have been on Zoom for the past year. We had a few hybrid beach services last summer, but the Zoom side of those services was not very good. And while the hybrid synagogue school classes have been acceptable, they haven’t really been successful.

But now, with so many congregants vaccinated, and planning for High Holiday services in September underway, it seemed like the right time to consider in-person Friday night services, for those who would want them.

“I’m ready!”

            (By the way, I had my second vaccine shot a few weeks ago and survived; there was that one day when I felt like I was on a creaky rowboat in the middle of a thunderstorm, but the feeling passed. Sort of.)

“Ugh. I’m gonna vomit.”

We decided immediately that, if we returned in person, we would have to do a hybrid service, including interactions on Zoom, because we couldn’t go back to a one way/streaming style for online services, with a single camera catching the service from a distance and no chance for online folks to participate in discussions. Over the past year of zoomed services, congregants who wouldn’t usually be able to get to the synagogue on a Friday night, because they were out of town or not feeling well or not up to driving at night, have been able to attend by Zoom and feel like full members of the community. We’ve had members who were wintering in Puerto Rico or Vermont, or living full-time in New York City or Albany zooming in on a regular basis and participating in ways that used to be impossible. We couldn’t go back to what we used to do and leave those members out.

            The problem is, in order to do this right, we are going to need better technology – like overhead microphones to capture the in-person audience singing and speaking, and more cameras placed around the sanctuary, and someone to keep track of the tech, and…it’s a lot.

“Oy.”

            Given the difficulties involved in hybrid services, and the fact that we still can’t have an Oneg (coffee and cake and schmoozing in the social hall) after services, and we’ll still have to wear masks and social distance in the sanctuary, and we may not even be allowed to sing indoors, it’s hard to get excited about returning to in person services again. And going in person will mean leaving the dogs at home, and actually having to get dressed, and drive. These are definite downsides. I get tired by eight o’clock at night and just want to sit around in my pajamas and watch TV, not get dressed up and drive and worry about how my hair looks from the back. And spending most of the service on mute means I can try out new harmonies without feeling self-conscious that someone will hear me and object, and I can turn to Mom and make snide comments about whatever I’m seeing on screen, as long as I cover my mouth to avoid the lip readers. But, there’s something special about getting to see people in person, and I feel an obligation to at least try to make it work.

“People are over-rated.”

And yet, chances are high that people will be impatient and obnoxious, out of frustration with the inevitable glitches, and online folks may unmute themselves in the middle of the service to tell us that they can’t hear what’s going on, or to complain that they are being neglected. And the in-person folks may get angry about all of the pauses, and having to repeat themselves. We are not a quiet, what-will-be-will-be sort of congregation, so the complaints will be plentiful. And a lot of the stay-at-home people still haven’t figured out zoom etiquette, so we will have big screens in the sanctuary full of people’s foreheads or ceilings, and I will definitely get seasick from the constantly moving iPhones.

            I don’t really want to go back yet, honestly, but I feel like I should. I can’t donate thousands of dollars to a fund drive to pay for new technology, but I can sacrifice a few hours to be a Guinea pig and help figure out how to make the hybrid services work a little better. And I miss being in an actual space with other people, instead of just a virtual one. But, the singing part really is a deal breaker for me. If we can’t sing in person I’d much rather be on Zoom. Progress be damned.

            But, despite all of that, we decided to go ahead with the experiment, even with the costs and complications involved, even though I will miss being able to turn off the computer and instantly be at home, without having to make awkward small talk or try to signal Mom across the social hall that I really want to go home, even though she is in the middle of a fascinating discussion of how best to protect her plants from the insect hordes. She has a tendency to “misunderstand” my signals, or ignore them entirely, when a conversation really interests her.

            I’m not sure I’m optimistic about how this will turn out, but I am determined to try. And we’ll see how it goes. It might be terrible, but it could also be the first step on the road back to normal. Whatever that might be.

“We have no idea.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Jezebel and Polytheism

            During my search for something in the Hebrew Bible to write a Midrash (AKA biblical fan fiction) about, I realized that I haven’t read the book itself closely enough yet to know how I want to re-write it; I’m still grappling with what these stories were meant to teach me in the first place. I have to remind myself that the goal of the Hebrew Bible is to convince the reader to believe in one god, Yahweh, rather than to tell the absolute truth, and therefore, anything that detracts from belief in that one god is characterized as evil, even if, in our modern view of morality, it isn’t evil at all. Given my cursory understanding of history, it seems like women were given more power and authority by the polytheistic religions that came before, and were then put down by monotheism. And I don’t understand why that was a necessary part of the transition to a One God system, or if it was.

“Girl Power!”

The story of Jezebel, in the book of Kings, focuses on this transition from a female-friendly polytheism to a male-centric monotheism, and it portrays foreign women, and the worship of any God other than Yahweh, as evil. And we have taken this portrayal of Jezebel as fact, because the Bible says it’s so. But is it?

            I know that many modern women have tried to find redeeming value in Jezebel (I did that myself by naming a protagonist after her), but I was willing to believe that she was as wicked as advertised, because I think there’s value in recognizing that women are capable of unforgivable harm; that you don’t have to be a man to be evil. Except, often in the Hebrew Bible, what the evil women are accused of seems more like rebellion, or a different opinion, than true evil.

Jezebel was a priestess of Baal and the daughter of the Phoenician king, and she was married to Ahab, the king of Israel, in a political alliance. She was raised with her own gods, including Baal and Astarte, and did not switch over to Yahweh when she married Ahab. Why? Because she came from a place where both male and female gods were worshipped, and when she married and moved to Israel there was only one, lone, Male God, and, not surprisingly, she didn’t appreciate the change.

“Me neither.”

            The biblical authors don’t like that her husband, the king, builds a temple of Baal, rather than forcing her to worship his national God. They accused her of interfering with the exclusive worship of Yahweh among the people of Israel and bringing in her own gods, as if that is her main crime. In one parenthetical sentence it says that Jezebel has been killing off the prophets of Yahweh, so she may also be a murderer, but there’s no explanation for why she’s doing it, or for how she would have the power to do so without the King’s okay.

            Her crimes seem to be: being a powerful woman able to hold her own against men, and being a polytheist instead of a Yahwist. Her own morality and use of power are questionable, but not more so than her husband’s or other kings of Israel. In fact, King Ahab is considered one of the worst kings of Israel. He reigns for twenty-two years, and the Bible says, he did what was displeasing to God even more than his predecessors.

The prophet who speaks up against Jezebel and Ahab in the Book of Kings is Elijah, and he asks the Israelites how long they will keep hopping between Yahweh and the other gods. His fight is with Polytheism and with the temptation to worship other gods. Elijah and the prophets of Yahweh fight the prophets of Baal and win, and then Elijah kills all 450 prophets of Baal. So Jezebel is evil for killing the prophets of Yahweh, but Elijah is pure for killing 450 prophets of Baal? Doesn’t that make both of them killers?

Elijah confronts King Ahab and predicts that he and all of his heirs will be destroyed, and that dogs will devour Jezebel. Eventually, the King is killed in battle, and his sons become kings for short periods of time each and then they die too.

            We finally return to Jezebel in chapter nine of the second book of Kings. She is sitting in her room in the palace, putting on her makeup, when the new king arrives and has Jezebel thrown out of the window by her eunuchs. He drives over her body with his chariot, and she is devoured by dogs, as the prophecy foretold.

“Eeeeew.”

But is she being punished as a murderer? Or for worshiping foreign gods? For me, it matters.

            Polytheism is the worship of multiple gods, often assembled into a pantheon of gods and goddesses representing forces of nature and ancestral principles. Sometimes these gods are seen as completely separate individuals, and other times they are seen as aspects of a single god – which resonates with how God is portrayed in the Hebrew Bible. God is given many names in the Hebrew Bible –  Yahweh, El, Elohim, El Shaddai, Tzevaot, Yah, Adonai, etc. – and many attributes – healer, merciful, warrior, infinite, strong, omnipresent, shepherd, righteous, Rock of Israel, etc. Possibly the variety comes from so many different authors, but, conveniently, absorbing the names and attributes of the surrounding gods helped the biblical authors to convince the Israelites to stop worshipping foreign gods; if you prized strength or mercy or healing or war, you could find any and all of those qualities in the one god, like in a big box store.

            Polytheism is actually a more comprehensive way of depicting the multiple aspects of the self, and the contradictory nature of the universe. Monotheism attempts to determine what is good (loyal to God) and what is evil (antagonistic to God), and tries to explain how all of our different qualities can exist within a single person, or a single universe. But that doesn’t mean that the particular forms of monotheism that we believe in are right, or lead to more moral behavior in human beings. If anything, Monotheism encourages more black and white thinking, ignoring the grey areas, and giving in to totalitarian leadership systems, whether they strive for actual goodness or not.

            Jezebel’s role in the story is to play the straw (wo)man, that Elijah, as God’s representative, is able to tear down. But even a surface level reading of Kings tells us that Elijah’s behavior is no more moral than Jezebel’s, no more compassionate or reasonable or just. Elijah wins because he backs the protagonist of the book: Yahweh.

“Where’s MY book?”

            So where does that leave me? Why do I believe in one God rather than many? Do I believe in the Yahweh portrayed in the Bible, or a more modern iteration that my ancestors wouldn’t recognize? Can I find fault with the Hebrew Bible and still look to it for guidance?

            I think the lesson I learn over and over is that this book is the memoir of a flawed people, groping towards a vision of God and community that will be able to sustain them and help them find peace. But, clearly, the Hebrew Bible is not always meant to be taken literally; even great rabbis have understood this. This book is not the last word on morality; it’s a starting point.

If seeing the Hebrew Bible this way makes me a Jezebel, so be it. I’m in good company.

“Do you mean us?”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Emptiness

            The more successful I become at Intuitive Eating, the more I have to face the sadness of not being able to use food to fill the emptiness. I don’t know why I describe it as emptiness when it seems so full of pain, but it’s so black in there, and it’s all so un-see-able and un-name-able that it appears empty to me. I think I became a writer in order to try to name the emptiness, but I’m still working at it.

“The word you’re looking for is ‘woof.'”

            Is it really sadness that I feel when I tell myself that it’s time to stop eating, or it is anger, or frustration, or disappointment? The first feeling that comes up is that it reminds me of being on the bumpy train with Mom from Paris to Versailles when I was sixteen years old, with no air-conditioning and a severe case of motion sickness. It feels physical, as if there are gears and strings in my belly and they are being pulled and pushed and making creaking noises, just because I won’t let myself eat another two hundred calories of whatever. And every time I try to define the feeling or suggest an activity to distract myself from it, this voice in my belly screams, NO!

“That’s my favorite word!”

            I keep picturing this space as an emptiness that needs to be filled, but the physical feeling is as if I swallowed a sharps container at the doctor’s office and all of these needles and blades are roiling around in my belly. I felt a lot of this as a teenager, but back then the sharps seemed to be in my veins, traveling through my arms and legs and into my skull, and I couldn’t name those emotions either, I just knew that they were unbearable.

            I know all of the things that I’m supposed to try to do in order to fill the void and soothe the pain, like meditation, or a bath, or exercise, or reading a book, etc. Reading and writing are, of course, my reliable old friends, but I’ve also tried different exercise programs and music and movies and craft projects over the years. Knitting used to help, and then coloring and puzzles. But sometimes the emptiness is so persistent and so prickly that nothing works. All I can feel is the sharp, bristling, feathery pangs of something as it scrapes across my insides and whispers hopelessness to me over and over again.

            In fact, a lot of the activities that are supposed to be soothing – like meditation or yoga or baths or massages – create more panic and agitation for me, and stir up the sharp things that live in the emptiness, instead of calming them down. It seems so unfair to have all of these weapons aimed at me from the inside.

            I think some of what’s in the emptiness is a need to fight or flee, even as my body freezes in place and waits for the danger to pass. It would be like catching a humming bird in a glass ball and feeling the endless beat of her wings while she can’t get out. The endless activity and rapid heartbeat and desperation for escape all lead to utter exhaustion, with no sign of an enemy anywhere nearby to explain the need to fly away.

            I keep hoping that if I can name the sharp things, and bring more light into the void, then I’ll be able to soothe the pain, but that hasn’t worked yet.

            Part of the problem is that the panic – that there will be no way to soothe the whatever-it-is that I can’t even name – is profound. And eating something often does stop the panic. The panic is then replaced with shame at overeating, and hopelessness that I will ever lose weight, but the chaos and the panic do subside with food, and in that moment, that’s the most important thing.

“Food is magical!”

            So here I am, feeling the sharp things in the emptiness, resenting them, and trying not to use food to solve the problem. Now what?

“Have you tried chicken?”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Other Door

            Since the beginning of the Covid shutdown last March, the clergy at my synagogue have been hosting zooms to discuss both serious and unserious topics, to maintain our social connections from home. Sometimes I can’t make it to a session with the Rabbi or the Cantor, but it’s reassuring to know they’re always there and always coming up with something interesting to talk about. Ellie comes to every zoom, sitting on my lap, while Cricket sleeps in her bed next to me.

The one time Cricket came to Zoom

A few weeks ago, at one of our clergy connections, the Cantor was asking us how our idea of time has changed during the pandemic. He looked into references to time in biblical and Talmudic sources, but to me it seemed obvious, as in so many other areas, that dogs are the secret to mental health in general and to structuring time in particular; having to take the dogs out four times a day – marking breakfast, lunch, dinner, and bedtime – has kept me on a regular schedule all year, despite not always remembering which day it is.

“I’m ready to go again!”

            The dogs even make sure we stay aware of the seasons, because they don’t believe in skipping walks on cold days or rainy days or hot days. In reality, they do have preferences, but until they get to the front door and see and feel the weather for themselves, they are always confident that it’s beautiful outside. Often, when I open the door and the front steps are covered with snow, or rain and wind are aiming themselves straight at us, the dogs look up at me as if I’ve betrayed them, I told the group, and the Cantor said, yes, they want the other door.

What?!

Our cantor is a big fan of science fiction, so he would be the one to see that connection, but it sounded so right.

Is it possible that my dogs actually believe that I am choosing this snowy/rainy/windy world on purpose, just to annoy them? Of course it’s possible! They want the door that opens to the outside world that’s warm and smelly and rich with sounds, none of this weather business, and they are convinced that I could get that for them, if I wanted to. Mean Mommy.

“That’s my line.”

            Of course, this idea sent me cruising down a rabbit hole and I mostly missed the rest of the discussion about the nature of time. I was too preoccupied with the possibility that we could choose a different door and get a different world. If it were possible, would I choose the door to our world, or to somewhere else? I don’t know. There’s something reassuring about not having a choice, and having to make do with what reality brings. I love the Harry Potter books, and the idea of magic wands and magic words, but, too much magic could mean that there would be no rules and no consequences to our actions, or to anyone else’s. How would we learn how to adapt to other people and take responsibility for our behavior, if when one world gets tough we could just choose another door? Would there be infinite other doors? How would we know which one to choose? If we could choose the more pleasant, easy world, would that lead to a happier life?

            It’s a truism that reality is stranger than fiction, and often more frustrating and chaotic, but it can also be more interesting and definitely more varied than what we could imagine for ourselves. The desire for alternative facts, and the belief that all news is fake if it’s not what we want to hear, have become prominent (again) over the past few years. And I understand it. I understand finding reality overwhelming and incomprehensible and wanting it to be something different, something more comfortable and less challenging.

            But isn’t that what fiction is for? We get to read and write stories about what’s behind that other door, as a way to escape reality, but also as a way to reshape how we understand our realities, and find ways to cope with them, and tame their chaos. When we return to the real world from the fictional one we can feel rejuvenated, and use the knowledge and insight we’ve gained from our trip through that other door to make our real lives better.

            This is just a thought experiment, unless you know something about alternate dimensions existing in our world that I am not privy to. But sometimes it helps to think through these impossibilities, like if we’d choose to live forever, or what we’d do if we won the lottery, in order to appreciate the value of the world we actually have.

            Except, does this thought experiment really lead to more contentment with the here and now? I wonder if Cricket and Ellie would find such joy in a breezy spring day, full of smells and sounds to explore, if that’s what they experienced every day. And I think, probably yes.

            But we’ll never know for sure. Right?

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

On Poetry

            I keep trying to push at my boundaries lately, to see if they are still solid brick or becoming something more flexible over time, and one of the boundaries I’m trying to move is the one that keeps me at a distance from poetry. I used to write poetry, and I even got some of my poems published way back when. I don’t remember what the toggle was, between poetry and songs and plays and novels and essays and short stories, but I wrote all of them at different times and often at the same time. I had (and still have) a form of Hypergraphia, an obsessive need to write. I used to write on my bare legs during summer classes in college, when I ran out of room on the page where I was supposed to be taking notes.

            I went through a phase of trying all of the forms of poetry I could find – Tanka, Haiku, Sonnet, etc. – and the rules were reassuring, for a while, and then not at all. So I tried to create my own forms, experimenting with meter and rhyme schemes and lower case letters and spacing on the page. I spent years at it, waiting for something to click into place and sound right and true, and it never really happened. I don’t know if I failed to reach the heart of poetry, or if poetry was just the wrong shape for my heart, but it left me feeling like only slivers of my story were visible, as if the best I could do was to present a broken mirror to the world.

            But recently there have been subjects that seem to beg for poetry. I tried to write about my Paw Paw trees and the Carolina Wren in poems, but they turned into essays, insistently, over and over again. I couldn’t seem to translate myself into the vocabulary and shape and size needed. I feel like there’s a mystery to poetry that I can’t crack, a rhythm I can’t find, or create.

I love what poetry can do: how it can say so much in a few words and inject wisdom so quickly, in so few images and words, into our collective blood streams. Not every poem succeeds, but the good stuff feels like a lightning strike.

We read a lot of poetry at my synagogue, and the prayers themselves are often poems, or poetic prose, trying to capture that lightning of an Aha moment, so that in a relatively short service we can be reminded of why we live our lives the way we do. Prayer feels relatively meaningless, to me, without a community to sing and say it with me (either in person, on zoom, or in my imagination), because it’s that communal feeling that brings God, the idea, to life. And I think the same is true with poetry, for me. I need to imagine other people reading and hearing and thinking the poem at the same time in order to hear the echoes in the words.

“We’re listening too!”

            But I want to write poetry, not just read it. I want to be able to contain my thoughts and feelings in those manageable boxes, and have those small jewels to share: beautiful and perfect and under control. I thought, maybe, that I could freewrite, in order to get the ideas out of my head, and then find the poem by cutting the excess away. But all I could do was to take my clumsy, oversized self and chop away limbs until I fit inside of the box, and then I didn’t recognize the poem at all. Worse, I hated it for the monster it had become.

“Monsters? Where?!

            Prose gives me more room to stretch out, and to put the puzzle together in my own way, but still, poetry sits there on the shelf, waiting for me, glaring at me, wondering why I am still so far away.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Life in the Absurd

            Out of the blue, one evening, Mom got an email about a pop-up vaccine site taking people over 65, and she called and got an appointment for the next morning. And then, after she’d gotten the vaccine and scheduled her second shot, she felt so guilty that she’d gone without me, and that so many of the sites on Long Island were reserved for older people and not for essential workers or teachers, that she started obsessively watching for new sites, and nagging me to do the same. I didn’t enjoy having to jump onto the computer each time she saw a hint of a possibility of an appointment for me, especially because they all turned out to be nothing. But then, three weeks later, an email arrived saying that there was a site taking people over 60 and teachers, from our town. She emailed back and got me an appointment for that evening.

            The only problem was that I was still at synagogue school, where I was so overwhelmed with the laptop and iPad (to teach the remote kids), while also corralling the in-person kids, that I didn’t think to check my phone. By the time I got home Mom was standing in the parking lot, waiting for me. She yelled through the window of the car that I had an appointment, and I screamed back, for what?

            The Pharmacy was in a small strip mall two towns over, down a badly lit hallway and behind a non-descript door. It was some kind of specialist compound pharmacy, with one pharmacist and two helpers, and I was one of the last appointments of the day. I made sure to tell the pharmacist that I teach synagogue school, in case she wanted to disqualify me on the spot as not a real teacher, but she just nodded and asked where I teach, and then she told me that I was getting the Moderna vaccine, and stuck the needle in my arm. One of her assistants filled out a vaccine card and scheduled my second appointment, and then they sent me on my way.

            It took all of five minutes, and I had a hard time processing that I had really gotten the shot, even while holding an ice pack against my right shoulder. Two days later my left shoulder started to hurt, in the same spot as on my right shoulder. I tried to find a reasonable explanation for it, like maybe I’d been sleeping on my left side to protect the right shoulder, though that didn’t explain the pinpoint nature of the pain. But I was still wiped out from synagogue school, or from the vaccine shot, or both, and I couldn’t really think it through.

 The next day, which turned out to be the second windiest day of the year, I decided I had plenty of energy to do the food shopping on my own, even though Mom said it was too cold to go out and she and the dogs all gave me funny looks. Instead of wearing my hair in braids or a pony tail, which is what I’ve been doing since my hair got so Covid-long, I left it down, and it rose in a whirlwind around my face until I couldn’t see a damn thing. Then I went into the supermarket and filled my cart with everything on the shopping list, and only realized at the checkout that I didn’t have my pocketbook with me. I asked if they could watch my cart, melting ice cream and all, at the customer service desk, and then ran out to the car, hoping my pocketbook would be sitting on the passenger seat waiting for me. It wasn’t.

“Oy.”

I knew I had to drive home and find my pocketbook, but I was afraid someone would see me driving away and think I was a criminal of some kind, racing out of the parking lot. It was only when I’d pulled out into traffic, heart racing, that I thought to check under Mom’s cushion on the passenger seat, and of course my pocketbook was right there. I was relieved and flustered and had a hard time figuring out where to make my U-turn back to the supermarket. I parked in the same exact spot I’d just left and then ran out, forgetting my mask in the car, so I had to race back and find it on the floor, under Mom’s cushion, which I’d managed to toss into the air in my frenzied search for my pocketbook.

I tried to walk back into the supermarket like a sane, rational person and gracefully guide my cart from the customer service desk to the next open checkout lane, but there were no open lanes, except for the self-checkout. I hate self-checkout. I don’t understand how this is supposed to be more convenient when every time I try to buy a fruit or a vegetable someone has to come over and play with the machine to get it to recognize my broccoli. But I paid for all of my groceries and managed to put them in my reusable and refrigerator bags, piled to the top of the cart. As soon as I got outside, of course, the bag on top of the pile fell off the cart, and the receipt flew away in the wind, never to be seen again. By the time I got home I felt like I’d been through all of the Herculean labors, and fell into bed, exhausted.

“I totally get it.”

            I’m pretty sure my life isn’t the only one falling into the absurd lately, but I like to tell myself that mine is the most absurd, just so I can feel like I’m winning at something.    

The fact is, everything has seemed nonsensical for a long time now, as if we’ve all been suffering from pre-Covid brain fog for years. There was that weird four year period when our president was a white supremacist, and then that year when people refused to wear face masks to protect them from a deadly disease. And then there were those news outlets that only believed in alternative facts. It was weird. Okay, it’s still weird. States are rapidly putting new voting restrictions into place, after what was deemed the most secure election in US history by the Republican in charge of cyber security. And US senators are proclaiming that they didn’t feel threatened by men with bear spray and flag poles attacking the Capitol police and setting up a gallows to hang politicians, but one little black woman knocking on a door in the Georgia Legislature clearly scared the bejeezus out of them.

“Humans are weird.”

            There are times when I believe that God is everywhere, and that the universe is a web of invisible circuits that bring us all together. And then there’s the rest of the time, when I still believe that God is everywhere, but I’m pretty sure the web of invisible circuits is broken, or at least rotting at significant junctures. Hopefully, once we’ve all been vaccinated we can start to do the work of fixing those connections.

To that end, I thought I’d share some new liturgical music from the musical director/composer/rabbinical student from my synagogue whom I’ve mentioned in the past (I make a short appearance in the choral section of the video.) The title of the song is HaRofei, which means the healer, and it’s based on Psalm 147. The lyrics alone are wonderful, but with the music and all of the voices and instruments he was able to bring together, it’s a stunner. https://youtu.be/fmsMljlUWok

“Where are the dogs?”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Miriam’s Well

            Tonight is the first night of Passover, and I’ve been thinking about how this Jewish holiday makes me feel – this weeklong commemoration of the escape from slavery to freedom – and why it doesn’t make me feel free. Maybe it’s because so much of Judaism, both in its ancient and modern forms, leaves out the stories of women; the Hebrew Bible, and the advent of Monotheism, were bathed in misogyny and the distrust and erasure of women, and that absence of women feels especially obvious at the Passover Seder.

“But I’m at the Seder.”

            People have come up with all kinds of ideas for how to make the Seder more inclusive, more fun, more meaningful, or shorter. At the yearly Women’s Seder at my synagogue we add something called a Miriam’s Cup to the table, but there was never an explanation for what the cup was meant to represent and I assumed it was an afterthought, a salve to make women feel included.

The Hebrew Bible describes Moses, and his brother Aaron and sister Miriam, as delivering the Jews from exile in Egypt, together: “For I brought you up out of the land of Egypt and redeemed you from the house of slavery and I sent before you Moses, Aaron, and Miriam.” Miriam’s claim to fame is that, as a child, she was the one who stood by the Nile to watch as her baby brother Moses was picked up by the daughter of Pharaoh. And then, after the splitting of the Sea of Reeds, she encouraged the Israelites to sing and dance and praise God for the miracle of the splitting of the sea, even as the sea swallowed the Egyptian soldiers chasing after them in Exodus: “Then Miriam the prophetess, Aaron’s sister, took a timbrel in her hand, and all the women went out after her to dance with timbrels. And Miriam chanted for them, ‘Sing to the Lord, for He has triumphed gloriously; horse and driver He has hurled into the sea.’”

And yet, there are very few other references to Miriam in the Hebrew Bible, and no traditional rituals to celebrate her, in the Passover Seder or elsewhere. And that made me wonder why, if she was so important, she was largely left out of the telling of the story? There’s understatement and then there’s neglect.

Even her name is a problem: Miriam is a form of the Hebrew word for “bitter.” The assumption is that her parents gave her that name because of their hard lives as slaves in Egypt, but what you call a person matters; it impacts how you see them and how they see themselves.

“What does Ellie mean?”

When used at the Seder, Miriam’s Cup sits next to Elijah’s Cup (of wine) on the table. Elijah’s cup is set aside for the Prophet Elijah to drink when he comes to visit the Seder (Elijah is like a drunken version of Santa Claus, visiting every Seder in one night, through the open door instead of the chimney, but leaving no gifts). Elijah rode a chariot of fire into the whirlwind and was “translated” to heaven, without dying, and his visits to the Seder represent the hope for the coming of the Messiah. But Miriam had her feet solidly on the ground, and she died, like any other mortal, so her placement with Elijah at the table seems strange.

And yet, in 1987, Leila Gal Berber wrote a second verse to the song we sing about Elijah the Prophet, called Miriam the Prophetess, to be sung at the Seder, and weekly at the Havdallah service that ends the Sabbath each Saturday night. Miriam’s verse celebrates her as a redeemer, like Elijah, but that has never been her role. And, to me, it feels disrespectful to act as if the only way to honor Miriam is to tack her onto Elijah’s song, where she doesn’t belong.

“Harrumph.”

Why isn’t Miriam’s role as part of the leadership team that brought the Israelites out of Egypt enough? Why can’t she be celebrated with her brothers instead of with Elijah, who comes from a completely different part of the Hebrew bible? Aaron was the high priest, and Moses spoke to God, and Miriam acted as the first Cantor or prayer leader for the Israelites, teaching a people who had been raised in slavery to celebrate their freedom. Why isn’t that good enough? Miriam, unlike Moses, grew up as a slave. She never lived the privileged life Moses lived as an adopted member of the royal family. And yet, she celebrated God, who didn’t bother to speak directly to her. She had the faith and courage to help lead her people out of Egypt, despite having no experience of freedom to bolster her faith that life on the other side would be better.

            Why can’t we celebrate her for that?

But also, I didn’t understand why Miriam would be honored with a cup of water, while Elijah was honored with a cup of wine. And I was curious enough about that to go a-googling. I found out that Miriam’s Cup is meant to remind us of Miriam’s Well, the source of water that kept the Israelites alive through forty years in the desert, a story I’d never heard growing up. It turns out that the Rashi, a Medieval French Rabbi, derived the idea of Miriam’s Well from the description of Miriam’s death in the book of Numbers: “Miriam died there and was buried there. And there was no water for the congregation.” He decided that the juxtaposition of her death and the sudden lack of water meant that while she was alive the Israelites had water, throughout the forty years in the desert, due to her. The connection is tenuous, but some explain it as a result of Miriam’s guardianship of her baby brother by the waters of the Nile, or because of her celebration by the Sea of Reeds. Others see the well as a universal symbol of femininity, like a womb.

The Seder does seem like the right place for Miriam, and the cup of water could be made into a meaningful symbol of her role in the Exodus, because without water there is no survival, let alone freedom. Water is the most basic thing we need in order to stay alive, and yet, it is also something we tend to take for granted, like women.

There’s so much potential here, for water as a symbol of the feminine, and of freedom and survival, but it only works if we spin the story out, and if it expands from just the Women’s Seder (which takes place weeks before the actual holiday) to being included in the official Seders on the first and second nights of Passover; where everyone is included, and everyone can hear.

The story of Miriam’s Well can teach the importance of having water in the desert, and having a sister who looks out for you, and having a prayer leader who reminds you to sing and dance and celebrate, even when you are afraid. There is another song about Miriam, by Debbie Friedman, that celebrates the way Miriam led the singing and dancing after the splitting of the Sea of Reeds, which is sometimes sung at the Women’s Seder as well. Maybe if we can sing her song and tell her story at the Seder, Miriam can inspire us to add women back into our history and restore what has been erased. And, maybe then Passover will feel like a true expression of freedom, an experience of being free to speak and to be who we are, for all of us.

“Like us.”

This is a version of Debbie Friedman’s Miriam’s Song, by Project Kesher, working to empower Jewish women around the world – https://www.kveller.com/this-cover-of-debbie-friedmans-miriams-song-is-so-inspiring/?fbclid=IwAR3akG-p4sTMYJUpEGq9gG76U8HdfXctfVlRe_I09L-Oh6MRplAlEozF5UI

This is a version of Min Hameitzar, which is often sung as part of Passover services. The words translate, basically, to: From the narrow place I called on God and he answered me in the expanse. God is for me, I won’t fear, what can Man do to me? - https://youtu.be/EMe4-ggSkdY

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Intuitive Eating and Where I’m Struggling

             One of the basic arguments against dieting, in the Intuitive Eating Workbook is: A diet mentality is the false belief that weight loss leads to happiness. But this has always felt true to me. As a kid, I was unhappy, and I wanted to believe that there was something I could do to fix it: if I could blame all of my unhappiness and loneliness on my weight, then I could at least hope that someday I’d feel better. In reality, I have lost weight over and over again, and it has never resolved the depression or self-hatred or loneliness, and yet I’m still afraid that if I let go of the belief that weight loss will make me happy, I’m letting go of the hope that I will ever be happy.

            And it was reassuring to have a diet plan to follow. I’ve stayed on diets for months, or years, despite losing no weight at all, because the sense that I was doing the right thing made me feel better, even if it didn’t help me reach my goals.

“Two chickens a day would reassure me.”

            I crave a diet plan to tell me what to eat, how much to eat, how to prepare it, and even when to eat it. Diets feel like safe containers for someone, like me, who has learned to believe that food is dangerous and unpredictable; for someone who is overwhelmed with too many choices and who believes, fundamentally, that her body is wrong and must be controlled and limited and made smaller.

            The problem is that the diets themselves perpetuate those beliefs about the dangerousness of food and the dangerousness of my body. The diet tells me that I can’t survive without it; that I will crash and burn, and there is no alternative, except maybe for another diet. That’s why this transition to a no-diet life is so damn hard; because there is no plan, no safe container, just impossible lessons to learn, like: trust yourself, honor your feelings, respect your own body and wisdom.

            I’m no longer on a specific diet plan (Like Weight Watchers or Noom) and I’m not counting calories or avoiding carbohydrates or fats, but I still have the endless voices in my head telling me that I shouldn’t eat this and I shouldn’t eat that, and if only I lost weight I’d finally be happy. And the voices aren’t just in my own head, they’re everywhere.

“I hear them too.”

            The frustrating thing is that the research on diets has been clear: the majority of people who go on diets gain the weight back, and often gain even more than they’d lost in the first place. And it’s not just that diets don’t work, they actually create health problems, because the cycle of weight loss and inevitable weight gain is worse for the body than maintaining a weight above what the charts suggest. But no one I know actually believes the research. So, are we all in a collective delusion? And how do I escape from a belief system that is constantly reinforced?

            Doctors have been some of the worst offenders in creating shame around my weight. They have blamed any and every health issue on my weight, even when it was clearly unrelated, and they have had no interest in hearing that my health has never improved as a result of weight loss.

            I recently had to see the gynecologist for my yearly checkup, and she said that my health is good except for one thing and you know what that is. But I didn’t know, because I could think of a number of issues that are currently impacting my health. But before I could even try to answer her non-question, she said, it’s your weight. And, she said, You just need to eat less. Then she proceeded to show me what a small portion of food would look like, with her hands.

“No doctors!!!!!!”

            Aside from the fact that I probably know more about dieting than she does, and that the size of food doesn’t determine its caloric value, what she’s ignoring is that being on a diet and just eating less has taught me to feel like a bad person for eating anything.

            When I read in the Intuitive Eating Workbook that if I am hungrier on a given day then I should eat more, I was sure that that rule shouldn’t apply to me, because, of course, I would lie to myself about my hunger level, and sneak food past myself.

When the Intuitive Eating Workbook told me to respect my cravings and learn how to eat those foods when I crave them, and then to stop when I am full, I didn’t know what to do, because I was always told to do anything and everything to distract myself from cravings, and to never give in to them. I was supposed to drink water, or take a bath, or go for a run, to avoid eating the food I really wanted to eat, even if I had no interest in doing any of those things. I automatically assume that if I crave something, or even want something with any intensity, then I shouldn’t have it. I’ve read so many articles that say craving a food is a sign that it is bad for me, and that I will crave exactly the foods I am allergic to and that’s how I’ll know I’m allergic.

            But is that true? Are the things I feel most strongly about the things I should avoid? Then what am I left with? How do I decide what to do if wanting to do something is a sign not to do it?

            Who came up with this shit in the first place?

“Um, you said a bad word.”

            During this year of social distancing, a lot of people have experienced cravings for human contact, cravings so strong that they broke safety protocols to go out to parties or bars or restaurants, because the need for human contact was so insistent. Is it the craving for human contact that’s bad or the way they chose to satisfy that craving?

            My students at synagogue school often crave movement by the time they arrive after a full day of school. They crave it so much that if I don’t create a safe and productive way for them to move, they will move in whatever way they can. I can choose to create a safe environment for them to move in, or I can choose to ignore their need and leave them to disrupt the class or drive themselves crazy, but either way, the kids are going to move; not because they are bad kids, but because they are human.

“Like me!”

            Can I accept that in myself too? Can I ever find a way to give myself permission to be guided by what I want, without worrying that I’m taking the road to hell?

In a recent visit with the nutritionist she said that I was confusing taste hunger with physical hunger, because as long as the food still tasted good I still wanted to eat. Ideally, she said, the yummy taste of the food would diminish as I became full, but that has never been my experience. So we planned out a very specific sequence of actions for me to check in with my physical fullness, and my taste hunger, separately, with the commitment that I would rely on my physical feeling of fullness to tell me when to stop eating, even if the taste hunger persisted.

I want to believe that I can learn how to do this and find a healthier and happier way to eat and live, but it still feels like a fairytale; like something I want to believe in that can’t possibly be true. I still live in a world where everyone thinks they need to be on a diet, no matter what they weigh. I still live in a world where we have no realistic idea of healthy sizes for different bodies, and we judge each other based on standards that fit almost no one. How am I supposed to ignore all of that noise and suddenly learn to trust myself?

            I don’t know yet, but I will keep working on it.

“We’ll eat the leftovers. To help you.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

On Loneliness

            Loneliness is a lifelong state of being for me. I was a lonely child, because I couldn’t share my world with anyone. I loved my big brother, but there were so many things he refused to hear, refused to say, refused to see. I loved my best friend, but she didn’t love me back. She tolerated me, she accepted my presence, but she didn’t understand me and didn’t want to. I thought that was my fault, by the way, because I wasn’t rich enough or pretty enough or clever enough, but, and this is something I’ve only recently figured out, it wasn’t about me; which doesn’t solve anything, or heal anything, for either of us, but it’s true.

            I loved my parents, but my mom was deep underwater, in an abusive marriage. And my father. Well. His idea of love was loyalty and control in only one direction. He was a bruised and broken child himself, who never healed, or ever tried to.

            I lived in this kaleidoscope of broken people, always moving around each other, never fitting together into a whole. And at school, even though the other kids didn’t know any of this, they knew. They knew that I bothered them, upset them, and scared them, just for being me: for being nice to people who hurt me; for helping people who looked down on me; for showing everything on my face that they were able to hide and thought should be hidden.

            I learned, over time, how to act like I was normal, or something like it. But there was still something too honest about me, and it hurt people to look at me, and so they hurt me, as if I’d done it on purpose; as if my sadness was an attack on their otherwise peaceful lives.

            I’ve worked hard to make connections with people, and to chisel away at the loneliness, but it is still there, and still informs everything I do. It makes me more desperate to have my say and to be heard; and it makes me more sensitive to the pain of others; and it makes me more frightened, of everyone, because I know how badly they can hurt me.

“I would never hurt you, Mommy.”

            In a way, isolation has been my way to protect myself from having to feel too much of the loneliness at once, because the feeling is most profound when I am closest to other people.

            I don’t know if any of this is true for other people, or for what percentage of other people. I know that some people use their loneliness to excuse acts of emotional and physical violence against others. I know that some people use loneliness to spur active and crowded lives. But most people don’t talk about their loneliness in public. Most people act as if they are fine; and even if I can imagine that there’s something behind the mask, I can’t presume to know what that is, and so my loneliness persists.

“I never hide my feelings behind a mask.”

            Loneliness is probably the echo underneath everything I write and everything I do – and it hurts, a lot. It doesn’t resolve. It doesn’t dissolve. It doesn’t disappear. There are other feelings that persist from my childhood, like shame and fear and guilt and physical pain, but loneliness is the most pervasive; it’s the one that follows me everywhere I go, even when I am otherwise happy and well.

            I don’t know why I wanted to write about this. Maybe because I’m starting to wonder if the loneliness will ever recede; and to wonder if I’m perpetuating the loneliness, even causing it, without any idea of how to stop.

            We have these ideas about healing – that it can be fast, and complete, and willed into fruition – but none of that tracks with my experience. Some wounds don’t heal, or fade, and sometimes we have to accept that our lives will always hold the shape of that pain.

I haven’t reached that level of acceptance, though. I still want the fairytale, with the happily ever after ending. I want, most of all, to be whole.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?