RSS Feed

Tag Archives: singing

Choir Rehearsals

Posted on April 16, 2022 by rachelmankowitz

            I can’t do choir rehearsals at my synagogue during the school year anymore. I tried.

For the past two years we’ve either had online rehearsals or did recordings on our own, so even if a zoom meeting came up on a day when I had to teach synagogue school, I could still go home, have dinner, unwind for a minute, prep for my next class, maybe even take a shower, and still be in time for the Zoom. But in-person rehearsals are a whole other thing. I have to rush through prep and communicating with parents and dinner then get back in the car, rehearse for an hour and a half, and only get home around ten o’clock at night. When I tried, a few weeks ago, I hit a wall around nine o’clock. I left the rehearsal early, but it still took me days to recover.

“Life is exhausting.”

            And I was frustrated. I’d already committed to singing at the Women’s Seder (a yearly event at my synagogue, a few weeks before Passover, to celebrate the women in the Exodus story and modern religious music by women), and I had to tell the musical director, and the Cantor, that I wouldn’t be able to get to the rehearsals, for that or for anything else during the rest of the school year.

            When I told the musical director that I wouldn’t be able to get to the rehearsals, he sent me the music (four songs we’d done in the past, and only one with two part harmonies) and said he trusted me to be ready on my own, which was both kind and a lot of pressure.

And when I reached out to the Cantor to tell him that I wouldn’t be able to go to choir rehearsals during the school year any more (after almost a week of working up the nerve to write the email), his response came back quickly and with a lot of understanding and compassion.

            But I still felt crummy.

I haven’t been able to go to many in-person Friday night services either. I know I’m not the only one who has fallen out of the habit of going to services in person, but I still feel guilty when I watch the Friday night Zoom and see that only two or three congregants are actually in the sanctuary. And I feel guilty when I choose to attend with my camera off, instead of showing my face on Zoom, even though I know I don’t have the energy to change out of my pajamas or even comb my hair.

“My hair looks perfect.”

I feel guilty when I set limits to protect myself, but I also feel angry, because I’d rather be someone who can do all of these things. I don’t want to be ill.

Hopefully I will be able to manage choir rehearsals over the summer, when I don’t have to teach on the same days, and I’ll be able to prepare for the high holidays and socialize with friends and feel more normal, but we’ll see.

            Even though I can’t get to choir rehearsals, I have been able to bring more music into my classroom. Not only does the Cantor come in to sing with the students, but a visiting teacher gave us an idea for another way to bring in more music. He suggested playing different versions of the same prayer for the kids, to give them a chance to see for themselves how well, or badly, the music fits the meaning of the prayer. He chose Oseh Shalom (He Makes Peace) for his example, because it’s a prayer that has been done in so many different ways, and I followed his example. I found seven versions of the prayer and we all sat together on the floor and listened to one version after the other. The choice of song became even more meaningful after the war in Ukraine began, because the kids have been watching the news, along with the rest of us, and singing about peace, and thinking about peace, gave them a way to feel like they were doing something to help.

Some of the kids danced to the faster versions of the song, and others took notes like the serious musicologists they are, talking about how the changes in language and instruments and voices added to our ideas about what peace might actually be: it isn’t just the slow and mournful kind of peace we’re used to singing about, but also the raucous, complicated, dissonant, fast and faster, loud and louder, one voice and many voices cacophony that can encompass everyone, if we let it.

We may have played the music too loud, because one of the kids came back from the bathroom saying they could hear it down the hall, but I don’t think anyone minded. Music has so much power to make us feel heard, and connected, to each other and to ourselves. I never want to lose that connection from my life, or my teaching.

And, maybe inspired by my students, I was able to practice the songs for the Women’s Seder on my own, and when the day came, I was ready to sing with the female members of the choir without too much anxiety. And it felt really good to be a part of things, and to be able to add my voice, and not have to stay home and watch it all on Zoom. I hope this is a sign that there will be ways for me to adapt to circumstances in the future and always find my way forward, but for now, this was enough.

In case you’re interested in trying the experiment:

Oseh Shalom by Nurit Hirsch https://youtube.com/watch?v=-ODQuc6PzVk&feature=share
Oseh Shalom (SATB Choir) by John Leavitt https://youtu.be/EzdeEuttarI
Oseh Shalom by Debbie Friedman https://youtu.be/scbPrzCicLk
Oseh Shalom by Elana Jagoda https://youtu.be/MhBtIWGsaCo
Oseh Shalom by - Nefesh Mountain https://youtu.be/IrDDeQxRepU
Oseh Shalom by Nava Tehila https://youtu.be/EFdngngTpqo
Oseh Shalom by Ochs https://youtu.be/1Rw-r6hrCOc
Peace.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

38 Comments

Posted in Uncategorized and tagged , , , , , , , , . Bookmark the permalink.

The Choir is Back

Posted on July 17, 2021 by rachelmankowitz

            I recently found out that my synagogue’s choir will be singing in-person at High Holiday services in September. Up through most of June, we thought we’d be recording one or two more videos (to add to the collection we made last year) and using them for services – both online and on screens in the sanctuary. But with the changes to the protocols in New York, our plans have changed.

“Am I singing?”

            In-person choir performances mean rehearsals all summer, starting right away, and also early morning services for Rosh Hashanah and Yom Kippur – which I’m really not looking forward to. Instead of waking up late and eating breakfast and leisurely strolling with the dogs and then getting to synagogue for the 11:30 AM service, the way Mom and I used to do before I joined the choir, I will have to be up and dressed and ready to sing by 8:45 in the morning.

            I’d actually gotten pretty comfortable with the distance singing – making the videos and singing along to a voice in my ear – and now I will have to re-acclimate to four-part harmonies, and ignoring what someone else is singing (loudly, next to me).

“Grr.”

            I’m also anxious about what to wear for services, and which shoes to wear for all of the standing; and I’m worried that I won’t have enough time to get all of my planned writing done this summer, with my Hebrew classes and choir rehearsals and doctors’ appointments and on and on.

            Before the first choir rehearsal could take place, though, a former choir member (whose wife still sings with the choir) died, at age 95. It wasn’t unexpected, given his age and overall health, but it was still a shock. He was full of life, and jokes and opinions, and participated in all of our study sessions and services over zoom during Covid. Almost as soon as the congregational email went out, letting us know of his death, the Cantor wrote to the choir members to ask if we’d want to reschedule our first choir rehearsal and instead go as a group to the first night of Shiva, to sing for our friend. And we all agreed.

This was our first communal funeral since Covid began – the first time we could fill up the sanctuary and sit side by side to mourn one of our own. And it was very sweet. We were able to hear from the children and grandchildren of our lost friend, and share their memories and jokes and tears. And then at Shiva that night, the choir members gathered around his wife, arm in arm, to sing Oseh Shalom (a prayer for peace), which we sing together at the end of every choir rehearsal.

I’d forgotten the power of this, I think, in my fear of the social obligations that come with returning to an in-person world. And maybe I hadn’t even realized what a big part the choir played in these connections – these physical, in-person connections, where we sing to each other and come together.

Sometimes I worry that my social anxiety, and the holes in my social skills, mean that I can’t be a real part of a community, and can’t be a good friend. I worry that I don’t have the gregariousness or the generous instincts other people have by nature. But these are the times when I feel the power of ritual, of having a scaffolding to hold me up as I figure out how to be of use.

It shocks me every once in a while that I’ve found this community, and that I can find a place in it for myself, despite my fear of doing or saying the wrong thing. I’ve learned, slowly, over a long period of time, that everyone says or does the wrong thing sometimes, maybe even all the time, and the world doesn’t end as a result. I still keep a mental list of all of my gaffs and awkward encounters and missed opportunities, but I’ve also collected enough memories of others doing the same things that I’ve learned that it’s okay. We’ve survived a bad joke, or a social misstep, or an inappropriate story, or a missed connection thousands of times, and we are still here.

“How bad are these bad jokes?”

Community can be a fragile thing and requires a lot of work and commitment, and a willingness to speak up when you feel hurt, and to apologize when you are the one who hurts others; but I’ve learned that communities are the safety nets that keep us afloat when our jobs and families and friendship groups can’t quite catch us.

“I will always love you, Mommy!”

When Mom and I first joined the synagogue, nine years ago, I felt the power of going to Friday night services every week and hearing the list of people who had died over the past year, even though I didn’t recognize any of the names. I felt the sanctity in the idea that we mourn together; that these deaths matter to all of us and not just to the close relatives and friends. Over time, more of the names have become familiar, as people I knew, or the loved ones of people I knew, or people I’ve heard stories about from way-back-when have been added to the list. In a way, it feels like an honor to be able to help create a container for the grief, to be able to take on a small part of the weight of memory for someone else, knowing they will do the same for me.

So, I will listen for my friend’s name every week for the next year, and remember how much he valued this community and would want it to survive after his death, if only so we can continue to tell his stories to the next generation. And, as long as the current vaccinations can keep the Delta variant at bay, I will try to embrace the shorter than usual choir rehearsal period, and the earlier-than-heck morning services, because being an active part of this community means that I can help create a safe container for so many different feelings, including joy.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

56 Comments

Posted in Uncategorized and tagged , , , , , , , . Bookmark the permalink.

Going Back to In-Person Synagogue Services

Posted on May 8, 2021 by rachelmankowitz

            I’m on the Ritual Committee at my synagogue and we were tasked with deciding whether or not (but really when) to go back to Friday night services in person. The re-opening committee (a group with health and building expertise, brought together by Covid) gave us the go ahead, saying that we could safely have one hundred people in the sanctuary – as long as they are masked and socially-distanced. Our job was to decide whether to take them up on the offer, and if so, how to manage the transition, especially whether to do a hybrid service or not.

We’ve had in-person Bar and Bat Mitzvah services all along, adapting to changing protocols as necessary, with limited in-person guests and a lot of Zooming and masks and social distancing and temperature taking. They even started to have food trucks outside of the synagogue, to allow for some kind of celebration. But most of our congregational events have been on Zoom for the past year. We had a few hybrid beach services last summer, but the Zoom side of those services was not very good. And while the hybrid synagogue school classes have been acceptable, they haven’t really been successful.

But now, with so many congregants vaccinated, and planning for High Holiday services in September underway, it seemed like the right time to consider in-person Friday night services, for those who would want them.

“I’m ready!”

            (By the way, I had my second vaccine shot a few weeks ago and survived; there was that one day when I felt like I was on a creaky rowboat in the middle of a thunderstorm, but the feeling passed. Sort of.)

“Ugh. I’m gonna vomit.”

We decided immediately that, if we returned in person, we would have to do a hybrid service, including interactions on Zoom, because we couldn’t go back to a one way/streaming style for online services, with a single camera catching the service from a distance and no chance for online folks to participate in discussions. Over the past year of zoomed services, congregants who wouldn’t usually be able to get to the synagogue on a Friday night, because they were out of town or not feeling well or not up to driving at night, have been able to attend by Zoom and feel like full members of the community. We’ve had members who were wintering in Puerto Rico or Vermont, or living full-time in New York City or Albany zooming in on a regular basis and participating in ways that used to be impossible. We couldn’t go back to what we used to do and leave those members out.

            The problem is, in order to do this right, we are going to need better technology – like overhead microphones to capture the in-person audience singing and speaking, and more cameras placed around the sanctuary, and someone to keep track of the tech, and…it’s a lot.

“Oy.”

            Given the difficulties involved in hybrid services, and the fact that we still can’t have an Oneg (coffee and cake and schmoozing in the social hall) after services, and we’ll still have to wear masks and social distance in the sanctuary, and we may not even be allowed to sing indoors, it’s hard to get excited about returning to in person services again. And going in person will mean leaving the dogs at home, and actually having to get dressed, and drive. These are definite downsides. I get tired by eight o’clock at night and just want to sit around in my pajamas and watch TV, not get dressed up and drive and worry about how my hair looks from the back. And spending most of the service on mute means I can try out new harmonies without feeling self-conscious that someone will hear me and object, and I can turn to Mom and make snide comments about whatever I’m seeing on screen, as long as I cover my mouth to avoid the lip readers. But, there’s something special about getting to see people in person, and I feel an obligation to at least try to make it work.

“People are over-rated.”

And yet, chances are high that people will be impatient and obnoxious, out of frustration with the inevitable glitches, and online folks may unmute themselves in the middle of the service to tell us that they can’t hear what’s going on, or to complain that they are being neglected. And the in-person folks may get angry about all of the pauses, and having to repeat themselves. We are not a quiet, what-will-be-will-be sort of congregation, so the complaints will be plentiful. And a lot of the stay-at-home people still haven’t figured out zoom etiquette, so we will have big screens in the sanctuary full of people’s foreheads or ceilings, and I will definitely get seasick from the constantly moving iPhones.

            I don’t really want to go back yet, honestly, but I feel like I should. I can’t donate thousands of dollars to a fund drive to pay for new technology, but I can sacrifice a few hours to be a Guinea pig and help figure out how to make the hybrid services work a little better. And I miss being in an actual space with other people, instead of just a virtual one. But, the singing part really is a deal breaker for me. If we can’t sing in person I’d much rather be on Zoom. Progress be damned.

            But, despite all of that, we decided to go ahead with the experiment, even with the costs and complications involved, even though I will miss being able to turn off the computer and instantly be at home, without having to make awkward small talk or try to signal Mom across the social hall that I really want to go home, even though she is in the middle of a fascinating discussion of how best to protect her plants from the insect hordes. She has a tendency to “misunderstand” my signals, or ignore them entirely, when a conversation really interests her.

            I’m not sure I’m optimistic about how this will turn out, but I am determined to try. And we’ll see how it goes. It might be terrible, but it could also be the first step on the road back to normal. Whatever that might be.

“We have no idea.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

75 Comments

Posted in Uncategorized and tagged , , , , , , , , . Bookmark the permalink.

Choir Videos

Posted on August 29, 2020 by rachelmankowitz

            One of the more nerve wracking parts of my summer has been the process of rehearsing for and recording choir videos. Since my synagogue will be all virtual for the high holidays, and singing in a group over zoom is a non-starter, the cantor and the musical director came up with a plan to create ten choir videos to add to the Zooms, cutting together individual videos of all of the singers and musicians. This means that I listen to a guide track on my headphones, and sing at my computer screen, day after day. It is awful.

“Oh God, she’s singing again.”

            I hate looking at myself. I look like Mrs. Potato Head, but when I tried to look just over the computer screen to stare at the wall instead of at my face, the videos came out disturbing. I deleted one attempt after another until I finally decided to ask my mom to help me decide when it was good enough to send in (because left to my own devices it was clearly never going to be good enough).

            The first song took twenty rehearsals and ten to fifteen deleted videos, the second was not that much better, but by the third, maybe because we were finally singing just the Alto part and I could sing along with the head Alto on the guide track, I did the video in one shot. Three days of rehearsal leading up to it, of course, but even with the Mrs. Potato Head thing still going strong, I was happy with my vocal and willing to send it in.

            We’ve been having zoom rehearsals every two weeks, to familiarize us with the two or three pieces we need to perform before the following rehearsal, and to review the technological issues, like accessing the google drive folder where all of the music is hiding, and how to send in the oversized videos. I was so proud of myself after I finished the first batch of videos, and even had two days to go back to ukulele practice before the next rehearsal, but then, of course, the next set of songs were harder than the first.

            My favorite pieces are the ones where I can sing along with the head Alto, both because it’s comforting to hear her voice and because I can focus on the best parts of my vocal range. When we sing along with the cantor I’m usually singing an octave above him, so the notes that are easy for him are tough for me, and it feels more like harmony than unison. There’s something magical about singing the exact same note as someone else, as if there’s a sort of “ding” that goes off in my head that tells me I got it just right.

“Ding!”

            We won’t be doing much communal singing this year at my synagogue. During a normal year we would have a choir rehearsal every other week, just to hang out and learn new music, but with the average age of the choir members in the seventies, and the extra danger of passing Covid while singing, we’ll be staying on Zoom for the foreseeable future, which means we can learn a song, but we can’t sing it together. So I’m trying to make the most of the singing I get to do this summer. There’s some small sense of community from the Zoom rehearsals, but the real power comes from singing along with one other singer and the piano on the guide tracks, and knowing that, eventually, all of the voices will come together, somewhere in the cloud. And if that means I have to sit in front of a computer and stare at my potato head for minutes at a time, so be it.

            Cricket and Ellie have been kind enough not to laugh.

“It’s hard work.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

92 Comments

Posted in Uncategorized and tagged , , , , , , . Bookmark the permalink.

I Got a Recorder for My Birthday

Posted on February 22, 2020 by rachelmankowitz

 

For my birthday, Mom bought me a recorder: the same instrument everyone learns to play in elementary school. Mom has a brown plastic one, like the one I had in fourth grade music class, and she uses it occasionally to soothe Cricket’s savage breast, but she wanted me to have a better one, with more resonance, so mine is a blond wood.

007

Ellie likes the recorder.

I was kind of hoping for a new iPhone, or a new President, for my birthday. This present, instead, required me to work.

I hadn’t played recorder, or any other wind instrument, since fourth grade. I used to play the Melodica at my grandparents’ house (a tiny version of the wind keyboard Jon Batiste plays on the Late Show with Steven Colbert) but that was even longer ago.

So, along with my ukulele lessons on Yousician, and occasional choir practices, and daily breathing exercises, I took on the task of relearning how to play the recorder. My new recorder came with a book to teach me which holes to cover to play which notes, and exercises to practice for each new note. It was a pretty basic book and I assumed I’d get through it quickly; three months later I’ve finally made it through one octave. The breathless feeling I had at the beginning, even half-way through a four measure exercise, shocked me. I skimped on whole notes, pretending they were only half or quarter notes, just to get through a single page. I felt like my lungs were, at best, two tiny desiccated walnuts.

IMG_1068

“You should breathe like me, Mommy.”

I had started doing regular breathing exercises in the fall, after listening to the opera singer in the choir at my synagogue, who stood behind me when we sang for the high holidays. His voice sounded like it was supported by a huge reservoir of oxygen, and mine sounded like I was sucking oxygen through a tiny straw, so I looked up some breathing exercises for singers and started to do a set of them every day. But not much was changing, and I continued to feel like I was suffocating each time I tried to extend the counts on my breathing exercises. That’s when Mom decided to buy me a wind instrument for my birthday, thinking it could help me train myself to breathe better.

When I learned how to play the low C on the recorder, a few weeks ago, I realized that I was finally giving four counts to each whole note, but it didn’t feel like much of a success. It’s possible that I keep moving the goal posts, so that instead of recognizing the progress I’ve made, I’m much more aware of how far behind I still am. That sounds like me.

When the choir got together to rehearse for another performance this winter (Shabbat Shira at our synagogue, to celebrate the crossing of the Sea of Reeds when it comes up in the yearly cycle of Torah readings), I worked very hard to learn all of the songs and find the right places to breathe, but I still couldn’t hold the longer notes as long as I was supposed to (four counts, yes, six counts, no).

At the last rehearsal, our opera singer came in and learned the music by sight and held the notes for what felt like hours at a time. To be fair, he’s been working at this for his whole professional life, so comparing my five to ten minutes every other day with his lifetime of practice is pretty silly, but I do it anyway.

I want to feel the way he sounds – as if I could sing for hours without any friction or effort, as if the sound is just floating on a pillow of air. There’s something so reassuring about hearing that voice behind me, but it also makes me feel like a mouse, with barely a squeak to my name.

IMG_0510

“Sing like me, Mommy!”

The opera singer actually brought his whole company to perform at the synagogue the next day, as a fundraiser to support immigrants at the border. They did an hour of songs in English and Italian and German, from operas and musicals, in solos, duets, and group numbers. They, of course, didn’t need microphones. I had a sneaking suspicion that they all had lungs the size of hot air balloons hidden somewhere nearby, but I couldn’t prove it. (They’re called the New Camerata Opera Company, by the way, and you should look them up if you have a chance.)

I’m not sure if all of my sporadic efforts to improve my breathing are leading anywhere, and I still feel like a ne’er do well, but I’m realizing, more and more, how much I love music. Even when I’m exhausted, and driving to choir rehearsal feels like torture, I still love to sing; even when I struggle to understand how harmony works, or can’t hold the note long enough, I still want to try. And I’m enjoying learning how to play the ukulele, and the recorder; and I like the possibility that I might get up the nerve to write my own songs again someday, and sing them out loud, where people can hear me. But in the meantime, even though it makes me feel lazy and incompetent and silly, I keep practicing. And maybe someday I’ll be proud of myself for that.

IMG_0897

“Don’t bet on it.”

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

93 Comments

Posted in Uncategorized and tagged , , , , , , , , . Bookmark the permalink.

The Struggle to Breathe

Posted on November 16, 2019 by rachelmankowitz

 

I’ve started to practice breathing again. It seems like something I should be expert in, after so many decades of doing it every day, but I’m still a beginner. I was inspired to look for breathing exercises because of the opera singer who stood behind me in the synagogue choir for the high holidays. His Baritone was so secure and well-supported that even the sound of his voice made me feel like I had more air in my lungs. But I’ve also been feeling breathless more often lately, and that worried me. I was diagnosed with some kind of minor respiratory issue a few years ago, but the inhaler only made me cough more, so I decided to ignore the problem for the most part.

54 - wow, what's next

“My breathing is fine, damn it!”

Years ago, when I had more energy, and less pain, I used to do Yoga and Pilates regularly, and breathing exercises were a regular part of the process, without much extra effort from me. And recently I realized that, even though I can’t do yoga anymore, maybe I should still be able to breathe.

I went online and chose three exercises from a long list of options: one breathing through the nose, one breathing through the mouth (like sipping from a straw), and one breathing in until my lungs were as full as possible. That last exercises felt impossible and I gave up on it pretty quickly, but I got used to doing the other two, ten repetitions each, every day.

It was really hard, though. I felt like I was drowning when I had to hold my breath. Even when I gradually built up to longer times, inhaling more slowly, exhaling more slowly, and holding my breath without collapsing, I still felt uncomfortable. And then one day it got really hard again. I could barely breathe in, or hold my breath for two seconds, let alone five, or six, or seven. And I got scared and started to picture a future of carrying around an oxygen tank everywhere I go and gasping for breath between each word. But I persisted with the breathing exercises, and after a few days it got easier again. Not easy, but back to five or six or seven seconds of holding my breath without feeling like I was going to die at any moment. And that’s when I realized that my new exercise routine could not only help me build my lung capacity (and my patience, and my voice), but it could also help me recognize the days when trying harder wouldn’t help. That’s a hard one for me. I tend to forget that weakness is real. I tend to believe that if I fail at something it’s because I’m not trying hard enough. But I knew that wasn’t the case here. I knew that I was trying just as hard to do the exercises, or even harder, but my body just couldn’t do it. And when that happens, rest is the right choice. It’s not laziness, or giving up, it’s about listening to my body.

004

“I always listen to my body, Mommy. That’s why I can’t hear you.”

I still can’t manage a breathing practice that leads to long meditation sessions, and I’m not singing arias at the Met, but I’m more aware of my breathing now, and the ways my body reacts when I have more and less breath available. And maybe I can tolerate one more second of that drowning feeling than I could before, because I trust myself not to let it go on too long. I’m learning, slowly, what’s real and what’s possible, instead of what I think should be true.

Now, if only I could remember the lesson from one day to the next and not have to relearn it every single day.

067

“You probably have dementia, Mommy. And by the way, you forgot to give me my treats.”

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

78 Comments

Posted in Uncategorized and tagged , , , , . Bookmark the permalink.

A Summer of Singing

Posted on September 28, 2019 by rachelmankowitz

 

At the first official choir rehearsal for the Jewish High Holidays (Rosh Hashanah and Yom Kippur, starting Sunday night, September 29th), I received a loose-leaf full of music from the choir director. Most of the other choir members have been there for years (some for over thirty years), so while they mostly had to show up at rehearsals and sing, I had to take my loose-leaf home and study. Even the songs I thought I knew had to be relearned, because I was used to singing the melody with the congregation, and now I was singing the harmony with the other altos.

IMG_1035

“Do you really have to sing that again?”

The music kept repeating in my head all summer long. I knew my brain was doing this to be helpful, so that I could learn what I needed to learn in a hurry, but it meant that I was drowning in melancholy music for months. I couldn’t even escape it while I was sleeping.

The dogs are probably sick of hearing about repentance and atonement, but they seemed to like finally being able to participate in synagogue services, in their own way, in their own home. When the summer rehearsals started, I spent a lot of time being mute and grumpy, because I couldn’t sing along. But after months of studying I’ve learned most of the songs, and even figured out how not to be completely distracted by the other voices around me.

img_0510

Except for Cricket’s voice. That still distracts me.

Starting in September we had choir rehearsals once a week, and by then I knew most of the music, though some things were still beyond me, especially the songs where the altos just sing the oohs and ahhs in the background (it’s so hard to learn the music without words to hang the notes on!). There are a few pieces of music that still confound me, especially one that requires us to sing ten notes on one word, over and over again. I get three notes in and then shut my mouth and wait.

249

“I’ll sing for you, Mommy!”

Unfortunately, no one seems to have noticed all of the progress I’ve made, even though I make a point of singing out when I know what I’m doing. Maybe they think it was as easy for me to learn all of the music, or they forgot that I’m new to the choir altogether. I was kind of hoping for some praise; you now, gold star stickers to put on my loose-leaf, something like that. Maybe someday.

One very lucky break is that our temporary conductor is one of the altos, so she has been able to help us out with finding notes and some much needed attention. She also has her own interpretive dance style of conducting that’s really easy to follow, so that even when I’m looking down at the music and can only see out of the corner of my eye, I can understand what she’s telling us.

54 - wow, what's next

“I bet I could lead a choir!”

For the High Holidays, the choir will be sitting on a raised platform, in our newly redone sanctuary, and I am not looking forward to that. I’m used to being mostly invisible in the crowd at the high holidays, able to be grumpy or tired or whatever I am in relative obscurity. But this year I will be on public view, so I may have to put on a happy – or at least normal – face. This is also when I start to wish I’d lost more weight already, and bought a whole new wardrobe, and maybe had plastic surgery, because otherwise I just look like me. We don’t even get to wear robes to hide behind.

The biggest downside of being in the choir is that I can’t sit with Mom during the services. Hopefully she’ll be able to sit near the choir area, so that I can roll my eyes at her discreetly during the services. I think it might be frowned upon if I actually took out my cellphone to text my ongoing commentary during the services, but it might come to that. I mean, these are long services, and I have a lot to say!

017

“Do you? We never noticed.”

I’ve made some friends among the altos, though, so I should be able to nudge someone and whisper when something especially ridiculous happens. Which, of course, it will. With a new sound system, and echoing acoustics, and everyone stuffed together in one big room trying to express all of the repentance and atonement and misplaced guilt of a whole year, laughing fits are inevitable.

I wish you all a Shana Tovah U’Metukah (a good and sweet new year) with as much laughter as possible!

Happy New Year!

295

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

76 Comments

Posted in Uncategorized and tagged , , , , , , , , . Bookmark the permalink.

Sing!

Posted on December 15, 2018 by rachelmankowitz

I finally decided to go to the every other Tuesday night choir rehearsals at my synagogue. They’ve been calling them Tuneful Tuesdays, as a way of separating them out from the formal summer rehearsals leading up to the high holidays, because they say that the purpose of these alternate Tuesday nights is really just to give people a place to sing together, and maybe to have a spiritual experience, or at least a communal one.

I had been considering going to Tuneful Tuesdays ever since I finished my second internship for social work school, but the clincher came when I went to services one day and the cantor happened to hear me sing and asked me to come for the Tuesday nights. I like praise. I could do with a lot more of that in my life, that’s one of the reasons why I have dogs: they love to show love, and to tell me that I’m special to them. It happens multiple times a day, especially if I leave the apartment for a minute and come back in.

I was hoping that there would be a lot of people at the rehearsals and I could hide in the crowd, but so far there have only been six to eight people on any given night. I was also hoping for low stress singalongs, but instead we’re doing the three and four part harmonies that I dreaded. The discipline of singing my own line, while others sing in opposition, is not fun for me. It’s actually the opposite of what I wanted, because it separates me out, instead of joining me together.

I am one of the only Altos, which means that they are happy to have me and have already decided that I have joined the choir, rather than trying it out, which is what I thought I was doing. I want to sing more, but I am still uneasy performing in front of an audience. I’m much more comfortable singing within the audience, but it’s a limitation that I feel the need to push at. There are so many things I want to do that require being front and center instead of hidden in the back.

The Tuneful Tuesday group is led by the Cantor of our synagogue, and by the band leader, who is now a rabbinical student. They have similar facility and expertise with music, which is intimidating. They can both sit down at the piano and play whatever is in front of them exactly as written, or change keys at a moment’s notice, and they can both sing whichever part of the harmony doesn’t have enough singers. When I listen to them I feel like a dodo for ever thinking I knew anything about music. But then I remember singing for my oldest nephew when he was a baby, and how he would reach out to touch my lips, in awe, to see where the sound was coming from, and then he’d make a big O with his mouth to try to imitate me. He doesn’t remember any of this.

Each Tuneful Tuesday session has been overwhelming, so far: either because a song is in 7/8 time, which seems to mean that the next note comes up much faster than I expect it to; or because a song is so crowded with notes that I can barely breathe until the whole thing is over; or because we only do a couple of sing-throughs before we start adding harmonies, and I can’t keep track of which notes I’m supposed to sing.

I ask for help whenever I’m struggling, which makes me feel like a moron, but the cantor and the rabbinical student are always kind and understanding; they answer my questions and offer explanations when I’m confused. But I wish I could bring Cricket and Ellie with me. They could help me feel less self-conscious, unless Cricket decided to bite someone, which would make me even more self-conscious.

 

grumpy cricket

“I only bite people when they deserve it.”

006

Ellie’s hiding, just in case.

My goal was to force myself to go to the Tuneful Tuesday sessions at least four times before deciding whether or not it’s right for me, but on the fourth session I found out that there’s a performance coming up, with only two more rehearsals, and all new songs, and the only other Alto isn’t sure she’ll be there. Maybe it would have been okay if we’d started rehearsing these songs months ago, or if someone had responded to any of my concerns with actual concern instead of a patronizing pat on the head. But what I kept hearing in my head for the whole hour and a half was: you’re a loser; you just don’t have the talent; you don’t try hard enough; you’re letting everyone down; it’s all your fault.

The first two songs were taught without written music, and there’s no recording available, so we can’t practice on our own even if we wanted to. The third piece of music is a complicated four part harmony, so complicated that when I looked down at the page I had no idea what I was looking at and I wasn’t convinced it was actually music.

This was not fun.

I wanted to be excited about singing again. I wanted to warm up my voice and learn some new things. I didn’t want to scare myself to death. But now I’m afraid to let people down, because they’ve developed expectations of me that I didn’t want them to have, and they are going to be disappointed in me and I hate disappointing people.

I haven’t decided what to do about this yet, but I do know that, no matter what happens, I will get to come home to Cricket and Ellie and their kisses and cries that I’ve been gone too long. I really don’t know how anyone gets through the tough days without having a dog (or two) waiting at home.

IMG_0747

“She’ll be here any second.”

I want to thank everyone who wrote a review of Yeshiva Girl on Amazon, or read the book, or thought about reading the book, or told a friend about it, or encouraged me along the way. If you haven’t had a chance yet, please check out my Amazon page and consider ordering the Kindle or Paperback version (or both!) of Yeshiva Girl, and if you feel called to write a review of the book on Amazon, I’d be honored.

51WewBFUZ5L._AC_US218_

Yeshiva Girl is about a Jewish girl on Long Island named Izzy (short for Isabel). Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes that it’s true. Izzy’s father decides to send her to an Orthodox yeshiva for tenth grade, out of the blue, as if she’s the one who needs to be fixed. Izzy, in pain, smart, funny, and looking for people she can trust, finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment.

 

 

 

89 Comments

Posted in Uncategorized and tagged , , , , , , . Bookmark the permalink.

Sleepaway Camp

Posted on August 11, 2018 by rachelmankowitz

 

It’s probably the heat that made me think of sleep away camp. I spent five summers in upstate New York, supposedly in the Berkshires, pretending it was cooler out of town. The memory that started the ball rolling was of Friday nights in the dining hall. The whole camp would eat together for that one meal, eating half-burned, half-raw, Kineret pre-frozen challahs, and singing Shabbat songs.

IMG_0105

“I could eat.”

018

“Food? Where?”

Friday night to Saturday in camp was a big production. First, on Friday afternoons, we had to clean up the field in front of our bunks, then we had to clean our bunks, and then shower, and then dress up, in something other than shorts and t-shirts. All of the kids on A-side (ages 8-12) would go to one Shabbat service, and all of the kids on B-side (ages 12-16) would go to another, and then we came together for dinner in the dining hall, with all of the counselors, and visiting parents, and staff, and various random adults. And we would sing. The acoustics were glorious! And everyone joined in, even the coolest of the cool kids.

Friday night services at camp were a little awkward, because we were all dressed up and self-conscious and mixing with the other age groups with kids we didn’t know as well. And it was formal and serious, something else we weren’t used to. But once we got into the dining hall something changed. Everyone knows food. We sat by bunk, with our counselors, and listened to the noise level grow as everyone else entered the building. Then we went up to the front tables to pick up extra challah and extra chicken and potatoes. And once we finished eating, and cleaned our tables, we started singing Friday night songs, and even if you didn’t know what the words meant, the huge sound of clapping hands and stomping feet pulled everyone along. There were call and response songs, and bouncy songs, and slow, sweet songs.

It was perfect. I could forget for a moment about the cool kids at the next table who wouldn’t even deign to make eye contact with me, and just sing and feel connected.

After dinner we went off by age groups, and the night dwindled down, and we returned to our bunks in the dark, with only the bathroom lights to guide us (because we weren’t supposed to touch the light switches until the Sabbath ended).

Saturday was taken up with prayer, and some sort of “meaningful” activity, or napping. We ate cold cuts for lunch, and macaroni salad, and egg salad, and Butterscotch pudding for dinner (because the kitchen staff wasn’t allowed to cook, or even heat up any food, on the Sabbath).

On Sunday morning, we went back to the normal pace of life. We went to prayer services every morning, back in our shorts and t-shirts, and thinking about other things. We had to clean our bunks, and go to swim lessons, and play some god awful sport in the hot sun, and paste pompoms on Styrofoam cups or some such thing.

There were no dogs at camp, and I missed Delilah and her restful presence. Even her barking would have been okay with me, compared to some of the shrieking that went on at camp. Had no one ever seen a spider before getting to camp? I mean, really.

delilah close up

My Delilah, looking much more serious than she really was.

I’ve always felt like there was a novel in those five years of camp, or a memoir, or something. But then, I tend to think everything belongs in a book, if it happened to me.

Camp was a constant balancing act between enjoying the freedom of a whole world of mostly children, and the strangeness of being away from home, and feeling the deep down fear that I would never see my Mommy again.

The memories come back in sharp bursts: like the campout on the hill; and the girl who ran through a glass door; and the girl who was stung by 39 wasps; Color War, when my bunk was split down the middle, and my counselor was on the opposite team; the Violent Femmes singing A Blister in the Sun; sitting on the stone steps by the lake, and singing Little Boy Blue and The Man in the Moon; or lining up in the community building to play Human Foosball.

In a way I felt outside of my body even when it was all happening the first time around, and not just now as I look back and try to narrate.

A lot of time at camp was spent keeping us busy, and keeping us Jewish, rather than doing things that actually interested me. There was no writing class, or voice, or dance, or acting class. I had no TV, or access to a phone. We had one musical show per year, per age group, and we had to audition, so sometimes I got a role, and sometimes I didn’t. We went swimming twice a day, and chose between aerobics, or softball, or basketball, or soccer for sports. In the afternoons there was woodworking, or radio, or arts and crafts, or photography, or nature, and I wasn’t much good at any of it.

But Friday night was my night. I didn’t feel left out, or weird, on Friday night. Everyone sang. Everyone was there, and I fit in.

puppy in October 034

Just like baby Cricket,

Ellie between two beds

and not-so-baby Ellie.

74 Comments

Posted in Uncategorized and tagged , , , , , , , , . Bookmark the permalink.

My Voice

Posted on June 21, 2015 by rachelmankowitz
My Voice

When I was little, I used to sing stories to myself. I would walk to the library, make up a story, and revise it over and over, all to some endless tune in my head. My mother loved that I would sing around the house, and she wanted me to sing more. It was her idea to find me a voice teacher when I was in eighth grade. She wanted me to know that my voice was worth taking seriously.

I was always singing, or shouting, it's hard to tell.

I was always singing, or shouting, it’s hard to tell.

My first voice teacher had an opera background, but she spent most of my lessons on vocal exercises and breathing exercises, teaching me how to breathe from my diaphragm, and stand up straight, and relax my shoulders. I’d never much liked practicing scales on the piano, but vocal exercises made more sense to me. She taught me to sing through the mask of my face, like a raccoon, and to change the shape of my mouth to make the consonants clear and the vowels more open.

My father insisted that we sing songs together after Friday night dinner, as a family. But, he didn’t believe in normal limitations, like that a baritone might struggle to hit a glass-shattering high note. He refused to choose a key that everyone, including him, would be comfortable with, and he didn’t care about the quality of the note when he was done with it. He could rip it and strangle it, and drown the note in coughing, but if he hit that note, even for a second, he’d won.

And he did not like competition. He didn’t want me to practice singing between voice lessons. He would complain that I was “caterwauling,” even if I practiced in my room with the door closed. He’d complain about the money Mom was spending on my lessons. And eventually, he made it clear that he believed in the ban on kol isha – the voice of a woman – that we’d learned at school. I could sing at home, but it would be unacceptable to allow my voice to be heard by men outside of the family. He believed that singing, for a woman, is a salacious, sexually provocative act, and if I do it, I am a whore.

Unfortunately, around the same time as I was getting used to my voice lessons, we had a guest speaker at my orthodox Jewish school. Only the girls were invited to the gym to listen to her. She performed for us first, doing her own version of beat boxing, using her mouth like a drum and her hands as tambourines. The things she could do, the sounds she could create with no musical instruments to back her up, were incredible. There was something like bird song about her voice, as if she was born with these songs in her body and she just had to release them. She wasn’t just hitting notes, she was putting spin on them, like a tennis player, top spin and back spin, hollow sounds and full sounds, cold and warm, shivery and strident, all from one voice. I wanted her to be my teacher.

After her performance, she told us that she’d been a voice student at a prestigious conservatory, training for a professional music career, when she started to visit Chabad (a Chasidic Jewish outreach group) on the weekends. She gradually became more and more religious, until it became clear that as a religious Jewish woman she could never sing in front of men. She’d pieced together a career as a speaker, and sold her music to strictly female audiences. Her message was clear: being religious comes first, before anything else you might want, or love, or need in life.

Her visit haunted me. I didn’t stop singing altogether, but I felt her hand tightening around my throat.

My black lab mix, Dina, came along when I was sixteen years old, and she was a singer too. You had to hit a certain note, something in the howl-range, and that would set her off. Her pitch was pretty good and she could sing a nice clear note or series of notes, but she didn’t seem to enjoy it. She seemed like a button had been pressed in her brain and she had to sing, and had no control over it, and no choice. She seemed relieved when the singing stopped, as if it had taken so much out of her and now she could rest in silence.

Dina as a puppy.

Dina as a puppy.

I took a few years off from trying to sing, until my last semester of college, when I had two credits to kill. I’d been feeling like a robot, detached from myself and my voice, and I hoped voice lessons would help unlock something. I didn’t have to perform in public; my lessons would be in a safe, partially soundproof room. I still couldn’t practice at home, though, so I’d sing in the car on the way to and from school.

This was my first male voice teacher, and he was closer to my age, and friendly, and an opera singer. Whenever he actually sang something I sort of cringed, though. I’m not an opera fan. The vocal quality they strive for is bombastic and brassy and kind of hurts my ears, but he was very nice. He had me singing from an opera workbook, in Italian. There was something freeing about singing in a language I didn’t understand.

I sang to Dina at home, but not too loud, and never in full voice, and gradually, the hand around my throat grew tighter and tighter, telling me to stop singing, and I did.

Dina had a lot to think about.

Dina was a very good listener.

When I think back to that girl singer, though, telling us that she had to give up her dreams in order to be a good girl, I wonder if I ignored something important. With her words, yes, she told us to hide ourselves from the world, but her body carried a different message. Her voice seemed to be saying that, if you have a bird trapped in your chest, flapping its wings and trying to sing its song, you have to let it sing, or it will die.

birdie

130 Comments

Posted in Uncategorized and tagged , , , , , , , . Bookmark the permalink.
← Older Posts
→