Tag Archives: memoir

Back to School

            For my first day back teaching, I was a whirling dervish of energy. I followed along with the Israeli teenager who led us in a TikTok style dance; I taught Hebrew through Movement, which involved a lot of standing up and sitting down and walking, walking, walking; and then I taught my two classes and met (most of) my new students, which meant a lot more standing and dancing and crazy hand gestures and funny breathing exercises. At the time, I was sure I was going to be fine. I mean, it’s not like I was running around the building, or doing pratfalls for laughs (like my students).

            But a couple of hours after I got home, my body started to stiffen and the pain began to set in. By the next morning, I could barely move.

“Hey! I can’t move either!”

            It took me a few days to recover. And, if possible, the second day of teaching was even more challenging. So now, I’m scared. I’m not sure if this physical response is worse than last year’s, or if I just got out of the habit of feeling like I’d been run over by a truck a few times a week. And I’m frustrated, because I spent the whole summer trying to build up strength and endurance in the hopes that I would start the new school year feeling more resilient, and, at the very least, it didn’t work.

            It was wonderful to see my students from last year, and to meet the new kids and hear their unique stories and start to untangle all of the drama among them (this will clearly take all year). And I can see a lot of interesting discussions and tons of silliness in my future, but there’s a voice in the back of my head warning me, you may not last the whole year.

            The fact is, I know I will do everything I can to be there for my students and to live up to all of my commitments – but it’s going to be harder, and it’s going to hurt.

            A few weeks ago, my therapist said, in passing, that my disease/disorder/undiagnosed chronic illness, is degenerative. She didn’t say, “it may be degenerative,” she said “it is.” For many years, she didn’t even believe that there was anything physically wrong with me. She was convinced that all of the pain and exhaustion was psychological, and therefore hard work in therapy would fix everything. But after decades of intensive therapy, and obvious progress in my mental and emotional heath, my physical issues have only worsened, and, finally, her theory of the case had to change.

            But there are so many things I still want to do! I want to teach more, not less. I want to write more, and meet more people, and travel, and dance, and sing. I was really hoping that this summer’s home-made physical therapy regimen was going to make a difference, and I’m so disappointed that it hasn’t helped. To be fair, it’s possible that without all of that work over the summer I would have been in even worse shape for the start of the school year. But for many years now, I’ve been trying everything I could think of: every medication and supplement doctors have suggested, and every exercise and treatment and strategy I could find. But I’m going to have to accept that it’s possible that this is as good as my health is going to get, and find a way to deal with that.

            But really, I don’t wanna. I want to throw a tantrum and scream and kick the floor and just cry. It seems to make my students feel a whole lot better, so, maybe it’s the next thing I should try. It couldn’t hurt! Much.

” I love a good tantrum!”

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Hebrew Practice Groups

            At our first professional development of the year, we were asked which sound most characterized our summer, and I realized that mine was laughter, because the laughter in my online Hebrew class this summer was constant, even when we were on mute and could only see each other’s laughing faces. We became a tight knit group, with our young Israeli teacher, able to cover all of the emotional ground that came our way, without ever getting too depressed, because we knew we would be laughing again soon.

            But actually, I spent even more time in Hebrew practice groups this summer than in the class itself, because I had the time and because I finally felt like I could handle the social anxiety that comes with meeting so many strangers and making mistakes in front of them. It was all under the safe canopy of the same online Hebrew language program as my class, but in the practice groups I was meeting dozens of people from different Hebrew levels, and time zones, and ages and cultures.

            There are so many strange topics for discussion in the practice groups. Of course there are the standards: favorite food, favorite movie, what would you bring to a desert island. But then they start to get creative: what’s the weirdest food you’ve ever eaten (Ptcha – calf’s foot jelly); how would you solve global warming? (teach everyone how to fly: Laoof, like a bird, instead of Latoos, on a plane); how many languages can you speak (this one gets very competitive, and more than a few people have tried to count Spanish because they know how to say “Hola.”)

“I can teach you how to fly, if you want.”

            But we are always free to talk about something else in the breakout rooms, as long as we say it in Hebrew, so I’ve had long conversations about my dogs, or teaching, or growing up Jewish on Long Island. And if we’re pretty sure the teacher isn’t about to pop into the breakout room, we can discuss our favorite and least favorite teachers. You’d be amazed how diligently we can stick to Hebrew in the midst of a good gossip session. Because, you know, we’re studying here. We take it very seriously.

            The way the teachers lurk in the breakout rooms is always a topic of conversation. First of all, because they just appear and disappear without warning, like spies. But also, they keep their cameras off, as if we’re supposed to pretend they’re not really there. So, if I make a point of saying hello to the other students in the breakout room and don’t specifically say hello to the teacher, a disembodied voice might say, “Whatever, I’m not here, just ignore me,” which means, Hey, how dare you ignore me!

            Sometimes we’ll talk directly to the teacher – or to the box on the screen with the school logo on it – and ask for the Hebrew word for this or that, and the teacher will pop up on screen to answer “in person.” One time, a friend of mine asked her question, got her answer, and then said, “okay, you can go back into your little box now.”

            We get to meet a lot of teachers in the practice groups and see what their styles are – how they do corrections, how rigidly (or not) they follow their lesson plans, whether or not they have a sense of humor – and I’ve been able to get a much better idea of what works for me and what doesn’t, so that when a teacher’s style starts to get on my nerves, or leaves me feeling stupid, I’m less likely to assume it’s my fault (but only a little less likely).

            Our young Israeli teachers have also introduced us to something called pitzuchim – which literally translates to cracking nuts or seeds, but is used in Hebrew to refer to the way Israelis are always trying to figure out where they might know each other from (among American Jews this is called Jewish geography). It turns out that a lot of the teachers and students in the program have connections, through second cousins or long lost neighbors or who knows what else. So far, though, I have cracked no nuts or seeds on these zooms, which is kind of disappointing. Getting to Israel would be so much easier if I discovered a long lost wealthy relative with an empty apartment by the beach.

(Not my picture)

            This time spent in breakout rooms used to be the most stressful part of practice groups for me, and the reason why I avoided them so assiduously for years, but now, after the first few twinges of anxiety, I’ve come to really enjoy hearing everyone’s stories, and I’m less self-conscious about my broken Hebrew (though I still feel grumpy each time I make a mistake, which happens often).

            The most stressful part for me now is when we have to translate sentences from English to Hebrew, often using words I haven’t practiced recently (because I’m visiting practice groups at different levels from my own); but I’m getting used to laughing at my mistakes, and I’ve noticed that when I screw up, and laugh at myself, other people start to relax about their own mistakes. It’s almost like I’m doing a service.

            In some of the practice groups, after we go over some grammar from previous levels, we’ll read short articles together, or even just headlines, from online Hebrew language newspapers – often about food or travel or popular culture, so we can learn words we wouldn’t come across in class, like how to say “laundering money” in Hebrew. The words that are hardest to read in these articles are often borrowed from other languages. So, more often than not, our Israeli teachers will start to giggle when we can’t figure out how to pronounce “Mexico,”when it’s written in Hebrew letters.   

One of the lowest stress exercises that we do in practice group – though I can make anything feel stressful without really trying – is when the teacher puts an article on the screen and instead of asking us to read, and, God forbid, translate it, we just have to find one word at a time. It reminds me of being in first grade or so and realizing that there were English words I could just recognize on the page, without needing to sound them out, because they had become so familiar to me just by their shape.

            As a result of all of this time in the practice groups, I sometimes hear myself speaking in Hebrew, without having planned what to say ahead of time; the words just come out of my mouth, and I kind of look around the room, wondering who said that.

            And, really, during a summer where, aside from Mom, most of my in-person human interactions were at supermarkets or doctors’ offices, these practice groups gave me the chance to meet and chat with and learn from dozens of real people, who are fascinating and funny and weird and challenging. It’s still strange to me how real a community can feel, even when it only exists online; but in a way, the boundaries created by the computer (of time, and purpose, and mute buttons) creates a sense of safety that allows me to say what I really mean more often. Now, if only I could translate those safe boundaries into the real world…

“Pfft. Who needs the real world?”

If you haven’t had a chance yet, please check out my novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The End of Summer

I’m not ready for the summer to end. I still have writing to do, and doctors’ appointments to go to, and lesson plans to revise. I still want to go to every online Hebrew practice group I possibly can, and see if more poems arrive (I have no idea what makes them bubble up, though there may be storks involved). I tried to get so much done this summer: rebuilding my exercise practice, working on nutrition, changing medications, taking continuing education social work classes, working on therapy, and writing, and Hebrew, and social skills, and on and on. But it’s not enough. I still don’t have a dog. The novel still isn’t finished. My health is still whatever it is. There are still tons of movies I want to see, and issues I wish I could resolve. I’m not ready to go back to work, and choir practice, and trying to find time for my writing in the spaces in between.

This is not my picture, but this is how I picture the poetry stork.

            I’m pretty sure I feel this way at the end of every summer, wishing for another month of “vacation” in order to get more of my work done, before the new school year can make me feel like I’m being tied to the back of a speeding train.

            I know I will enjoy getting back to the kids, and singing with the choir, but I also know that I will miss this feeling of open time, where I can do things at my own pace and give myself enough time to recover from one panic attack before embarking on the next one.

            Here’s hoping that all of the work I’ve done this summer will have shifted something inside of me, creating more space for my summer self to exist during the school year. Because I really want to feel more like myself all year, and not just for a few months at a time.

            Fingers crossed.

“Um, I don’t think I have fingers.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Two More Poems

            I recently went to a zoom presentation on Modern Israeli poetry, and both the presentation and the poetry were down to earth and unpretentious and grounded in daily life in a way that made me think, hmm, maybe I am writing real poetry after all, and not just noodling around. I was even more encouraged to find out that, for poetry as opposed to for everything else, Israelis use the vowels under the letters (Nikud in Hebrew) to make sure each word is read correctly, and because it looks cool. The thing is, I grew up learning Hebrew with the vowels intact, and trying to get used to Israeli newspapers and blog posts and books, where there is no Nikud and you have to guess at the pronunciation of new words, has been breaking my brain.

            I gave up on writing poetry in English a long time ago, after a lot of rejection, mostly from classmates who thought I was crap at it. But writing poetry in Hebrew seems to bypass a lot of that noise in my head. I’m still self-conscious, of course, and I worry that I’m going to depress people, or that my Hebrew is less real Hebrew than my own invention. But whereas when I try to write poetry in English the words just drip drip like a leaky faucet, in Hebrew they come out with more force, as if they actually have something they want to say.

            I’m not sure if these two poems are finished. In fact, I’m pretty sure they’re not, despite many edits, but I wanted to reward myself a little bit for trying to write them at all, so I’m sharing them here. And then sharing links to some actual Israeli poetry, in English Translation.

הכאבים שלי

כּוֹאֶבֶת לִי הַבֶּטֶן.

אוּלַי זֶה נִגְרָם מְהַתרוּפוֹת

נֶגֶד הַחָרָדָה, נֶגֶד הַדִיכָּאוֹן,

נֶגֶד כֹּל הַכְּאֵבִים הַאַחֵרִים,

אוֹ אוּלַי זֶה נִגְרָם מְהַפָּסטָה שְׁאַכַלתִי בַּצַהַרַיִים.

כּוֹאֵב לִי הַגַב

כּאִילוּ מִישׁהוּ בַּעַט בִּי,

אַבַל אַנִי לֹא זוֹכֶרֶת אֶת הַמָכּוֹת,

אוֹ לָמָה מִישֶׁהוּ הָיָה רוֹצֶה לִפגוֹעַ בִּי.

כּוֹאַבוֹת לִי גַם הַכּתֵפַיִים וְהַמוֹתְנַיִים

וְהַבִּרכַּיִים וְהַקַרסוֹלַיִים

כּאִילוּ מִישׁהוּ מְנָסֶה לְפָרֵק אוֹתִי

כּמוֹ עוֹף מְבוּשָׁל.

כּוֹאֶבֶת לִי הָנְשָׁמָה

אַבַל עַל זֶה אֵין לִי מִילִים.

אַנִי מְפַחֶדֶת שְׁאִם כֹּל הַכְּאֵבִים הַיוּ מִתְרַחְשִׁים בְּבַת אַחַת

לֹא הַיִיתִי מְסוּגֶלֶת לִשׂרוֹד.

מָזָל שְׁכֹּל יוֹם יֵשׁ לִי רַק חֵלֶק מִכֹּל הַכְּאֵבִים

וְאַנִי יְכוֹלָה לִקְפּוֹץ מִכּאֵב לְכּאֵב

כְּמוֹ צפַרְדֵעַ שְׁמְדַלֶגֶת עַל פּנֵי הַמַיִם

וְלְעוֹלָם לֹא נוֹפֶלֶת פְּנִימָה.

אוּלַי יוֹם אֶחַד אַנִי אַרגִישׁ אֶת כֹּל הַכְּאֵבִים בְּאוֹתוֹ זמַן,

וְבַּיוֹם הַהוּא,

אַנִי מְקַוָוה,

שְׁאִם הַיִיתִי נוֹפֶלֶת לְתוֹך הַמַיִם

בָּסוֹף, הַיִיתִי מְסוּגֶלֶת לִשְׂחוֹת.

My Pains

My stomach hurts,

maybe from the medications

against anxiety, against depression

against all the other pains,

or maybe from the pasta I ate in the afternoon.

My back hurts,

as if someone kicked me.

But I don’t remember the beating,

or why someone would want to hurt me.

My shoulders and hips and knees and ankles

also hurt,

as if someone is trying to take me apart

like a cooked chicken.

My soul hurts,

but about that I have no words.

I’m afraid that if all of these pains

took place at the same time,

I wouldn’t be able to survive.

Thank God, each day I only feel some of the pain,

and I can jump from pain to pain,

like a frog skipping over the surface of the water,

and never falling in.

Maybe one day I will feel all of the pain

all at once.

And on that day,

I hope,

if I fell into the water,

in the end I would be able to swim.

אני כמו אבן

לִפְעַמִים,

אַנִי מָרגִישָׁה כּמוֹ אֶבֶן כִּי אַנִי לֹא יָכוֹלָה לָצוּף.

נִראָה לִי שְׁהָאַוִויר סבִיבִי מָלֵא

בְּמָחשַׁבוֹת וְכּאֵבִים וְחַרַדוֹת,

שְׁיוֹצְרִים חוֹמָה שׁקוּפָה

מָחזִיקָה אוֹתִי בָּמָקוֹם.

לִפְעַמִים,

אַנִי מָרגִישָׁה כּמוֹ אֶבֶן

שְׁתָמִיד נוֹפֶלֶת עָמוֹק יוֹתֵר

לְתוֹך הָמַיִם הָשׁחוֹרִים.

יוֹם אַחַרֵי יוֹם,

אַנִי מְנָסָה לְהַפסִיק לִיפּוֹל

וְלִמתוֹחַ מֵעֵבֶר לָחוֹמָה הַשׁקוּפָה.

הַעָבוֹדָה הַזֹאת מְתִישָׁה

וְבִּלתִי נִראֵית מִכּוּלָם מִלְבַדִי.

אוּלַי בְּקָרוֹב,

אוֹ בַּסוֹף,

אַנִי אַצלִיחַ בָּעָבוֹדָה הַקָשָׁה שֶׁלִי

וְאִנִי אוּכַל לְהַרגִישׁ יוֹתֵר כְּמוֹ צִיפּוּר

שְׁעוֹמֶדֶת גַבוֹהַה

עִם כְּנָפַיִים פּרוּשׁוֹת

מוּכן לַעוּף.

I am like a Stone

Sometimes,

I feel like a stone because I cannot float.

It seems like the air is full

of thoughts and pain and anxieties

that create a transparent wall around me

that keeps me in place.

Sometimes,

I feel like a stone that is always falling deeper

into the black water.

Day after day,

I try to stop falling,

and to stretch beyond the transparent wall.

This work is exhausting

and invisible to everyone but me.

Maybe soon,

or in the end,

I will succeed in my difficult task,

and I will be able to feel more like a bird

who stands tall

with wings outstretched,

ready to fly.

Some Israeli poetry to try:

Yehuda Amichai – https://allpoetry.com/An-Arab-Shepherd-Is-Searching-For-His-Goat-On-Mount-Zion, https://allpoetry.com/poem/8513161-Jerusalem-by-Yehuda-Amichai, https://allpoetry.com/The-Diameter-Of-The-Bomb

Maya Tevet Dayan – https://www.worldliteraturetoday.org/2021/winter/land-maya-tevet-dayan

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Srugim, or The Modern Orthodox Singles Scene in Jerusalem

            There’s an Israeli TV show from about ten or fifteen years ago called Srugim that I’d been avoiding for quite a while. Srugim means “knitted,” or “crocheted” and it refers to the kippot (skullcaps) worn by the modern orthodox men featured in the series (I learned how to crochet kippot in Junior high, because girls were supposed to know how to make these for boys. No, really.) Especially in Israel, but also in the United States, you can tell which particular division of Judaism a man belongs to based on whether he’s wearing a crocheted kippah, a black suede or black velvet kippah, a Sephardi kippah (these are actually more like hats and are incredibly beautiful), or a large white kippah, and, of course, if you wear a black hat over your black kippah you are probably ultra-orthodox, but the style of hat will differ depending on which group you belong to. These careful decisions about what to wear on your head allow people to know who’s in the group and who’s an outsider, kind of like how high school students can tell from across a crowded lunchroom who’s in drama club, who’s a jock, and who wants to be the next Mark Zuckerberg.

I’d watched the first episode of Srugim a few years ago, on the recommendation of my best friend from high school who moved to Israel many years ago. We like a lot of the same things, so it surprised me how much I hated this show, or at least that first episode. It wasn’t actually the show overall so much as this one character who just made me angry, and I wasn’t sure if the writers of the show wanted me to like him and tolerate his obnoxious behavior or if they recognized how much of a jerk he was. And, really, I didn’t have the patience to deal with him either way.

            When we got our Chaiflicks subscription (a Jewish streaming service) last winter, I tried to watch that first episode again, because, really, how could my friend love this show and I couldn’t even watch more than one episode? But I still couldn’t tolerate that one guy.

            I kept seeing the show on my watchlist, though, each time I jumped over it to watch something else, and I kept wanting to erase it, but I couldn’t. Finally, a few weeks ago, I decided to try again, this time starting with episode two. And I was hooked! It turned out that the writers absolutely knew this guy was an asshole, and wanted to show how his behavior impacted the people around him, especially the woman who was falling in love with him.  As I watched episode after episode, I realized that the whole point of the show was that these young modern orthodox Jewish singles in Jerusalem are as complex and confused as everyone else, even if their lives looked very buttoned up from the outside.

            Of course, the show is in Hebrew (with English subtitles – before being on Chaiflicks it was on more mainstream American streaming services), so I can tell myself that I’m watching it as homework to help build my Hebrew listening skills.

            The show starts when the main characters are on the brink of being “too old” at age thirty to make good matches in the modern orthodox world (though the age for a good match seems to be rising as women have been going to school and starting professions before marriage).

            Other popular shows recently have focused more on the ultra-orthodox Jewish world (though there are many ultra-orthodox communities and they are not all the same), rather than the modern orthodox, because they live more isolated lives, avoiding popular culture, including television and smartphones. I’m fascinated by those closed worlds too, but the modern orthodox Jewish singles portrayed in Srugim are trying to straddle two worlds, engaging in the modern world of culture and technology and feminism and professional lives, while also trying to maintain religious laws and traditions, and, for me, that’s much more interesting.

            I went to an orthodox Jewish day school (in New York) for Junior high and high school, and I felt like an outsider the whole time, because I could never master all of the rules, let alone believe in them. I kept being overwhelmed by how perfect everyone else seemed to be, on the surface, and how simple and clear their lives looked, with all of their choices made for them.

            It took me a long time to understand that my classmates were struggling just as much as I was, and if anything, they felt more pressure to hide their struggles than I did, and to avoid being judged by their community for the ways they inevitably fell short. Something about watching these characters on Srugim, who are like adult versions of my old classmates, has made me see my old friends (and enemies) more clearly and with more compassion. They get embarrassed too, and feel not good enough sometimes, and get lonely, and struggle to keep all of the rules, or struggle to want to. They can fall for the wrong guy, or be the wrong guy, while still wearing a kippah or keeping kosher and following all of the obvious rules. Being religious doesn’t protect them from life, though for some it is able to offer guidance and comfort along the way.  

            My high school best friend (the one who recommended Srugim) lived in Jerusalem during her twenties, and though she’d told me some of the highs and lows of those years along the way, I didn’t really get it. Her life seemed so clear and straightforward compared to the incoherent chaos and fear I lived with at that time. I took a lot of comfort in the idea that at least she was doing okay. But now I’m getting a fuller picture of what she lived through, with all of the blind dates and coffee meetups and the endless pressure to find “the one” in order to start her real life (aka, having children). I should have known better, given how well I knew her, but at the time I wasn’t up to understanding that everyone’s life is complicated.

            Often, when I only see the Facebook or Instagram versions of orthodox lives (the beautifully baked challah on the perfectly set Shabbat table, all seven kids lined up in age order and well-behaved), I forget that behind those images are real lives, with temper tantrums and burned meals and lost jobs and grief and betrayals.

            There’s something about being a religious Jew that moves me, though Not the way the rabbis are in charge of everything and the rules are so strict, but the way that every event of the day, every simple handwashing or meal or walk, takes on meaning, because it is acknowledged by a ritual or a blessing. I love the way life is meant to be something to treasure: even when you are bored or confused or angry, there’s a prayer or a lesson from the Talmud to help you through it and to acknowledge that this is life and every moment of it, however painful, has value. It’s like a complex piece of music, where each note matters: each pause, each cacophony, each harmony, each predictable scale or unexpected resolution, is an important part of the whole.

            One of the main characters on Srugim goes through her own crisis of faith, partially because she falls in love with a non-religious man, but mostly because she realizes that even though she grew up in the religious world, it doesn’t really fit her, or at least it doesn’t allow for all of who she is. And watching her gradually find her own way forward, while still holding onto the friends who remain in that world, without the show ever judging which way is right or wrong, was really validating. It reminded me of something I’ve known for a long time, but always need to re-learn: being religious isn’t supposed to be a way to hide from the difficulties of life, even if many people try to use it that way, like my father did. Being religious is meant to be a way to help you get through it, and to remember what’s important to you when you are overwhelmed with all of the chaos that keeps pulling you off track.

Friday Night Dinner

Even among the religious characters on the show, each one has their own relationship with the laws they follow, and how deeply they think about their choices, or not; some feel deeply connected to God and some seem to follow all the rules by rote, and the same people can do it all differently at different times in their lives.

I was sure I’d missed a lot on my first binge through the three seasons of the show (I watched 45 episodes in about a week and a half), so I was thrilled when my mom was interested in watching it through from the beginning with me, at a somewhat slower pace. And on second viewing I’m noticing a lot more details, of course, but I’m also feeling more, allowing myself to sit with these characters and their certainties and doubts and their mistakes and their deep love for each other. It feels like these characters are my friends now, even the one I hated at the beginning (though he still pisses me off on a regular basis), and I’m allowing myself to know them as they are, and accept them as they are, without (too much) judgement.

I saw an article online saying that the creator of the show tried to make a sequel a few years ago, showing this same community in the next phase of their lives. I don’t know if anything came of that effort, but if they ever get a chance to make that show, I will be watching.

Srugim trailer – https://youtu.be/zbxgf3cNV4U?si=m7eUiplvnZ6x9a-H

Srugim theme song – https://youtu.be/OrvMH0hQClQ?si=kD4KQP3S7_EL7pUR

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Chocolate

            The most recent South Korean series I’ve been watching on Netflix is a romantic drama called Chocolate. It’s made up of sixteen hour-long episodes and tells a love story that crosses decades and starts and ends with food, especially chocolate. A boy prepares a meal for a girl when she’s starving, and that sends her on a lifelong journey of feeding others, both to relive the kindness she received and to pay it forward. It feels like the boy transferred his love of cooking to the girl, as if a piece of his soul was grafted onto hers.

The first feast

            There’s a sense of ceremony and ritual to the cooking in this series as we watch her sift and chop and snip and stir. And watching the way people receive and enjoy her food is satisfying, even when the particular foods she makes don’t appeal to me (Ahem, kimchi. There’s a kimchi section at my local HMart that always looks so inviting, and I keep trying different dishes hoping to find something with a spice level I can tolerate, but that hasn’t happened yet. 

not my picture

            She constructs her dishes with an awareness of how they look and smell and feel and sound, like colorful flowers deep fried and added to the plate, for crunch and color, or a cherry blossom roll where you can see the blossom in the center. And I love the way slurping is encouraged rather than frowned upon. Throughout the series, the chef tries to recapture people’s memories with her food, and then relies on chocolate, baked into cakes, molded into designs, or eaten as is, to remind her that there is reason to hope and to hold on, even when she’s at her lowest.

Watching episode after episode of this show has been inspiring but has also reminded me of how little energy I’ve had for cooking over the past few years. I can’t stand at the counter long enough to chop and mix and sauté; one minute at the sink leaves me feeling like there’s a cleaver in my back, two minutes in front of the chopping board and my vision starts to swirl. And yet, I can watch this fictional chef prepare dish after dish for hours without feeling any pain, and I feel taken care of, by osmosis. She reminds me of how I felt when I was little, watching my mother make dinner, peering over the counter to see what she would add next.

            I spent many years trying to learn how to cook satisfying food for myself. I took cooking classes and baking classes and cake decorating classes, and I made soups and pastas and dumplings and cakes, but it never felt good enough. I worked so hard to try to feel joy in making the food, but in the end it just felt like work, often tedious and thankless, resulting in food that still disappointed me. Something always seemed to be missing from the final product; something I couldn’t name and couldn’t recreate.

            But this fictional chef is able to share some essential element of herself with others through her food, and yet never seems to be diminished by how much she gives away. I wish I could believe that by studying her recipes and techniques I could discover the secret ingredient I keep missing in my own cooking, whether it’s fish paste or a certain way of slicing the onions or some ineffable quality that she infuses into the process from her soul.

The reality is, I don’t go hungry; and I don’t lack joy in my life, or even in the food I eat. But there is always this slight bitterness, this inkling that something is missing, something I need and want and can’t seem to find. I may have to rewatch all sixteen episodes to see if I can figure out what I’m missing; or maybe one day, if I’m lucky, I’ll be able to find it within myself.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Watching Movies on Chaiflicks

            This year for my birthday I got a subscription to Chaiflicks, a Jewish streaming service that has movies from around the world (France, Hungary, Germany, South America, the United States, and, of course, Israel). And since there’s almost nothing new on regular TV in the summer, except for news and sports, I’ve been making my way through their movie collection.

            There was one movie called Nowhere in Africa about a Jewish family who left Germany for Africa just before Kristallnacht (1939), leaving behind family members who still weren’t convinced that Hitler and the Nazis really meant all of the awful things they said they wanted to do to the Jews. The transition to life in Africa was hard for them: the heat, the villagers, the farming and hard labor, and of course the language and culture and food. The movie is based on an autobiographical novel by the daughter of the family, and we get to see a lot of the events through her eyes, both her incredible adaptability and the grief she feels when, after the war ends, the family returns to Germany to help rebuild the country.

Another movie, called Gloomy Sunday, was about a thruple (two men and a beautiful woman) in Hungary during World War II. One of the men is a Jewish restaurant owner and the other is a penniless musician who is hired to play piano in the restaurant. Drama ensues, of course. The musician writes a song that becomes intertwined with a series of suicides, and the Jewish restaurant owner is eventually sent to the camps and killed, despite thinking he had a friend among the Nazis who would protect him. But the ending is satisfying, in a revenge is best served cold sort of way.

            You may be sensing a theme at this point, because many of the non-Israeli movies on Chaiflicks focus on the Holocaust, from many different perspectives. One of the more hopeful stories was about a grandmother in Bordeaux, France who thought her whole family had been murdered in the Holocaust and then she accidentally finds her granddaughter, alive.

The Missing Granddaughter

            There are so many stories that deserve to be told, and have so much to teach us about survival and grief and evil and fighting back, but it’s hard to take it all in.

            One of the non-Holocaust movies we watched was about an event I knew almost nothing about: the bombing of the AMIA Jewish community center in Buenos Aires, Argentina in 1994, which killed 85 people, including children. The movie is called Anita, and focuses on a woman with Downs’s syndrome who is injured in the blast and survives, but gets lost for days, while her brother believes she must have died along with their mother in the explosion. Anita seems to bring out the best in a lot of the people she meets, but not right away. In a strange coincidence, the week after we watched the movie the 1994 bombing was in the news again, because it was the 30th anniversary of the bombing and after a court in Argentina had finally placed blame for the bombing on Iran and Hezbollah, the government vowed to pursue justice.

            We’ll see what else I can learn from Chaiflicks this summer, though I’d really like it if the filmmakers could be more gentle with my prudish American sensibilities and stop randomly showing women’s breasts in every other scene.

            I don’t think I would have had the emotional bandwidth to deal with these movies during the school year, and I feel really lucky to have summers off, not just to rest but also to challenge myself in ways I couldn’t tolerate the rest of the year.

            Of course, I still take tons of breaks to watch Hallmark movies, or to binge one of the great South Korean series on Netflix, so I’m not overdoing it. Don’t worry. I just wish I had more time for all of the things I wanted to do this summer. I’m not ready for it to be August already, with only one month left before school starts again. If anyone knows where I can find one of Hermione’s Time Turners (from Harry Potter) I’d be eternally grateful.

“Is there a doggie streaming channel for me?”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

We Need a New Air Conditioner

            We need a new air conditioner in the living room. For the past few summers we’ve just taken it for granted that every few days we would mistakenly use the microwave in the kitchen while two air conditioners were on at the same time, and blow the circuits, and have to go over to the basement in the next building to reset the main circuit breaker. We had an electrician in at some point to see if there was anything we could do to get more electricity into the apartment, but he told us that it would be a very extensive and expensive job, because he’d have to first get more electricity into our building overall and only then focus on our apartment in particular. So we accepted our fate and tried harder to remember to turn off one of the air conditioners before using the microwave.

Ye Olde Air Conditioner

            This summer, though, the power kept going out even without the microwave, or any other possible source of trouble. It didn’t happen as soon as two air conditioners were on at the same time, and it only happened when one of the air conditioners was the big one in the living room, so at first we weren’t sure what the problem was. The worst problems came during the hottest week, when the local electric company was using brownouts to manage the higher than usual usage, so, we realized, each time a brownout happened, and two air conditioners were on, and one of them was the air conditioner in the living room, we lost power.

            But knowing that we had no way of fixing the problem, except to sit in the heat with no relief, was not comforting. After blowing the circuits three days in a row, Mom decided that the problem was probably coming from the big air conditioner in the living room which was getting old. She reached out to a friend of my cousin’s, who happens to be an electrician, and was told that, one, older model air conditioners are less energy efficient, and two, as air conditioners get older they use more power. She suggested that we get a newer, more energy efficient one, and, hopefully, that would solve the problem.

            So we ordered the new air conditioner, and we hope that once it’s in place we won’t have to traipse outside and into the next building and down to the basement to reset the circuit breaker in the heat of the summer. And who knows, we may even discover that the new air conditioner will even allow us to use the microwave every once in a while.

            The problem is, it costs money. And we didn’t have this on our list of expected repairs for this year. Nor did we have the faucet in the bathroom sink on the list, or the new car battery, or the higher cost of groceries, or the latest federal court decision that might mean I have to go back to making regular payments on my student loan, on top of the medical loan.

            One of my projects this summer has been to educate myself about all of the bills and home details Mom has been taking care of for so many years, so that if, God forbid, Mom can’t take care of things, I will know what to do. This idea came up as a result of Mom’s second hip replacement, and the heart scare, and a very, very gradual realization that I am not a teenager anymore. I took the project seriously, and in my turtle slow way, I filled a binder with files for each category of responsibility: the car, the apartment (including the mortgage and maintenance and insurance), the appliances, the monthly bills, etc., and I was quickly overwhelmed by how much money it takes to just to keep things copacetic. I have a whole folder on what to do if different appliances and fixtures and furniture break down (with phone numbers for repair people and warranties and preferred brands), but this past month has made it clear that no matter how organized I try to be there will always be unknown costs that pop up. And you know what I can do about that? Nothing. Except raise the dose of my antidepressant, when necessary, and trust that I will be able to figure it out when the time comes.

            I just want to say: Phooey. This adulting stuff really sucks. I give it one star, at most.

The new air conditioner is so much quieter!

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Tikkun Olam and Tikkun HaLev

            Over the past few decades, most liberal Jewish congregations in North America have emphasized Tikkun Olam (usually translated as “Repairing the World”), especially the social action/giving-to-charity interpretation of Tikkun Olam, instead of the particular rituals of Judaism. And more recently, many liberal Jews have seen Tikkun Olam as almost interchangeable with progressive American politics, supporting movements like Black Lives Matter, LGBTQ rights, efforts against Climate Change, etc.

(Two Tikkun Olam images I found online)

In a way, this narrowing of American Jewish values down to Tikkun Olam made it easier for parents to explain to their children what it means to be Jewish, though it left a lot out, and also left out a large portion of the Jewish people who, like me, find meaning and solace in the religious aspects of being Jewish, like prayer and study and rituals and history. But, for the most part, my own liberal Jewish congregation was able to bridge the gaps, accommodating the Jews who wanted to have both a particular Jewish identity and to play a role in the repair of the world overall, and I thought that’s what was happening everywhere else too.

Until October 7th. Many American Jews were caught off guard when their fellow progressives saw Israel, and the Jews who supported Israel, as the enemy. These were Jews who had been raised to see progressive politics and being Jewish as basically the same thing, and couldn’t imagine their lives outside of these movements for social change. Over the next weeks and months, many of these Jews felt alienated and abandoned by their fellow progressives, while others took on the anti-Israel values of their friends; maybe because they’d done their own research and found that they agreed with the progressive stance against Israel, or maybe because they knew very little about the long history of anti-Semitism, and the history of why and how the modern state of Israel came to be and didn’t feel like it was worth losing friends over, or maybe because they identified so much more strongly with their fellow liberal Americans than with the eight million Jews living in Israel (mostly refugees from pogroms and then the Holocaust and then from the surrounding Middle Eastern countries, or the descendants of those refugees), who they knew very little about. I don’t know.

But when I heard from Jews who called themselves anti-Zionists, or distanced themselves from their Jewish communities over conflicting views around Israel, in the aftermath of October 7th, what I heard over and over again was that they were living up to the Jewish values they’d been raised with, especially Tikkun Olam, and that made me think that I needed to better understand the concept of Tikkun Olam and where it came from and how it came to be understood the way so many Jews understand it today.

            The first use of the term Tikkun Olam that I could find was in the Mishnah (a commentary on the Hebrew Bible written between 200 and 500 CE), where the rabbis invoked the idea of Tikkun Olam, or repairing the world, when they considered how their legal rulings would impact society overall (by which they meant Jewish society, because that was all they had any control over). Often these legal rulings were focused on small details about how to make the laws clearer and easier to follow. I love the idea that just by making road signs clearer you are improving the world and I love this lower case interpretation of tikkun olam, which basically says that by doing your individual job well, whatever it is, or being patient with others, or taking other people into consideration, you are fulfilling the Mitzvah (good deed or commandment from God, depending on your point of view) of Tikkun Olam.

            Maimonides, a medieval Jewish sage, later defined Tikkun Olam as made up of three specific parts: studying Torah, doing acts of kindness, and following the ritual commandments. Many of the small diaspora Jewish communities over the millennia have practiced Tikkun Olam, but most referred to it by its component parts, defining their efforts to help their fellow Jews, by caring for the poor and disabled and elderly in their communities as act of loving kindness (or G’milut Chasadim in Hebrew), rather than referring to them as acts of Tikkun Olam.

            The concept of Tikkun Olam overall got a boost from Rabbi Isaac Luria and the kabbalists of the 16th century, when they spoke of how God had contracted part of God’s light in order to create the world, and then created vessels into which to pour God’s light, but the vessels weren’t strong enough to hold all of that power and they shattered. The kabbalists determined that, therefore, our role as Jews, or just as human beings overall, is to collect the shards of those vessels and the sparks of God’s light, like a big jigsaw puzzle, in order to repair the world. But the way we collect those divine sparks, they said, was pretty much the same as Maimonides had prescribed: studying Torah, doing acts of kindness, and following the ritual commandments.

             And then, as Jews began to thrive in places like the United States, where they were free to live and work where they wanted to, many of their G’milut Chasadim efforts to help one another (creating hospitals, social work agencies and charities) grew into more universal organizations meant to help all Americans, Jews and non-Jews alike. At the same time, many Jews were also stripping away the particularly Jewish aspects of their identities in order to fit in with the larger American culture, which they were now free to do, and encouraged to do. And many Jewish congregations and organizations therefore made an effort to keep those more marginally connected Jews in the fold by emphasizing the Jewish value of Tikkun Olam, and redefining Tikkun Olam in a way that allowed these less connected Jews to see their charitable giving and political activism as distinctly Jewish and therefore able to be done in place of the old traditions.

            One of the things that started to bother me about the modern take on Tikkun Olam was that it became very prescriptive and rigid. In part because , from what I’ve seen, when people focus their ethical behavior singularly on social activism, at both the left and the right extremes, they begin to harden their hearts as their goals becomes more important than any individual people involved, and their ideals eventually calcify into weapons. Because, really, it takes a lot of self-knowledge to create real empathy with someone else’s struggle, and to know how to be genuinely helpful, and that wasn’t a value that was being emphasized in these social action movements.

            In the midst of my wrestling with this concept of Tikkun Olam, and feeling torn and bruised by the battle, my rabbi happened to mention another phrase that I hadn’t heard before: Tikkun HaLev, which roughly translates to “repairing the heart.” He said it offhand during a bible study session and I wrote it down, without context. When I looked back at my notes, and realized I didn’t know what it referred to, I went to my friend Google to find out. But I only found a few references, most of which emphasized that repairing the heart is a way to improve your ability to practice repair of the world. I struggled to find any references to what the rabbis themselves meant by the term, or if they had even used it. So I went back to my rabbi and asked him what he’d been referring to when he talked about Tikkun HaLev, and he didn’t even remember saying it, let alone what he’d meant by it.

What all of that said to me was that I was free to translate Tikkun HaLev however I wanted. I could envision a little stick figure character with a broom sweeping the dirt away from a big red heart, or I could imagine a heart-shaped character lifting weights at the gym, or getting surgery, or at least stitches. Or, I could think of the kind of work I’ve been doing in therapy forever, which is about healing my own pain and, only as a side effect, growing my ability to have compassion for others. But the most enduring image that came to mind when I thought of repairing the heart was of the hundreds of times my mom picked up a dog toy from the floor, where its fluffy white guts were spilling out after yet another vigorous play session, and gently re-stuffed and resewed that beloved toy, so that whichever dog it belonged to could continue to play with it and love it.

Miss Ellie, surrounded by her repaired toys.

            If I were going to create my own practice of Tikkun HaLev, or repairing the heart, I would focus on the small details that I actually have some control over, and the ways that fixing those small things improves not just my own life but the lives of the people around me. I can smile at a neighbor, pet a dog, plant a tree, or a flower, practice being patient when a friend tells a rambling story, and take the time to listen and make eye contact when someone needs to complain about the cost of medication. And adding repair of the heart into my vision of how to repair the world could also allow me to be more humble in my assumptions about what needs to be done and what is actually possible.

            In my own version of all of this, I would also want to include outward signs of my Jewish identity, to remind myself and others that being proud of my Jewishness doesn’t mean that I reject the modern and secular world at large, that I can value both at the same time. But that’s just me.

            We are at a point in history where the need to repair our world has become obvious to almost everyone, and we have many different ideas for how that repair should be done. My hope is that we can take some of this energy to repair our hearts as well, and to grieve our losses, and try to be more generous, to ourselves and others, as we go through this process together.

“Shh. Don’t tell anyone I’m up here on the computer. I don’t like the idea of surgery.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Stuffing My Critics in a Jar

            This past winter and spring, I was busy writing something new. I had wanted to work on revisions for the second Yeshiva Girl novel, which has been in the works for way too long, or add to the draft of the synagogue mystery that I’ve also been mulling over for years, but instead a new story burbled up. By May, I had a 220 page first draft of a novel, tentatively titled Hebrew Lessons, about a young woman who takes online Hebrew classes (like me) and falls in love with her Israeli teacher (that part is fiction. Sorry). It was fun to write and also gave me a chance to think about the relationship between Jews in America and Jews in Israel, which has always been complicated, and has become even more so since October 7th.

            The problem is, now that I have to start re-reading the draft and planning revisions, I can’t make myself do it.

            While I was writing the first draft I was able to shut out the big, noisy critics in my head, for the most part, with a gentle “Shut the fuck up! But now that I’m ready for revisions I need to keep the door open to critiques, and the big, noisy, nasty voices in my head keep pushing their way in through the open door.

            Even looking in the direction of the manuscript, which is sitting on a pile of books next to my bed, brings up all of the nasties: How dare you write a story with an Israeli character when you’ve never been to Israel? What the hell do you know about love? No agent will touch a book with a Jewish character now, let alone an Israeli! Everything you write gets rejected so why waste your time? Your writing is too serious, silly, sentimental, simple, stupid, etc. You should be ashamed of yourself for thinking your voice even matters. You should be doing something more responsible, selfless, constructive, etc. with your time. If you actually finish the book you’ll have to write query letters and face rejection, and you’ll be embarrassed when people see your imagination written out on the page, like an x-ray of your inner self.

            At first I thought I just needed a few weeks away from the book to get some perspective, but then weeks passed and, if anything, the voices got louder, and nastier, and I couldn’t do anything to stop the flood.

            Eventually, an image came to mind from the first Superman movie (with Christopher Reeve), where the bad guys (General Zod and his two henchmen) are sentenced to jail and trapped in these flat/see-through boxes where they can be seen, but not heard, for eternity. And I thought, that would be awesome!

            Mom found me a jar (she collects them for art projects) and I labeled it “Unhelpful Critics” and started to fill it with slips of paper slathered with critical messages. But the voices kept coming, threatening to overflow the jar, and my resistance to reading the draft stayed just as strong.

            I’m sure that part of the problem is my inability to convince myself that it’s okay to ask to be treated with kindness, so when a critique is hurtful and I want to shove it in the jar, I worry that I’m being too easy on myself and ignoring a painful reality that I really should force myself to face. There’s also the issue that it’s been hard to separate out a specific, technical criticism (the pacing is too fast or slow, the details of the setting are too sparse or vague) from the big bad feelings that stick to every criticism and feel like a punch in the gut. It’s as if the nasty, destructive voices in my head attach themselves to even the mildest suggestions for improvement, and make it all into a toxic mess.

            But I really wanted the jar, or anything, to work, so I kept filling out these strips of paper, until I had to graduate to an oatmeal container, and then until I couldn’t capture them in words anymore, but they were still coming, constantly.

It took me too long to start to wonder why all of this pain was coming up around the novel, and yet I’ve been able to write weekly blog posts forever without being swamped this way. And I had to ask myself, why is writing fiction, in particular, bringing all of this up?

I have always loved fiction, writing it and reading it, for the way it can organize reality, and improve on it, and create safer containers for all of the experiences that overwhelm me in real life. But maybe, at least in this case, imagining a better version of my life, and myself, means facing all of the grief I feel that that isn’t my life, and the jealousy I feel that this imaginary young woman gets to live that life. There’s also, interestingly, a deep fear of the unknown, because in living vicariously through her, and facing difficulties and opportunities I’ve never faced, I’m overwhelmed with anxiety about how to solve these unfamiliar problems, in love and life and work. And I feel guilty that I don’t have the tools to protect her from that pain.

I think there’s another aspect to this as well. When I write my short essays I imagine my blog readers, who are so kind and curious and generous, and so much nicer to me than I am to myself, and that allows me to feel safe enough to write difficult things. But when I write longer things, like the novel, or something else that I expect to send out to literary magazines or agents or editors, I hear the cold, dismissive, and destructive voices I’ve faced so many times over the years, in graduate school and beyond, and those voices set off my inner critics and it becomes a wildfire.

Maybe, if I could find a way to think of the novel as a very long blog post, or just imagine my blogging friends as my primary readers, the nasty voices would step aside, or at least quiet down, but I don’t know how to make that switch. If I tell myself that I’m not going to send the novel out to be judged by the industry, then either I won’t believe it, or I’ll believe it and that will set off a whole other kind of grief, because I’m not ready to give up on the possibility of being a successful author, not yet.

            But the thing is, I really loved writing the first draft of this book, and I want to get back to that feeling, and I also want to finish the book so I can see if other people like it as much as I do. I feel like just writing this essay has gotten me most of the way there, but I’m not quite there yet, and I’m not sure what else to try.

“Curling up in a ball works for me. Just a suggestion.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?