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Shiva is Scary

            A friend from my synagogue suffered a loss recently and, of course, I needed to go to her house for a Shiva visit. Traditionally, Shiva (which means “seven” in Hebrew) is the seven days of mourning after the funeral, when people bring food to the mourner’s home and stay for services so the mourner won’t have to leave their house in order to say the Mourner’s Kaddish in community. In our progressive synagogue the amount of time spent in Shiva is usually shorter, often only one or two days, because seven days of sitting is a lot, and because the short time period makes it easier to be sure the house will be full of guests each night, instead of having nights when no one but the rabbi shows up.

“If they offered chicken treats they’d get a crowd every day.”

            Shiva visits make me anxious though, especially if I get there too long before the evening service, and have a lot of free time to sit around and chat with the other visitors while waiting for a chance to speak to the mourners. There are people who are good at these sorts of things: people who know what food to bring, or if they should even bring food at all, and know what to say to the mourner, and where to sit, and how to offer help, and how to talk to whoever else is around. That is not me.

“Me neither.”

            I have social anxiety (along with Generalized Anxiety and Panic Disorder and a few hundred other things), so the idea of walking into a private house, full of mostly strangers, is already a big deal. There are also, usually, a lot of family members I don’t know, and friends and neighbors I’ve never met, and fellow congregants who I may have seen once or twice before, and I’m supposed to be able to navigate through the crowd, making polite conversation, until I reach the mourner to say, what? “I’m so sorry for your loss” is the most common and reliable thing to say, and I am sorry and it is a loss. But I tend to feel like I should suddenly be the most outgoing person on the planet, and ease the mourner’s grief in some brilliant way, and offer insight and comfort and support and …. I expect a lot of myself. I think that’s part of why being a social worker didn’t fit me. I often got home at the end of the day of field work with a long list of things I hadn’t accomplished, or didn’t understand, or couldn’t manage, or didn’t have time to do, and the guilt was unbearable.

            Given all of that, I felt a strong impulse to skip this Shiva visit altogether; to pull the covers over my head and pretend it wasn’t happening and that no one would miss me. And the fact is, no one would have criticized me, or even commented, if I hadn’t gone, but I knew I would feel awful, so I had to go.

            To make the visit more manageable I went as close as possible to the start of the evening service, to limit the chat time. The prayer service at Shiva is pretty short and is mostly there to facilitate the saying of the Mourner’s Kaddish, but even those few familiar prayers can be comforting in the midst of all of that grief and pain.

            In a regular service, at my synagogue, the Mourner’s Kaddish is said by those who are in mourning, or remembering a loss, and only the mourners will stand, but at Shiva we all stand, and we focus our attention on these particular mourners, in this particular house, rather than on mourners in general.

            I like that idea, because then, at least for the first week of mourning, you can think only of your own pain and loss, and know that others are thinking of you and praying with you; and only after that week do you go back to seeing yourself as part of the community of mourners, all mourning different losses.

            In the end, the Shiva visit went fine. The mourner hugged me as soon as I arrived, and when I asked about her loss she was able to tell me, and those around us, about the last days of her loved one’s life. She did all of the work; I just showed up, sat down, and listened. And I realized that I was proud of myself for just showing up. I didn’t change the world with the few words I said, but I was there for her and I said and did what I could. And that felt good.

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Power of Magical Thinking

            In this season of miracles (for Hanukah) and magic (for Christmas) I’m always inspired, and a little bit confused, about what’s possible and what’s not. I don’t think Santa is going to come down my chimney, wearing a blue suit covered in Stars of David, with a bag of presents just for me; if only because I don’t have a chimney of my own. And I don’t think my Chanukiah (a menorah with an extra candle for Chanukah) is going to stay lit for eight days; in fact, I’ve never had candles that lasted more than half an hour at a time. But there’s something in the air, and in the lights and presents and TV movies and special foods and decorations, that makes it feel like anything is possible.

“Can we plant chicken trees this year?”

            I don’t really believe in magic, though I really, really, want to, but I’m intrigued by it and by all of the things we’ve called magic in the past that turned out to have understandable, if complicated, causes.

            Recently, my rabbi talked about how, when the ancient Israelites first entered the Land of Canaan, the Canaanites taught them all of the latest agricultural science, including the rule that you should only make unleavened bread in the spring, so that all of the leavening (AKA fertility) could go to the land itself. As a result, we have a Jewish holiday each spring which features unleavened bread, or matzah (at some point, the holiday of unleavened bread was combined with the celebration of the Exodus from Egypt, to become the single week long holiday of Passover). Over time we gave new meaning to the ritual of eating unleavened bread in the spring, combining it with the memory of the way the Israelites had to escape from Egypt quickly and therefore had no time to let their bread rise, but the ritual is the same and its source is a belief in sympathetic magic.

“Matzah does not count as food.

Sympathetic magic is magic that derives its power from a connection between similar objects, like a voodoo doll, with a lock of the enemy’s hair on the doll to create a link, so that whatever happens to the doll happens to the enemy. You don’t have to believe that this is magic in order to understand the metaphoric value of a ritual like this: the voodoo doll creates a catharsis, so that an individual can cause harm to a lookalike doll instead of going out and physically harming their enemy, allowing the person to work through their pain, and the fantasy of killing the other, without actually hurting someone else or putting themselves in danger. Isn’t that an incredibly powerful, and even magical, thing for a ritual to be able to do?

The Jewish ritual of Tashlich, where we throw our sins into the water (in the form of bread or birdseed) on Rosh Hashanah, has power because it offers us the chance to feel unburdened, as if we’ve really released a weight from our lives. It’s similar to the therapeutic practice of having a patient who has lost a limb use a mirror to create the illusion of two healthy limbs, so that she is then able to relax the muscles and nerve endings leading to the missing limb, creating real change in the body as the result of an illusion.

Some sympathetic magic hasn’t aged quite as well, like using herbs with yellow sap to cure jaundice, or eating walnuts to strengthen the brain (because walnuts look like miniature brains), or drinking red beet juice to benefit the blood. And yet, at the time that these cures were used they must have seemed like powerful magic, or even the science of the day.

            And that makes me wonder, what if the ideas we call magical thinking are simply hypotheses we’ve come up with over time to explain phenomena we don’t yet understand? When there is proof that a hypothesis is wrong then it would be delusional to continue to hold onto that theory, like eating walnuts because they look like brains rather than because of their actual nutrients, but when there is no means to prove or disprove a hypothesis then is it really so unreasonable to hold onto these magical ideas if they offer us comfort?

            Another example of sympathetic magic that resonates for me is the horcruxes from Harry Potter, where part of the person has been transferred into an object, and therefore the person can’t be killed until the object is destroyed. J.K. Rowling made this concrete in her books, to prolong the life of Voldemort and make him that much more dangerous, but don’t we often use works of art, or clothing, or photographs, to represent our connection to the person who owned them, allowing us to feel their presence even when they are gone?

Miss Butterfly
Miss Dina

            There’s a reason why the Harry Potter books were so successful with adults, as well as with children: because the magical logic resonates. Magic is a powerful metaphor for the things we struggle to give full weight in our emotional lives. It is often used in fantasy stories and superhero movies to bring hard-to-explain feelings to the surface, like the Dementors in Harry Potter who represent the unbearable feelings of grief in physical form, so that they can be seen and fought off. Or like Superman’s one weakness being kryptonite, because it is the raw material of his home planet; this is powerful sympathetic magic and deep psychological truth all at once.

In Harry Potter, Voldemort’s name was replaced with he-who-must-not-be-named, because they believed that saying his name would make him appear, and we have this in Judaism too. We are never supposed to say the “true” name of God, the unpronounceable four letter name in the Torah – the Tetragrammaton – that some pronounce as Yahweh, and we are supposed to save the other names of God only for prayers and blessings, because we’re not supposed to say God’s name in vain, or for no meaningful purpose. All of this is because we recognize that words have power: to create, to shame, to guide, to honor, to express love.

            There are lots of things that I don’t believe in literally that bring me comfort and allow me to keep going, even when reality is deeply disappointing, and I think that’s often the purpose of magic, and religion too. And sometimes, inexplicably, the magic works: a call comes just when you prayed for it, you wish on a star and the wish comes true, or you get a feeling about someone you love far away, and it turns out to be true. Maybe it’s a coincidence, or an educated guess based on deep knowledge of the other person, but it feels magical, as in, unexplained and powerful. And who’s to say it’s not? Especially at this time of year.

“If we put our heads together and think hard, maybe the chicken will come!”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?         

Abraham the Father of Multitudes

            There’s a belief – that you are supposed to take on faith – that all of the books of the Hebrew Bible, and even the Oral Torah (the commentaries on the Hebrew Bible written later by the rabbis, called the Mishnah and the Gemara) were given by God at Mount Sinai, along with the Ten Commandments. According to Jewish dogma, in fact, the books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy were all written by Moses (and inspired by God) in about 1300 BCE. Unfortunately, it’s more likely that these stories were written and collected during the Babylonian exile, after the destruction of the first temple in 586 BCE, and a long time after the events described would have taken place.

            My Rabbi likes to say that the early stories in Genesis, pre-Abraham, are meant to be like Rudyard Kipling’s Just-so-stories, fables really, to explain the origins of things in our world. Why is childbirth painful? Why do we wear clothes? Why do we speak so many languages? Why are we scattered across the earth? And the answers were often adapted from what surrounding cultures had come up with to answer those same questions.

“Just so you know: dogs don’t wear clothes, and we all speak Woof.”

            There’s a well-founded theory, new to me but not new to biblical scholars, that everything before the story of the Exodus from Egypt, the central story of the Hebrew Bible, was written to make that Exodus more meaningful, and to explain why the Israelite tribes were able to escape slavery and enter freedom in the land of Israel. Others say that even the Exodus story itself is a fiction, created by a mixed group of tribes living in the land of Israel centuries later, to create a cohesive story of how they became a nation.

            This idea makes me feel seasick, as if the ground under my feet has been pulled away, but in another way it’s freeing. It allows me to see my ancestors, and these stories, as less concrete and more open to interpretation. There are reasons why every culture writes its own history, creating its own heroes and villains. Even the American story, so much more recent in history and therefore much easier to fact check, is full of exaggeration and idealization and interpretation meant to bolster certain values. This is what people do: we tell stories about our lives and our families. Some of these stories are even true, but many of them are meant to be symbolically true and to be emblematic of the life lessons we want to teach our children, rather than sticking strictly to the facts.

            And in the ancient world, history and chronology and literature were treated very differently than the way we treat them today. The idea that we fact check our stories at all would have seemed strange to them, and the idea that the science of a story would have to be correct would just seem silly. They didn’t care if the splitting of the Sea of Reeds was possible, just that it felt true to them.

“I never let facts get in my way.”

            Despite my endless questioning of the biblical authors, I always took it on faith that Abraham (and Isaac and Jacob) were real people. I assumed that the authors of the Hebrew Bible were mythologizing and interpreting every which way, in order to make these patriarchs seem more important and to make them stand for more than just individual people doing idiosyncratic things, but I assumed that at least some of the stories were based in fact. It never even occurred to me to wonder if Abraham himself was a fictional character, created by later generations, to validate cornerstones of the Israelite faith. Part of me even accepted that the mythological characters of Adam and Eve, and even Noah, were historical in some way. My questions, when I had them, were more often about the way the biblical authors interpreted events, editorializing and exaggerating to particular ends, rather than whether or not the events themselves had ever taken place.

            But, if the stories of the Hebrew Bible are fiction, why do the patriarchs, and especially Abraham, matter – so much so that three world religions see Abraham as their forefather?

            The name Abraham basically translates as Big Daddy, or father of multitudes. And yet, Abraham is a mess as a husband and a father, which makes him an interesting choice for patriarch. He’s certainly not a good role model, except, maybe, in his faith in God.

            So what is the point of this Abraham character? And why has he resonated with so many people for so long? We can ask that question whether we believe that God wrote the Hebrew Bible or that many different authors wrote it for their own different purposes, actually. Why has Abraham lived up to his title as the father of multitudes, inspiring so many people to believe in monotheism and this Yahweh version of God?

            The Hebrew Bible doesn’t present us with a paragon of goodness who is born knowing how to do everything right – no, Abraham is flawed, and makes terrible mistakes, even life threatening mistakes, in his misreading of what God wants from him.

            He learns.

            And God is with him every step of the way, not always cheering on his actions but trying to guide him and be with him as he makes his mistakes. Maybe his imperfection is what allows us to relate to him, and go on this journey with him, and believe that, maybe, we can have our own, similar, relationship to God.

“I’m imperfect too, and you love me anyway.”

            This is a God who will stick with you when you struggle, and continue to spur you on to be better, and give you second and third chances to learn. Isn’t that what we all want, really, to be supported along the way and not required to be perfect from the start, or even at the end, in order to earn that support?

            So, does it matter if these characters really existed thousands of years ago? Maybe it’s even more powerful to think that our ancestors were able to imagine these characters and their stories, and create this vision of God. I’m a fiction writer after all; I believe in the power of a good story, whether it’s factually true or not.

“Tell us another story, Mommy.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

The Mumble Grumble Prayers

            One of my jobs as a synagogue school teacher is to teach my students how to pray, but sometimes I worry that I’m the wrong person for the job. I grew up going to a Conservative Jewish day school, where half of each school day was spent on Hebrew language, and Jewish history and customs, and prayers. But I don’t remember actively learning the why behind the prayers. I learned how to sing the prayers, and which prayers and blessings to say when, but the Kavanah, the intention, was most often left for last, or for never.

The assumption, I think, was that little kids couldn’t understand the deeper meaning yet, but by seventh grade I’d switched over to an Orthodox school where there was a sudden descent into the mumble grumble form of prayer. We didn’t focus on the music of the prayers much anymore, instead we gave value to the words of the prayers, with a requirement to read or say every single word. The problem was that the girls were given very little time to say the morning prayers, and it was mumble grumble, or nothing. Even at my most fluent, I couldn’t have even skimmed the Hebrew of the prayers in the short time allotted to us, though many of my classmates were able to do it, and even seemed to feel something. In orthodoxy, our teachers told us, the belief was that if we did the right things, and read the right things, and said the right things, we would become good Jews, even if we never understood the why of any of it. But for me, that method didn’t work.

“Harrumph.”

 I’m only responsible for teaching the kids a few prayers each year in synagogue school, which gives us time to learn the tunes, and the words (often in transliteration), but most of all the intention behind each prayer, which meant that I needed to know what those were; and in some ways I had to start from scratch. I did my research and reading, but most of my learning came from going to services myself. At my synagogue we learn a lot of different versions of the prayers, to emphasize different ways of looking at the words and meaning, but even when we use the same version over and over, we often stop to read a poem or hear a story first, to shed new light on the purpose of the particular prayer. And that has given me a lot of material to share with the kids, but, more often than not, I ask the kids if they can explain it to me.

“Huh?”

For example, the Mishaberach is a prayer for wishing someone healing from physical or emotional pain, so we spend some time talking about how a prayer might be able to comfort us, or give us strength, even if we don’t believe that God is answering our wishes directly. And when we look at the words of the Ve’shamru, a prayer we say on Friday nights to remind us of the obligation to celebrate Shabbat, I’ll ask them why we might need, or want, a reminder in the form of a prayer every week, especially one that we say after the Sabbath has already started. And then we can look at the Modeh Ani, one of the weekday morning prayers, in which we thank God for letting us wake up in the morning, returning our souls to us after a night in God’s safe keeping (go ahead, try to teach that concept to children without accidentally referencing zombies, I dare you).

“Zombies?!”

A lot of this focus on creating meaning is due to the fact that most progressive Jews (Reform, Reconstructionist, Humanist, Conservative, etc.) don’t feel obligated to pray. In orthodoxy, you are supposed to accept the burden of obligation, in rituals, and daily behaviors, long before you ever learn the why behind the what, which is what makes mumble grumble prayer a help to them. In progressive Judaism the why always comes first, because many of the obligations have been made voluntary, which has its own risks.

Sometimes I worry that my synagogue school students are missing out by spending so little time on their Jewish education each week. I wouldn’t have been able to fill my brain with so much of the how of Judaism, and the history of Judaism, without half of each day of my childhood being set aside for learning how to be Jewish. And I feel lucky to have the background I have, and the wealth of information to tap into. My hope is that, in the time my students and I have together, they will learn to see the obligations of their religious community as more than worth the gifts they will get in return, especially because there are so many fewer obligations in Progressive Jewish life. And maybe this lighter touch will keep them from falling into the mumble grumble form of religion, where the obligations drown out the inspirations.

            In my ongoing search for ways help the kids to feel connected to the prayers, I went to a Zoom presentation by the founders of a musical group called the Nigunim Ensemble, based in Israel. They have created new versions of old prayers, incorporating chants and new rhythms from Arab, Persian, and popular Israeli music. Their message to our Zoom class was that the Jewish world can, and should, widen its ideas of prayer music, not only to include more people in our community, but to add more layers of emotion to the experience of prayer. And I was excited by all of the new sounds they were introducing to us, but for me, the message that came through most strongly was the sense of joy I heard in their voices. And I realized that not only singing good music, but singing in community, allows me to feel heard and accepted, as I am. And, when I feel heard by my community, I start to think that maybe God can hear me too.

“We can hear you, Mommy.”

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

            Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

Teaching Leviticus

 

For the next few months, I will be teaching a synagogue school class on Leviticus (Vayikra, in Hebrew), the third book of the Bible. It’s an odd book for children to study, with its focus on laws that applied in ancient temple times: laws for the Levites (the priests and their helpers) around purity and sacrifices and holiness. There’s also a section on dietary laws.

Cricket and bird

No, Cricket. You can’t eat the Canadian bird, even if she’s kosher.

But the fact is, the class will be based on a pre-set curriculum with very few actual quotes from the text, and much more focus on the ways these issues can be extrapolated into the modern lives of Jewish children. This makes a lot of sense. What’s the point of bogging down children’s minds with long passages, in Hebrew, about rules for priests who no longer exist? Judaism used to be a temple cult, with animal sacrifices, but long ago transformed into a synagogue and prayer-based religion.

Except, when I went to Jewish day school as a kid, we read everything, and we read it in both Hebrew and English, and it had an impact. We learned about “an eye for an eye” and that it should be translated to mean “money for an eye,” because the victim should be adequately compensated for the loss, rather than inflicting a similar loss on the perpetrator. We also learned about who’s responsible if someone’s ox falls into a pit on someone else’s property, and how punishments should vary based on whether a crime was intentional or accidental. It was, a little bit, like law school for ten year olds.

001

“That doesn’t sound like fun to me, Mommy.”

We also read the stories of the prophets in Hebrew, like a novel, without even bothering with the commentaries most of the time. Our Hebrew was pretty great, now that I look back on it.

I can’t say whether all of that was better or worse than what we do at the synagogue school; it’s just very different. My students still struggle to sound out words in Hebrew, confusing similar looking letters for one another, and struggling to remember which sound goes with which vowel sign. And the bible classes are meant to be taught in English. But I’d still like to infuse more of the Hebrew text into the process; not because it’s part of the set curriculum, but because I want them to know that there’s a connection between the lessons we’re learning in class and the Torah that we read with such awe during services in the sanctuary. We dress the scroll in velvet and silver, and we read it with a special silver pointer, from a parchment written by hand by a single scribe. I want them to hear the ancient Hebrew, and the strange melody of the chant, and to feel the connection to the past that makes it all feel so sacred and phantasmagorical to me.

I’m a little bit anxious about the transition to something so much more clearly planned out. This will be the only year, at least in synagogue school, that they study the book of Leviticus, so I can’t hop around and choose to teach whatever interests me at the moment as if I’m picking from a vast Chinese food menu, the way I do in the Hebrew class. There are important lessons here that won’t be addressed elsewhere and that will be helpful to them in preparing for their Jewish lives. But I’ve gotten used to the creativity of the Hebrew class, where we can spend fifteen minutes trying to shape the Hebrew letters with our bodies without feeling like we’re wasting time (I have one student who can do a bridge pose that looks exactly like the Hebrew letter Chet – it’s possible she has no spine).

045

“What letter am I, Mommy?”

It’s a balancing act, to bring the kids some of the magic that I feel, without overwhelming them with too much that is beyond their abilities for now. I need to make it fun, and relevant, and engaging, and useful to their daily lives, but I also don’t want it to feel so familiar that it loses its spark.

So, I need to study the lesson plans carefully, and study the book of Leviticus itself again, and try my best to teach my kids about holiness and where to find it in their lives, in their communities, and in themselves. And in dogs. There’s got to be room for the dogs in there somewhere.

IMG_0747

“There always has to be room for us.”

Wish me luck!

 

If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

A Summer of Singing

 

At the first official choir rehearsal for the Jewish High Holidays (Rosh Hashanah and Yom Kippur, starting Sunday night, September 29th), I received a loose-leaf full of music from the choir director. Most of the other choir members have been there for years (some for over thirty years), so while they mostly had to show up at rehearsals and sing, I had to take my loose-leaf home and study. Even the songs I thought I knew had to be relearned, because I was used to singing the melody with the congregation, and now I was singing the harmony with the other altos.

IMG_1035

“Do you really have to sing that again?”

The music kept repeating in my head all summer long. I knew my brain was doing this to be helpful, so that I could learn what I needed to learn in a hurry, but it meant that I was drowning in melancholy music for months. I couldn’t even escape it while I was sleeping.

The dogs are probably sick of hearing about repentance and atonement, but they seemed to like finally being able to participate in synagogue services, in their own way, in their own home. When the summer rehearsals started, I spent a lot of time being mute and grumpy, because I couldn’t sing along. But after months of studying I’ve learned most of the songs, and even figured out how not to be completely distracted by the other voices around me.

img_0510

Except for Cricket’s voice. That still distracts me.

Starting in September we had choir rehearsals once a week, and by then I knew most of the music, though some things were still beyond me, especially the songs where the altos just sing the oohs and ahhs in the background (it’s so hard to learn the music without words to hang the notes on!). There are a few pieces of music that still confound me, especially one that requires us to sing ten notes on one word, over and over again. I get three notes in and then shut my mouth and wait.

249

“I’ll sing for you, Mommy!”

Unfortunately, no one seems to have noticed all of the progress I’ve made, even though I make a point of singing out when I know what I’m doing. Maybe they think it was as easy for me to learn all of the music, or they forgot that I’m new to the choir altogether. I was kind of hoping for some praise; you now, gold star stickers to put on my loose-leaf, something like that. Maybe someday.

One very lucky break is that our temporary conductor is one of the altos, so she has been able to help us out with finding notes and some much needed attention. She also has her own interpretive dance style of conducting that’s really easy to follow, so that even when I’m looking down at the music and can only see out of the corner of my eye, I can understand what she’s telling us.

54 - wow, what's next

“I bet I could lead a choir!”

For the High Holidays, the choir will be sitting on a raised platform, in our newly redone sanctuary, and I am not looking forward to that. I’m used to being mostly invisible in the crowd at the high holidays, able to be grumpy or tired or whatever I am in relative obscurity. But this year I will be on public view, so I may have to put on a happy – or at least normal – face. This is also when I start to wish I’d lost more weight already, and bought a whole new wardrobe, and maybe had plastic surgery, because otherwise I just look like me. We don’t even get to wear robes to hide behind.

The biggest downside of being in the choir is that I can’t sit with Mom during the services. Hopefully she’ll be able to sit near the choir area, so that I can roll my eyes at her discreetly during the services. I think it might be frowned upon if I actually took out my cellphone to text my ongoing commentary during the services, but it might come to that. I mean, these are long services, and I have a lot to say!

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“Do you? We never noticed.”

I’ve made some friends among the altos, though, so I should be able to nudge someone and whisper when something especially ridiculous happens. Which, of course, it will. With a new sound system, and echoing acoustics, and everyone stuffed together in one big room trying to express all of the repentance and atonement and misplaced guilt of a whole year, laughing fits are inevitable.

I wish you all a Shana Tovah U’Metukah (a good and sweet new year) with as much laughter as possible!

Happy New Year!

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If you haven’t had a chance yet, please check out my Young Adult novel, Yeshiva Girl, on Amazon. And if you feel called to write a review of the book, on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish teenager on Long Island, named Isabel, though her father calls her Jezebel. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes it’s true. As a result of his problems, her father sends her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, and Izzy and her mother can’t figure out how to prevent it. At Yeshiva, though, Izzy finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

Writing Our Own Blessings

 

There’s a long list of blessings in the Jewish tradition, most of which are over food. The official purpose of saying blessings in Judaism, according to Wikipedia, is to acknowledge God as the source of all blessings, and to transform everyday actions and occurrences into religious experiences. There are blessings on giving charity, and hearing thunder and seeing lightning, on smelling a fragrance, or seeing a rainbow (though that last one is focused on blessing the memory of the covenant between God and the Jewish People, which isn’t really what’s exciting about rainbows). There are blessings for seeing the ocean, or the blossoming of trees, or undergoing a medical procedure, or crossing an ocean, or being released from prison. There are blessings you’re supposed to say each morning, to thank God for straightening the bent, and releasing the bound, and opening the eyes of the blind, and “making me a man.” There is an alternate blessing for women to say, but, spoiler alert, it’s not equivalent to the blessing for men. There are blessings on seeing a miracle, and on receiving good or bad news, and then there’s the blessing thanking God for not making me a Goy (non-Jew), which I just refuse to say.

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“Hey, what’s that about?”

My question is: are these existing blessings sufficient to fill our needs? Every blessing in the canon was written by a human being, at a certain time and for a certain purpose. If the blessings we say throughout the day impact how we feel about our lives, it only seems fair that we should have some control over what they will be. I want to feel empowered to say the blessings that mean something to me, today, and not be stuck repeating what generations of men have seen as worthy of gratitude.

First of all, I want to be able to alter existing blessings when they don’t work for me. For example, I would change the blessing over rainbows so that it focuses on the beauty of a rainbow, or on the hope that leprechauns and gold coins will appear at the end of it. And since I can’t say the thank-god-I’m-a-man blessing and I refuse to say the thank-god-I’m-not-a-Goy blessing, I need to find alternatives. Maybe, thank God people are all different so we don’t get bored with all of the sameness, or, thank God I am the specific person I am, whoever that may be.

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“That sounds much better.”

I like the idea of spontaneously expressing gratitude when good things happen, even if those good things don’t fit into some universal pattern. Ellie might say Thank you God for giving me a mommy who knows that I want chicken right now. And Mom might say, Thank you, universe, for this little bird who landed on my window sill to eat the leftover matzah from Passover that the other birds ignored. And for me, Thank God I have enough pens and yellow narrow-ruled legal pads to write down all of my random thoughts.

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“Did you say chicken?”

            I feel strongly, though, that we should be allowed to acknowledge that life is complicated, and that I can feel more than one thing at a time, without cancelling out the gratitude. I’d call these the “Thank you, but…” blessings, as in, Thank you, God, that I can still walk, even though my hips ache on rainy days, and I have to take pain killers and wear orthotics in all of my shoes; thank you for helping me tolerate people who disagree with me, even though they are still, clearly, wrong; thank you for giving me a nervous system that is extra sensitive to smells and sounds and feelings of all kinds, even though it makes me feel awful half the time; thank you for the joy I feel when I hear a bird singing outside my window, but, you know, it’s five o’clock in the morning and I’d rather be sleeping. And of course, thank you, God, for this piece of chocolate, but next time could you make it Godiva?

            I also want blessings that can acknowledge pain as part of my life: Thank you God for seeing me in my pain, accepting me as I am, and knowing that I am doing my best; thank you God for making it rain on a day when I feel like crying; thank you God for sitting next to me in the muck and not being in such a hurry to leave; Thank you for hearing me when I’m angry and sad and confused, as much as when I’m happy and inspired; Thank you God for teaching me the power of kvetching; blessed art thou, oh lord, our god, ruler of the universe, for not giving a f**k that my hair is a mess today.

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“Stop talking about my hair!”

            And I need some aspirational blessings, to help me imagine that things can improve: may we, one day, remember what it’s like to wake up to actual birds chirping instead of to twitter alerts; may God, or the force, be with me during my exam so that I don’t forget everything I learned in a fog of anxiety; may we all learn to hear one another with empathy and compassion, even when we do not understand.

            And last but not least, because it’s the category we usually think of when we think of blessings, I need some more blessings that celebrate wonder and gratitude, like: a blessing for every time I see a new tree or bird or flower; a blessing on making a new friend, or having an “aha” moment. A blessing for pushing myself one centimeter further into a stretch, or being able to stand up again after sitting on a low chair, or having enough tissues during allergy season. A blessing for practicing a musical instrument, or taking medication that actually works, or reading a good book, or having a nice phone call, or receiving a kind email. A blessing for the ability to think for myself, and a blessing for the miracle that is chocolate mousse.

But I still have a lot of questions about blessings, and the role they play in our lives. Why do some people find deep meaning in saying blessings all day long, and others find it tedious? Is there still value in saying blessings even if you don’t believe in God? Is there a right way or a wrong way to say a blessing, and if I say the “wrong” blessing will it make me feel worse?

The dogs seem to say blessings throughout their day, like when Cricket sighs a deep sigh as she stretches herself out across Grandma’s lap, or when Ellie flies off the steps to chase a squirrel. They haven’t told me who they say their blessings to, or if they believe in God or some other universal force, and I have no idea if there are words attached to the blessings they mutter to themselves all day long, but it makes them happy. I can see how meaningful it is to them, to acknowledge, with a sound or a smile or a stretch, how wonderful they feel when they smell chicken in the air, or when they scratch their backs on the rug. They are fully present in the moment and acknowledge their gratitude, but also their disappointment and grief, all at the same time. Taking that extra second to acknowledge it all seems to really work for them.

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“Aahhh.”

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Some blessings don’t need words.

 

I wonder if there is a collection of blessings that dogs have access to that helps them find the exact right thing to bless, because I could use something like that. But, unfortunately, I’m pretty sure they didn’t find any of their blessings in a prayer book. They just know what they are feeling, and feel free to say it to whoever might be listening. That seems like a good place to start.

 

If you haven’t had a chance yet, please check out my Amazon page and consider ordering the Kindle or Paperback version (or both!) of Yeshiva Girl. And if you feel called to write a review of the book on Amazon, or anywhere else, I’d be honored.

Yeshiva Girl is about a Jewish girl on Long Island named Izzy. Her father has been accused of inappropriate sexual behavior with one of his students, which he denies, but Izzy implicitly believes is true. Izzy’s father decides to send her to a co-ed Orthodox yeshiva for tenth grade, out of the blue, as if she’s the one who needs to be fixed. Izzy, in pain and looking for people she can trust, finds that religious people are much more complicated than she had expected. Some, like her father, may use religion as a place to hide, but others search for and find comfort, and community, and even enlightenment. The question is, what will Izzy find?

 

 

 

Reconstructing Judaism

 

My synagogue belongs to a small branch of Judaism called Reconstructionism. I think there are something like a hundred Reconstructionist congregations, and three hundred and fifty Reconstructionist rabbis, in North America, so it is a small, but not invisible movement. I’ve never quite considered myself a Reconstructionist Jew, though, the way some people identify as Modern Orthodox or Reform or Conservative. I’ve only belonged to this synagogue for six years now, so it’s more that I like my congregation in particular. I still just consider myself Jewish, without a specifier.

I like that the Reconstructionists emphasize that we can make our own choices, about what to believe and how to practice, instead of having to go to the rabbi for his or her dictum. I like that the Reconstructionist movement ordained one of the first female rabbis (way back when), and celebrated the first official bat mitzvah (even further back), two things that are now common place in liberal Judaism. But I get overwhelmed by the social activism, or Tikun Olam, that is emphasized daily at my synagogue. It’s hard to watch eighty year olds go on protest march after protest march and retain any sense of self-respect when I say that I can’t go, or don’t even want to.

I was not educated by Reconstructionists as a child. I went to a Conservative day school and sleep away camp, and then to a Modern Orthodox junior high and high school. Pressure came from every direction, to fit in, rather than to choose for myself or think for myself. And it took a long time for me to find a synagogue, as an adult, where I felt comfortable just as myself. I like that I can choose to get involved in the things that fit me, like Friday night services and discussions, and avoid the things that don’t fit me, like committees, or getting on a bus to Albany to try to convince politicians to change laws. And really, until they accept dogs on these marches and trips, why would Cricket ever let me go without her?

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“Don’t leave me!”

My graduate program in social work has a (very) activist bent as well, so I get a lot of pressure from certain teachers to pursue societal change, rather than to focus on individual people and hearing their stories (which is my favorite part of social work). The fact is, I don’t want to convince people of things; I want to know them, and I want them to know me. And if that changes something for each of us, so much the better.

All of this came up recently because a couple of speakers from the Reconstructionist movement came to speak to my congregation on a Friday night. I was hoping for some wisdom and inspiration, but instead they talked about branding, and the need for more resources from us (money and time, two things I don’t have). It was exhausting, and alienating, and I had to work very hard not to walk out. Cricket would have been barking her head off if she’d been invited to the service, which may explain why she, and her doggy cohort, was not invited.

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“I don’t know what you’re talking about, Mommy. I’m a good girl.”

For legal reasons that I still don’t understand, the leadership of the Reconstructionist movement had to change its official name this year, and they came up with Reconstructing Judaism. One of the speakers told us, defensively (because they’ve heard a lot of pushback), that it’s a great name because it’s a verb and implies action. And I felt like she was saying that being a Reconstructionist is an activity rather than an identity.

We are Jew-ing instead of Jewish.

But, what if I’m not up to Jew-ing one day? What if I’m tired and need a nap, does that mean I lose my identity? I don’t want to be told that my belonging to a community depends on the activities other people want me to do; that’s the same kind of rigidity I experienced growing up with Orthodoxy, just with a new set of rituals.

So maybe I will just remain a Jew, without a specifier. The fact is, I don’t mind doing the daily work of reconstructing my own version of Judaism, at my own pace, and based on my own feelings and beliefs. I just don’t want to be told that we all want, and think, and do, the same things; or that we should, if we want to belong. That’s not reconstructing Judaism, that’s reconstructing me to fit into Judaism. And I’m not okay with that.

Cricket thinks it’s ridiculous too. No one tells Cricket who to be.

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“No one tells me what to do, Mommy. No one.”

The Music

 

I haven’t been going to synagogue as much this year. I try, but my internship hours keep me from events during the week, and I am so freaking exhausted by the end of the week that even if I can make it to Friday night services, I don’t have the energy to kibitz afterwards. As a result, I feel more like an outsider again. I’m not making connections the way I used to, and I’m missing out on a lot of things.

I don’t know what to do about this, except to hope that it will reverse next year, and I won’t have lost too much. Except that next year I’ll actually have to look for a job, and that’s terrifying and all-encompassing in itself.

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“NO!”

At least I can still get to services often enough to hear the music. Even on a random Friday night we now have congregant/musicians sitting in, and singing with the congregation does something to fix me. I can’t say I understand the process. Maybe it’s just that singing encourages me to breathe more deeply and settle down, but I think it’s more than that. Singing with other people, with the express purpose of feeling connected to community, and to history, and to myself, really seems to work for me.

The other night we had a full musical service, with guest musicians, including a new (to us) Israeli saxophonist/flautist. It was magical. The musicians are always good, but this was above and beyond in some way I can’t explain.

Music has always intrigued and confused me. Learning to play piano was frustrating and detail oriented, like learning calculus, or trying to press my feet into first position in ballet: there was nothing inspiring about it. The same went for guitar and voice lessons. And often the music I listen to on the radio has a similar pieced together feeling, like paint by numbers. It’s pleasant, but, eh. But then there are moments when a certain voice, or a certain instrument, captures some transcendent melodic moment, and I feel so much, and so transformed, and I have no idea how it happened.

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“Cricket is very relaxed, or sleeping, it’s hard to tell.”

Music also seems to bring out my contradictions, the deep darkness and the bright joys, with all of the knotted places in between. There is music that makes me angry and frustrated, or violently bored, and there is music that barely reaches me, and then there is this other level of joy. I don’t know where it exists in space, but it seems to take me somewhere else, where the rules of gravity and time and connection are completely different than they are here, in the everyday world.

It’s a relief that the music comes to me at synagogue, and I don’t have to go out to a new place to find it. The fact is, I know I like live music. I was entranced by a classical guitar player way back in college, but I only went to the tiny concert because it was required for school credit, and have never had the motivation to look for such a thing again. The fact that the music comes to me, in a place where I already feel (mostly) comfortable, is a blessing.

Now if only Cricket could come to services too. She’d love to join in with the band and add her own special sound. She’s also a pro at interpretive dance, and we don’t have much dancing at my synagogue, yet.

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The dancing doggy!

The Purpose of the Sukkah

 

I don’t have a Sukkah at my apartment building; not only because the co-op board would frown on it, but because I really don’t want to. I have a lot of grumpy “I refuse” moments when it comes to religious practices. I don’t want to bow or bend during services. I don’t want to kiss the Torah scroll when it is carried past me at synagogue. I don’t want to wear a Tallit, a Jewish prayer shawl, even though many liberal Jewish women now wear them, and there are beautiful ones to choose from. And I don’t want to build a Sukkah and eat and pray in it for seven or eight days.

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This is a drawing of a Sukkah that I found on google images.

I didn’t roll my eyes or make snotty comments in the Sukkah at my synagogue during services for the first day of Sukkot. I sat amidst the greenery and decorations and prayed with everyone else. But I refused to borrow the Rabbis Lulav and Etrog (palm frond and other species, plus a large citron) to say the prayer and shake the Palm frond in every direction, like the Jewish version of a rain dance. I didn’t have a good intellectually-driven reason for skipping the ritual. My internal monologue sounded something like, “I don’t wanna! You can’t make me!” One woman suggested that I didn’t want to do it because it was a man’s ritual. (There’s something to be said for that, but not in the way she thought. The lulav has a phallic quality to it, especially with the Etrog – only one bulbous shape rather than two, but still – right next to it.) Someone else said that maybe I didn’t like the magical thinking of it (eh, I tend to be a fan of magical thinking).

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Not my Lulav and Etrog.

I’m not an expert on the religious significance of Sukkot – the seven or eight days when Jews are supposed to eat and pray in a hut-like temporary shelter, with greenery overhead, instead of a roof, so that you can see the sky and the stars. There are various points of view to choose from. There’s the historical significance: to remember when we were nomads in the desert. There’s a social action interpretation: sit in the temporary shelter and think about what life is like for those without a secure home. There’s a self-awareness angle: to force us to think about the ways that we are too protected in our daily lives, and separated from nature and the world around us. It goes on and on. Just ask your nearest rabbi, who has to come up with new sermons about the holiday every year.

I remember putting together our Sukkah as a child, with my father and brother, and getting my fingers stuck between two of the flattened pipes that my father used as the frame for the temporary building. I remember having to carry full dishes of food, to and from the house late at night, while my father sat at the table in the Sukkah on our front lawn, like a king.

There is so much baggage left in my Judaism; personal, crummy, anecdotal baggage that I don’t want to have to relive constantly. It’s a funny mix. I love going to shul. I love singing the prayers, and being with my community, and studying. I love just looking at the Hebrew letters in my prayer book, as if they are my old friends returning to me. But then I hit these bumps, like the Sukkah, or candle lighting, or kissing the Torah, and I trip over the invisible rubble in my mind.

I’ve been told that, next year, our synagogue will be inviting animals into the Sukkah for a visiting day, as they’ve done in the past. There will be dogs, of course, but also snakes and gerbils and parrots and on and on. Maybe, when I can bring Cricket and Butterfly with me, I won’t find the Sukkah quite as intimidating. Or maybe Cricket will think the plastic fruit on the walls were put there just for her delectation, and I’ll have a whole new set of horrible memories of Sukkot to carry with me in the future.

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Cricket is ready to go!

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She’s training herself, to see how much she can fit into her mouth at one time.

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Butterfly is practicing her facial expressions, for after Cricket misbehaves in public.

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This is her “I’m the cute one” face.